MONNAIE D'ÉCHANGE (KINA) DE PAPOUASIE-NOUVELLE-GUINÉE / PAPUA NEW GUINEA (KINA) EXCHANGE M

Description française: PAPOUASIE-NOUVELLE-GUINÉE Originaire du moyen Sepik, le masque à igname sert à costumer les beaux ignames à la récolte et devait être brûlé après leur consommation dan

Description française: KORVAR Korvar en bois sculpté, avec le bras droit qui s'encastre. Le mot korvar signifie l'âme des morts, et représente un être cher. Le korvar sert de réceptacle à l'esp

wood, brown patina, remains of red and white pigment, carved in flat relief with the face of an ancestor spirit in the centre, holes on either side, old collection number "M 173" backside, slightly da

wood, feathers, rattan, plant fibre cord, blackish mass, anthropomorphic head on stylized body (legs recognizable in back view), plume of twenty-six trimmed frigate bird feathers, old collection numbe

wood ("Alstonia scholaris"), shell inlay ("Turbo Phetolatus opercula"), lime, red ochre, black pigment, hairdo from short cut brush-like plantfibre tufts, which were pressed in blackish mass, thin ver

Papua New Guinea Abelam Wooden Figure of a Man With shell eyes, decorated with red and black pigments. Height of figure 35 inches (88.9 cm)

lime wood (Alstonia Scholaris), coconut husk, rattan, bark cloth, plant fibre, fabric, lime, pigments (red, black), opercula, inventory no. "87L162", rest., baseEarlier ethnologists believed that "tat

Papua New Guinea New Ireland Malagan mask, hand carved wood, polychrome decoration, cloth & fiber covering, 14-1/2" h

Karem River, Papua New Guinea, carved wood shield, the face or mask standing out 1"-2" in relief, the zigzag designs all over quite extensive and dramatic optically, the back with its shield's handle

The auction featuring items from the Saul Brandman Foundation. Sculpture in carved wood fabrication. Region of origin: Korewori River area, Middle Sepik, PapuaNew Guinea. The sculpture is a Yipwon fig

wood, pigments, shell inlay, black clay like mass, base The term "malagan" refers collectively to a complex series of ceremonies and the visual art forms associated with them. Most of these impressive

wood, pigments, missing parts, rest.The "brag" spirit is characerised as male and warlike, seducing women and devouring young initiates before spitting them back to their mothers as adult men.The spir

iron wood, brown patina, deep hollowed eye sockets inlaid with red seeds pressed into clay-like mass, pierced septum with wooden stick, handwritten numbers "70" and "1933" on the bottom, min. dam., cr

wood, colour pigments, feathers, custom mount "Minja" figures were used in ceremonies to aid in hunting and yam fertility. Newton reports that the Kwoma regard the "minja" figures as representations o

20th c. Carved wood, shells 31" x 8" x 4" Provenance: Allan Stone Collection, New York There are mask-making villages all along the Sepik, but the Middle River is the most densely populated with over

African or Papua New Guinea Head / Bust Statue. Measures 30 inches in height. Metal construction with a custom made stand. Property of an Upper East Side Townhouse.

wood, white and black pigment, red and yellow ochre, raised middle ridge, painted with six ancestor spirit heads, plant fibre tassels along rim and through pierced septum (partly missing or brittle),

Abelam Papua New Guinea carved figure, early 20h Century, large and old polychrome decorated in red, orange, mustard yellow and black, having a large head, bent arms and legs, descending phallus, surr

AN IATMUL NATURALISTICALLY OVERMODELED AND PAINTED HUMAN SKULL, MIDDLE SEPIK RIVER, PAPUA NEW GUINEA, EARLY 20TH CENTURY, the finely modeled clay covered skull with portrait like facial features flank

Massim People, dance paddle, 19th c., Trobriand Islands, Milne Bay Province, Papua New Guinea, intricately carved and decorated in red and black pigment as stylized birds with elaborate plumage, beari

A Biwat Mask Yuat River, Papua New Guinea, c. 1900 Carved wood with black, red-orange, and white natural pigments, a woven basketry flange with loops around perime

Totem board, 2 spears and Bracelet, Papua- New-Guinea, middle Sepik territory, around 1890-1900, board with flat carving and remainsancient cold painting, L. approx. 120cm; 2 spears L. approx. 220cm;

Antique Asmat drum, 19th/20th c., Papua New Guinea, carved wood, animal skin, with a handle carved in the form of a Praying Mantis, the original drum skin held in place with braided vines, accompanied

JIMMY NELSON (*1967) | Tufi, Papua New Guinea 2017 | Archival pigment print, mounted on aluminium, in the original artist frame 120 x 100 cm with museum glass, in perfect condition 100 x 80 cm Signed