Midnight Moths Aquatint

Helen Frankenthaler Midnight 1987aquatint and drypoint in colors on White Magnani image: 19.375 h × 15.75 w in (49 × 40 cm) sheet: 31.75 h × 25 w in (81 × 63 cm) Sig

Midnight Ball Signed Aquatint, signature to lower left illegible, edition to lower left reads ‘27/350’, subject a woman in yellow dress and masked man leaving a ball together, frame measu

Person walking through streets at night. Title: " A Moth At Midnight". Medium: Photograph. Size: 17 X 14. Signature: SLR. Artist: V T Norton. Framed.

Art Werger (American, b 1955) etching "Midnight", color etching and aquatint, pencil signed "Art Werger 1988", edition 13/40, 35-1/5" x 23-1/2" plate, framed 46-1/2" x 34-1/4", very good condition

Richard Anuszkiewicz Midnight Suite (Red over Gray) 1979aquatint image: 21.5 h x 21.5 w in (55 x 55 cm) sheet: 31.125 h x 30.375 w in (79 x 77 cm) Signed, dated and numbered to lower margin

Stanley William Hayter (British, 1901-1988). "Night Moth" (Laurels Number One) - Engraving and aquatint in colors on laid paper. Edition 193/300. Publisher: Laurel Gallery, New York, 1946-1952. Signed

Artist: Richard Anuszkiewicz, American (1930 - ) Title: Midnight Suite (Purple with Silver) Year: 1979 Medium: Intaglio Etching with Aquatint on Somerset, signed and numbered in pencil Edition: 95 Ima

STANLEY WILLIAM HAYTERNew York/United Kingdom/France, 1901-1988"Night Moth". Signed in pencil lower right "W.M. Hayter". Numbered 17/300.Engraving and aquatint, 6.75" x 5" sight. Framed 12" x 10.5".

Hand Colored Aquatint Published 1823, London for "Nature Displayed in the Heavens, and on the Earth" by Simeon Shaw. Paper Size: 8 x 4.5 inch (20 x 12cm) Very minor background toning. Good Condition

Hand Colored Aquatint Etching Published 1823, London for "Nature Displayed in the Heavens, and on the Earth" by Simeon Shaw. Paper Size: 8 x 4.5 inch (20 x 12cm) Very light background text offsetting.

Hand Colored Aquatints Published 1823, London for "Nature Displayed in the Heavens, and on the Earth" by Simeon Shaw. Paper Size: 8 x 4.5 inch (20 x 12cm) One illustration is uncolored. Good Condition

Midnight blue silk peplum bodice and trained bustle skirt decorated with floral bands worked in jet bugle and seed beads, skirt center panel flanked by large beaded moths, black satin and lace trim, t

Lobed circular medallion with pendants in rust, sky and midnight blue, and gold on the floral filled ivory field with a rust vine rosette and palmette border. Overall good pile with some minor moth da

Northwest Persia, Circa 1925 The midnight blue field with a polychrome Herati pattern overall is within a madder palmette and curled leaf border (13' 6" x 10' 3") Moth damage, restoratio

Midnight blue, high fall collar w/ M notch, double breasted, linings include brown linen, red wool, & printed cotton in facings, CH 34", L 20"-35", (many moth holes) fair. Kochan-Troiani collections.

Having a deep midnight blue ground and stylized floral motif, signed in border [170" L x 140"]. Very worn with moth damage, holes.

AUDUBON, John James (1785-1851). Hooping Crane, Plate 226. Whooping Crane, Grus americana Variant 1. First Edition Engravings with Original Hand Color. London: Robert Havell, 1827-1838. Watermarked: J

Audubon, John James (1785-1851). Snowy Owl, Plate 121. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. Dimensions Comparable: Arader, 2015 - $198,250. James Audubon’s

AUDUBON, John James (1785 - 1851). Hooping Crane, Plate 226. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 1/4" x 38" sheet. Comparables: Arader Galleries, 2018 - $

AUDUBON, John James (1785 - 1851). Common American Swan, Plate 411. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 5/8" x 38 1/2" sheet, 37" x 49 3/4" framed. Compar

AUDUBON, John James (1785 - 1851). Fish Hawk or Osprey, Plate 81. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38 3/8” x 25 1/2” sheet. Comparable: Arader

AUDUBON, John James (1785 - 1851). Carolina Parrot, Plate 26. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 37 1/2" x 24 1/2" sheet. Comparables: Arader Galleries, 201

AUDUBON, John James (1785 - 1851). Wood Ibis, Plate 216. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25" x 37 1/4" sheet. Comparables: Arader, 2015 - $136,640; Guern

KIDD, Joseph Bartholemew (1808-1889), after John James Audubon (1785 - 1851). The Baltimore Oriole. Oil on canvas. Ca. 1831-1833. 26" x 20 1/2" canvas, 30 1/2" x 25" framed. Provenance: Mrs. John Jame