Michael B. Karas (American), Approaching Storm

Michael B Karas, (American, b 1954, MA/ME Artist), "Winter, Maine Woods", oil on board, signed Karas, mounted in custom gilt frame, 24" x 30", framed 31" x 37", very good condition

Floyd Scholz (American, b. 1958) Approaching Storm (Bald Eagle), 1988 carved wood signed Floyd L. Scholz and dated (base) height 34 x width 35 x depth 22 1/2 inches

Michael Karas, (American, b 1954, MA/ME Artist), "Salt Marsh", oil on board, signed Karas, mounted in custom gilt frame, 8" x 10", framed 14-1/4" x 16-1/4", very good condition

Bruce Barnbaum (American, b. 1943) Basin Mountain, Approaching Storm, 1973 Gelatin silver print mounted on archival board 15.375 x 19.375 (in) 24.25 x 30.25 x 1 (in) Framed Signed in pencil Barnbaum,

Michael Albrechtsen (American b. 1962) Light After the Storm oil on canvas signed M Albrechtsen (lower right) 16 x 20 inches The Laumeister Collection from The Bennington Center for the Arts, Benningt

Audrey Niffenegger (American, b. 1963) Image #1: Frontispiece and Image #6: The house must be shut against the approaching storm... from The Three Incestuous Sisters (a pair of works), 1991-1994 aquat

Don Hornberger 1921-2006 Oil/B Approaching Storm over Barn.Signed lower left, original frame. Well listed American Artist.Size: aprox. 6 x 12, outside of frame edge: 16.5 x 22.5

Artist/Designer; Manufacturer: Michael Schofield (b. 1947) Marking(s); notes: signed; ed. 126/350 Country of origin; materials: American; paper Dimensions (H, W, D): 25.25"h, 36.75"w; 31.75"h, 43.5"w

Property from a Hilton Head Island, SC Collector Description: Michael B. Karas (MA/ME/SC, b. 1954), Castine Village, 1995, Oil on Mounted Canvas, signed lower right and signed, titled, and dated '

Property from a Hilton Head Island, SC Collector Description: Michael B. Karas (MA/ME/SC, b. 1954), Waterfront Landscape, Oil on Board, signed lower right, depicting a rocky shoreline with hills a

MICHAEL B KARAS, BEACH SUNRISE, Giclee on Canvas Karas is one of the Most Renowned Artists in the South Carolina Low Country as well as his Native New England. Excellent Use of Light. Numbered AP 7/10

American, early 20th century oil on canvas board depicting a nearby storm, flotsam already bobbing in the water, 11 3/4" x 34 3/4" board, 17 1/4" x 40 1/4" framed.

Michael B. Ortega (American/New Mexico, 1951-2011), "Gabriel", 1989, wood, signed and dated twice on reverse, h. 42 in., w. 22 1/2 in., d. 16 in. Provenance: Michael W. Murphy, El Dorado, AR.

Arthur Beckwith (1860-1930) American Landscape " Approaching Storm." Provenance: Dr. Arnold Werschky, Marin County, CA. Arthur was the son of noted watercolorist, Benjamin Beckwith. He studied art wit

Framed Grant Wood Signed Lithograph "Approaching Storm", 1940, signed in pencil, from the edition of 250, on wove paper, published by Associated American Artists. The framed print is approx 14 1/4" x

"City Sunlight #2" Watercolor on paper under Plexiglas Initialed and numbered in pencil lower right: MC-18, titled in pencil lower center Sheet: 9" H x 12" W Provenance: The Collection of Dr. Den

NOLAND, Michael (American, b. 1958). Mississippi Patriot. [1988]. Oil on canvas. Signed on the verso. Sight 26 x 48”. Frame: 27 ½ x 49 ½”. Minor wear to frame. Excellent conditio

Michael Burton Mazur, "Wakeby Day ap 13, 1985", triptych lithograph - woodcut with chine collé & hand-painting, signed in graphite lower right, 30" x 61". Purchased at the Whitney Museum of Ameri

UNTITLED, 1982, two element kinetic chrome steel with black metal base, signed and dated, overall 15” tall, 16” diameter, weight 17 lbs., with nice balance and movement. From the collectio

Michael Whitlow (B 1946) American, Oil Painting. Titled "Lemon and Orange with Slices". A contemporary master of realistic still life. Whitlow was inspired by the old masters, especially Vermeer and R

FINSTER, Michael (American, b. 1969). Disruption of Paradise in a once peaceful world. 1993. Oil on wooden panel in artist’s painted frame. Signed, titled, and dated lower right. 24 x 24”.

FINSTER, Michael (American, b. 1969). Alien Life. 1991. Oil and acrylic on wooden panel in artist’s painted frame. 23 ¾ x 24”. Signed on recto and verso; numbered, dated, and titled.

DON’T GO OVERBOARD, 2004, color screenprint and lithograph, signed and numbered in marker, from the numbered edition 375, image 27 x 22”, framed, in apparently good condition.

FINSTER, Michael (American, b. 1969). “Reflections of Love”. 2000. Oil and acrylic on a full-length mirror. With original frame painted by Finster. 49 ¾ x 13 ½”. On the ver