MOLYNEUX COUTURE & GUGGENHEIM GOWNS, 1930-1950s

Two couture evening gowns, 1950s, comprising Pierre Balmain grey satin cocktail dress with undulating ivory bands, c.1955, with Lesage embroidery of chenille flowerheads with silver borders; together

I. Magnin Importers Couture Pink Satin Evening Gown, ca. late 1940's early 1950's.

Multiple layered marine blue tulle, boned strapless bodice w/ multi layer tulle skirt, light blue tulle midriff band to huge CB bow, label "Heim Jeanne Filles", B 30", W 21", CFL 45.5", (small holes i

Sleeveless champagne peau de soie evening gown w/ flat neckline, fitted W w/ horizontal knife pleats, folded flat panel pleated to back neckline & W with cascading tails, slightly trained skirt, lined

An embroidered ivory satin couture evening gown, late 1950s, possibly Castillo, un-labelled, the boned bodice punctuated with bows, broad pleat to skirt centre back, the front skirt open from waist to

Lavender tulle woven w/ large dots, strapless w/ voluminous 9 layer tulle skirt, wide silk waist band & open front over-skirt, label "Heim Jeanne Filles", tape stamped "2482", built in corset foundati

A Pedro Rodriguez couture magenta cannelé satin evening gown, late 1950s, Madrid, Barcelona and San Sebastian label, with ruched and draped ballooning back panel above columnar, trained skirt, bust a

approx. 32 bust, 26 waist, hem is torn, rip in back lower dress, see photo's

Including a beautiful mauve demi-couture ball gown beaded silk and tulle with boned bodice, waist size 26"; and delicate chiffon and rhinestone tea-length dress, waist size 24". No brand labels. Condi

Exceptional Italian demi-couture ball gown in tulle and heavy silk faille, with velvet tuxedo buttons, a cape back, and strapless neckline; decorated throughout with appliqued rosettes of ballerina pi

What a rare and amazing gown this one is. Since it is from the early 1950's Lillie Rubin Couture. double layers of Organza one floral with sequins over it and the under layer is red lip Organza. color

Very Rare Gown by MGM Iconic American Couturier Gilbert Adrian . Circa Mid 1930's Black silk Chiffon Trapeze Waterfall Maxi Gown . A Piece of Fashion History and one of a Kind. The Chiffon Cascades to

Copper, brown and black floral taffeta sheath having boned bodice with center panel slightly gathered into curved seams and watteau back, skirt back with pleated gore, weighted hem, unlined. B-34, W-2

Strapless white silk with metallic brocade floral, bodice having ruched and crossed panels, interior corset, long drapery falls from left bust across front in a loop to the back, wide gathered panel b

Arlene Dahl's Personally Owned 1960s Academy Awards Castillo Haute Couture Gown W/Letter of Authenticity - This gorgeous 1960s Haute Couture gown was made by Castillo Paris and was personally owned by

DESCRIPTION: (2 Pc) A Mid century pair of Tiger Eye Quartz inlay veneered semi-precious stone pedestals in a square column shape. CIRCA: 1930-1950s. DIMENSIONS: H: 36 3/4" W: 17"; and H: 36" W: 16 3/4

Three Christian Dior Coats, Including One Haute Couture, 1950s-60s This lot includes three coats. THE FIRST Black wool swing coat with built up collar and single notch, modified raglan long sleeves, f

Rare Christian Dior demi-couture gown in dragonfly- and iris-printed silk organza, with bias-cut tiers, corded straps and a matching wrap shawl lined in purple silk brocade. Size FR 36. Designed by Jo

Exquisite grouping of vintage Chanel couture, including a rare silk velvet coat or robe, c. 1930's; silk chiffon long-sleeve dress with tiered pleated skirt, c. 1960's (25" waist); and Boutique navy c

A Pierre Balmain couture ball gown, Spring-Summer, 1954, labelled, of ivory silk ottoman, the boned, fitted bodice adorned with white raffia, coral ribbon, green floss silk embroidery with coral colou

Black silk form-fitting sheath, embellished all over w/ black jet bugle beads in zig-zag patterns, couture made, label "Don Loper Custom Made Eartha Kitt July 13, 1954 Special", B 32", W 23", H 34", L

Givenchy Haute Couture Christening Gown, 1974 Hubert de Givenchy was known to have developed uniquely close relationships with his clients, who would call upon him for requests beyond the traditional

Sleeveless blue tulle fitted to the hip and decorated with a pattern of blue sequins, flaring from inverted scallops into a flounce of tulle layers over gauze and silk, patterned allover with meanderi

Strapless, channel quilted self fabric trim around bustline & down CF, belt cut in 1 w/ skirt criss-crosses CF to tie at back, wired cream bodice foundation, labeled, B 34", W 23", H 34", CFL 51", (so