Mary Nimmo Moran Landscape Etching

MARY NIMMO MORAN Etching, Landscape, inscription to lower right reads ‘M N Moran’, subject a view of Hook Pond, East Hampton, measures 14 5/8 x 16 5/8 inches, gilt wooden frame, professionally fra

Etching of landscape with cows. Signed in plate and dated 1887. Also pencil signed in lower margin. Dimensions: (Sheet) H 24" x W 35.5" Condition: Very lightly age toned paper with handling marks in e

the first: Mary Nimmo Moran (American, 1842-1899), Gardiner's Bay from Fresh Pond, etching on Japan paper, signed in pencil lower right (Platemark 7 7/8 x 11 1/2 in.; DOA 15 x 18 1/4 in.); the second:

Mary Nimmo Moran (1842-1899) Tween the Gloamin and the Mirk when Rye Cam Home (Klackner 29) etching and mezzotint, 1833.    7 1/2 x 11 1/8"

Mary Nimmo Moran (American 1842-1899)- ''Tween The Gloamin and The Mirk When The Kye Came Home''- etching, 1883, signed in pencil. 7 1/2 x 11 3/8''

(American, 1842-1899) both signed l.r. Together with an etching of deer in a forest signed l.r. "J. Faganec(?)" Sight sizes: 12-1/4"h x 8-1/2"w and 10-3/4"h x 8-1/2"w Provenance: Property from the Est

Mary Nimmo Moran Etching , dated 1881

Two etchings, to include: "Morning" by Thomas Moran, 9 1/2" x 7 1/2" within mat; "Solitude" by Mary Nimmo Moran, 8" x 10" with frame.

Medium: original etching. Catalogue reference: Klackner 9. Executed in 1880, this impression is printed on heavy wove paper. Plate size: 5 1/2 x 7 1/2 inches. Signed in the plate; not hand-signed. Con

Image: 10.5"x18.5" Approximately 3" scratch to etching lower right and minor loss to image as photographed. Inscribed by artist lower left.

Moran, Mary Nimmo (American, 1842-1899), Tween the Gloamin and the Mirk, 1883, etching (in brown ink), roulette and plate tone on cream wove paper, signed and dated in the plate lower left corner, ima

MARY NIMMO MORAN (Scottish-American, 1842-1899), ''The Home of the Muskrat, Easthampton'', 1884, etching on paper laid to board, signed and dated in plate, pencil signed and inscribed by artist in low

Moran, Mary Nimmo (American, 1843-1899). "The Goose Pond, East Hampton." 1881. Etching in black ink on cream wove paper. Signed and dated within plate, l.c. Signed in pencil, l.l. Framed: 12 1/4" x 10

MARY NIMMO MORANNew York/Scotland, 1842-1899Interior of a California Forest, 1888. Unsigned.Etching on paper, 12" x 8". Framed 20.75" x 16.75".

Interior of a California Forest. Artist Name: Moran, Mary Nimmo (1842 - 1899). Medium: etching. Circa: 1888. Inscription: signed and dated lower left in plate: M. N. MORAN. 1888 verso printed label ce

Lot 157 Mary Nimmo Moran American (1842-1899) Cattle in a Pond (1881) etching on paper signed in plate lower right image: 5 1/8 x 7 1/4 inches frame dimensions: 11 1/2 x 13 1/2 x 3/4 inches, wood fram

An atmospheric image of Long Island, this etching measures 7 5/8 x 11 1/4 inches, 1884, signed and dated in the plate, framed. Mary Nimmo Moran was one of the leading women etchers of the late 19th ce

4 American and 1 French etchings- 1.) Charles Meryon- ''Vue Ancien Louve''; 2.) Mary Nimmo Moran- ''Solitude''; 3.) & 4.) James Smillie- ''Rough Sport in the Yosemite'' and ''Jefferson Street, Poughke

Etchings of buildings and landscapes by David Young Cameron, J. Henry Hill, John Fullwood, Peter Moran, J.W. Gosseaud, and Nimmo Moran. All in old mounts. Most pencil signed. Dimensions: (Mats) H 19"

Tween the Gloamin & the Mirk. Moran, Mary Nimmo - American (1842-1899). Roulette, mezzotint and sandpaper, 1883, K 29. Printed in sepia on Japan. Signed in pencil. Very rare. Considered her finest pri

Mary N. Moran (American 1842-1899)- ''Summer, Suffolk County, NY''- etching, 1884, as issued by the New York Etching Club, lacks corner tip at lower right, otherwise very good condition. 5 5/8 x 3 3/4

Mary Nimmo - American (1842-1899) , etching 1883 , unframed

DESCRIPTION: Edward Moran (1829-1901) etching depicting a rural landscape. Etching is signed by artist.CIRCA: 1929ORIGIN: USADIMENSIONS: W: 16 1/4" H: 14 1/4". etching is W: 9" H: 7"CONDITION: Great c

One by M. Nimmo Moran, another by C.A. Platt depicting Oxford, one titled "Running on Empty" by Norman Strike and lastly a small etching depicting revelry. Largest framed size: 14" ht. x 16" wd.