MAUD LEWIS OIL ON BOARD WHITE CAT

Maud Lewis (Canadian, 1903-1970) attributed: Oil on board, signed right, unframed. Maud Lewis is perhaps Canada's best known folk artist. After spending most of her adult life in poverty, Lewis gained

Style of MAUD LEWIS (Canadian 1903-1970) 'Cats in the Grass' oil on board, 7.75 x 10 inches; overall with frame: 11.5 x 13.5 inches, bears illegible signature lower right.

Attributed to Maud Lewis, no coa, private collection, medium: oil,measurements: 23"HX27"W framed, good condition, Biography: Maud Kathleen Lewis was a Canadian folk artist from Nova Scotia. She lived

Attributed to Maud Lewis no coa, private collection, medium: oil, measurements: 25"hx29"w framed, good condition Biography: Maud Kathleen Lewis was a Canadian folk artist from Nova Scotia. She lived m

MEASUREMENTS: 24"HX28"W FRAMED GOOD CONDITION"in the style of"Maud Kathleen Lewis was a Canadian folk artist from Nova Scotia/Private collection, Liveauctioneers policy requires to state "in the style

Original oil on board still life of white cat signed lower right. Very good condition housed in a faux grain frame as well, likely also by Mr. Kemble. Framed: H7 1/2" W6 1/2" Sold from the collection

Maud Lewis (Canadian, 1903-1970) Manner of/ Attributed: Black and White Cat. Enamel on masonite, signed lower right, framed. Maud Lewis was a folk artist from Nova Scotia. Lewis lived most of her life

Comprising, an oil on board of two kittens, signed illegibly l.r., an oil on canvas of two black and white kittens, an oil on board of a black and white cat. Together with a needlework of a cat on a p

Oil on Board signed Maud Lewis, 12" x 16", "Winter Sleighing with Dog & Covered Bridge".

Oil on board, framed. Featuring port scene. Signed Maud Lewis on bottom. 40 x 48 cm (15 1/4 x 19 inches), F: 46 x 56 cm (18 x 22 inches)

Arthur Heyer, painting, Arthur Heyer (German, 1872-1931), White Persian cat, oil on board, signed "Heyer A.", lower left, 11"l x 15.5"w (sight), giltwood frame Provenance: Property from the collection

"Oil on board titled Sunday Ride. This typical cheerful image from Maud depicts her and Everett in their antique Model T Ford out for a ride. Literature: Ray Cronin, Maud Lewis: Life & Work [online pu

Oil on board: Oxen, showing two oxen and a yolk on a winter forest path. Signed l/r. Image size: 12”x14” (frame size: 13.5”x15.5”)History of the piece, as per the consignee's e

Maud Lewis (Canadian, 1903-1970) in the manner of: Winter Sleighs. Oil on board, signed bottom right, unframed. Maud Lewis is perhaps Canada's best known folk artist. After spending most of her adult

Jean de la Hoese (Belgium, 1846-1917), oil on board, depicts a genre scene of two women in bedchamber, one woman showing the other a mouse in a trap, a white cat looks up with anticipation at the catc

Katherine, 1984, Folk Art, two white Cats. Signed and dated 84 by artist. FR:28.5 x 40.5. Title: Folk art. Medium: Oil on Board. Size: 24.25 x 36.5 in. Signature: SLL. Artist: Katherine. Framed.

Maud Lewis (1903 - 1970) Maud Lewis was active/lived in Nova Scotia / Canada. Maud Lewis is known for naive landscape-snowscene painting. Signed lower right Oil on board Painting Size: 12" x 16". Fram

Colin Jeffries (20th c.), Two white cats and a white dog, oil on board, signed, 9"h x 14"w (sight), framed

Gertrude Abercrombie, oil on masonite board painting depicting a surreal landscape with a red house and a young lady in the window and a tree and a white cat outside, 1952, painted in the style of Mag

Oil on Green Fibre Board signed Maud Lewis, 11 5/8" x 13 3/4", "Sleighing Scene", losses

Untitled (Oxen in Winter) Mixed oils on beaverboard (pulp board) Signed lower right Size: 11.75 x 14 in. Provenance: Acquired directly from the artist, 1966; by descent to present Private Collection,

Abstract BLACK CAT Oil Painting on Board, Black and White, Framed. size: 28 x 22, 30 x 24 outside frame

EUROPEAN SCHOOL (20TH CENTURY) CAT PORTRAIT, oil on board, depicting an orange and white Ginger Tabby with green eyes. Indecipherable signature and date lower right. Housed in a gilt-washed wood frame

Marshalltown, Nova Scotia. Oil on beaverboard. A naive painting of a pair of oxen painted a bright brown with red yoke and trim set against stark white snow. The piece is framed by bright green conife