Mary Vaux Walcott (American, 1860-1940), North American Wildflowers (Five Portfolios)

(American/Canada, 1860-1940) Large collection of botanical prints, from North American Wild Flowers, 1925, most marked lower left "M V W 1925", Smithsonian Institution, publisher, color photogravures

Print: Lot of 29 Wildflower Prints From: North American Wildflowers, Volume I Selected prints from the limited first edition deluxe portfolio (500 copies) By: Mary Vaux Walcott Publishing: Smithsonian

  Prints: Lot of 16 Wildflower Prints From: North American Wildflowers, Volume I Selected prints from the limited first edition deluxe portfolio (500 copies) By: Mary Vaux Walcott P

North American Wildflowers Mary Vaux Walcott Smithsonian Institute 1925 Volume I: A beautiful hardbound slip case cover for a wonderful book filled with flower plates from the Smithsonian Institute 19

Print: Lot of 4 Mary Vaux Walcott botanical prints library edition of North American Wildflowers, ca. 1925, published by the Smithsonian Institute Size: 9 x 12 inches Maypop (passionflower); Mountain

Four volumes of North American Wild Flowers published by the Smithsonian Institution, Washington D.C. 1925. Volumes I - IV (no vol. V, full set would be five volumes) including (5) softcover text refe

8 BOOKS HOME & GARDEN INC. MARY VAUX WALCOTT WILD FLOWERS PORTFOLIO & 1920 SAT. EVENING POST

(AMERICAN INDIANS.) George Catlin. Catlin's North American Indian Portfolio. 25 hand-colored lithographs, each 22½ x 16½ inches. 20 text pages. Folio, publisher's ½ calf, moderate wear

CARROLL, Mary Ann, (American, 1940-2019): Lagoon Scene with Gulls and Homes in the Distance, Oil/Upson, 24" x 20", signed lower right, dedicated verso and dated 2003, framed, 29.25" x 25.25".

Charles W. Bartlett (American 1860-1940)- ''Surf-Riders, Honolulu'' (Saville and Miles 47)- woodcut in colors, staining and soiling in margins slightly affecting image, a few areas of paper abrasion u

James Taylor Harwood (American, 1860-1940), Birch by a Stream (Utah), 1909, watercolor, signed and dated lower right, sight: 15.5"h x 13.5"w, overall (with frame): 32.5"h x 28"w

JAMES TAYLOR HARWOOD (American, 1860 - 1940), Snowy Mountain Landscape in Utah with Stream, wartercolor on paper, sight: 10 x 7 inches, framed: 16.25 x 13.25 inches signed lower right.

Charles P. Gruppe (American, 1860-1940) Seascape Oil on canvas. Signed 'Chas. Gruppe' (lower left). 22 x 30 in.

Charles P. Gruppé (American, 1860-1940), oil on canvas painting, signed, 13" h x 18" w, hand carved gold leaf frame 22" h x 26 3/4". Provenance: From the personal lifetime collection of Mark Avner of

Gruppe, Charles Paul (American, 1860-1940), Seascape with Sailboat and Horse Cart, c. early 20th century, oil on canvas, signed lower right, 29.5 x 39.5 inches, in a carved wooden frame 40 x 49 inches

MARY HEILMANN (American b. 1940) TWO PRINTS, "Mint Boy," and "Mint Print," 1998, aquatints on paper, each signed and dated L/R, "M Heilmann '98," and numbered L/L, "30/40," and "3/40;" 38" x 29", fram

ANNA MARY ROBERTSON 'GRANDMA' MOSES (American, 1860-1961)Cambridge in May1943, tempera on masonitesigned Moses lower left; bearing Moses inventory label verso, inscribed May 22, 1943 18 x

ANNA MARY ROBERTSON 'GRANDMA MOSES' (American 1860-1961) A PAINTING, "So Restful," AUGUST 16, 1946, oil and tempera on pressed wood board, verso a paper label with offset lithograph portrait of t

Anna Mary Robertson (Grandma) Moses (American 1860-1961) The Bridge, 1958 oil on masonite signed lower left MOSES , dated Jan. 9, 1958, numbered 1818 and inscribed with title (on a label affixed to th

ANNA MARY ROBERTSON 'GRANDMA' MOSES (American, 1860-1961)A Blanket of Snow1945, oil on masonitesigned Moses lower center16 x 20 in., frame: 23 x 27 1/2 in. Provenance: James Vigeveno Gal

Anna Mary Robertson "Grandma" Moses (American 1860-1961) Landscape with Mill Needlepoint- This piece descends in the family of Mary Niles who resided on Gage St. in Bennington Vermont. When she was yo

CHARLES W. BARTLETT (American/ Hawaiian 1860-1940) "Lei Day" Colored etching. Sight: 8 x 11 1/2 inches; Frame: 15 7/8 x 19 3/8 inches. Signed l/l and dated l/r.

Edward Sheriff Curtis (1868 - 1952) The North American Indian, Plates from the Plains Portfolios, (Folio size with 36 Plates and Octavo size with 75 Plates), c. 1980 leather portfolios with photogravu

Edward Sheriff Curtis (1868 - 1952) The North American Indian, Plates from the Southwest Portfolios, (Folio size with 36 Plates and Octavo size with 75 Plates), c. 1980 leather portfolios with photogr