Martin Lewis (American, 1881-1962) Under the Street Lamp Etching, 1928, on light blue Montgolfie...

MARTIN LEWIS Under the Street Lamp. Etching, 1928. 380x240 mm; 14x9 inches, full margins. Edition of approximately 83. Signed in pencil, lower right. A superb, richly-inked impression.Lewis (1881-1962

Etching by Martin Lewis (Australian/American 1881-1962), titled Boss of the Block to verso; depicting a woman's profile, with hands on her hips, standing amid a city street; signed in penc

MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "THE PASSING FREIGHT, DANBURY", drypoint etching on paper, a fine, crisp impression, pencil signed and inscribed "Trial Proof #2 / Martin Lewis" in lower

Artist: Martin Lewis, Australian/American (1881 - 1962) Title: Ha'nted Year: 1932 Medium: Drypoint Etching, signed in pencil Image Size: 13.5 x 9 inches Frame Size: 21.5 x 17.5 inches

ETCHING THE STREET BOOTH SIGNED MARTIN LEWIS (1881-1962 AUSTRALIA, NEW YORK, CONNECTICUT) PRESENTED "TO BETTY", C. 1930'S, 14" X 10" SIGHT, 23 1/2" X 19 1/2" OVERALL

Martin Lewis (American, 1881-1962) Rainy Day, Queens (McCarron 94) Drypoint, 1931, on laid paper, signed in pencil, one of 70 recorded impressions, with margins, framed Plate 268 x 300mm (10 1/2 x 11

Lot 16 Martin Lewis Australian/American (1881-1962) Hi-Li Tournament (1937) drypoint pencil signed lower right plate: 8 3/8 x 13 1/4 inches Provenance: Property from the Estate of Eleanor Jacobs The O

Martin Lewis 1881-1962 Corner Shadows drypoint and etching on laid paper 1930; signed in pencil lower right Image: 8 x 8 7/8 in. (20.3 x 22.5 cm.), Sheet: 11 x 12 3/8 in., Frame: 18 x 18 in. (45.7 x 4

Martin Lewis (1881-1962) Which Way? 1932 The fine aquatint etching from an edition of 53 prints or fewer is signed by the artist in pencil below the image lower right. An exceptional example of Americ

(American, 1881-1962)Politics (Mc. 118), 1936, trial proof no. 6 of 11 artist's proofs from a total edition of 27, signed lower left in pencil "Martin Lewis" and in plate lower left, inscribed in penc

Martin Lewis (1881-1962 New York) "Building A Babylon (Tudor City, New York)" Etching, 1929. Edition of 100. Pencil signed and inscribed "IMP." at bottom right. Impression measures 13x8". Overall fram

Martin Lewis (1881-1962) R.F.D. (McCarron 106), 1933 Drypoint and sand ground etching on laid paper, signed in pencil, from the total edition of 148, with margins. 9 7/8 x 11 3/4in (25 x 30cm) sheet 1

Martin Lewis etching Bedford Street Gang. Pencil signed and titled. Dry mounted, unframed; visible image 8 3/4" x14 1/4".

Martin Lewis (New York, Connecticut, Maine / Australia, 1881 - 1962) "Stoops in the Snow" Drypoint and sandpaper ground on cream wove paper, 1930. Second state (of 2). Edition of 115. Signed in pencil

MARTIN LEWIS Yorkville Night. Drypoint, 1947. 216x290 mm; 8½x11½ inches, full margins. Signed in pencil, lower right. A superb, richly-inked impression of this scarce print. Lewis (1881-1962

MARTIN LEWIS American Nocturne. Lithograph with scratchwork, 1937. 250x366 mm; 9x14 inches, full margins. Edition of approximately 17. Signed in pencil, lower right. A very good impression of this ext

Stoops in Snow  1930 signed in pencil outside plate l.r., signed within plate l.l. hand watermark u.r.  framed 10 x 15 in. (plate), 18 x 22.25 in. (frame)  Included are two

Title: Winter Morning, Connecticut. Martin Lewis (1880-1962) Medium: Watercolor, c.1932. Signed in watercolor lower right. Stamp on verso "Collection Patricia Lewis" and "ML 174." Image size 17 7/8

Arthur B. Davies (American, 1862–1928) Blue Shrouded Bloom Signed 'A.B. DAVIES' bottom left; also with original label on upper stretcher verso, oil on canvas26 x 40 in. (66 x 101.6cm) Provenanc

LUDWIG BEMELMANS (1898-1962) Couple in Lamp Light. Watercolor on paper. 178x247 mm; 7x9¾ inches, on 8¼x10¼-inch sheet. Signed "Ludwig Bemelmans" and dated [19]33 in lower right image. I

Guy Carleton Wiggins (American, 1883–1962) Winter Wall Street Signed 'Guy Wiggins' bottom left; also titled and signed verso, oil on canvasboard9 7/8 x 8 in. (25.1 x 20.3cm) Provenance Private

Robert Arthur Goodnough (American, 1917-2010) "Light on Gray-Blue", 1977 acrylic and oil on canvas signed, titled and dated en verso, with a "Watson/de Nagy Gallery, Houston, Texas" gallery label. Fra

Guy Carleton Wiggins (American, 1883-1962) Oil On Canvasboard, Wall Street Winter, H 16'' W 13'' | Signed 'Guy Wiggins NA' (lower left), signed again and inscribed with title (on the reverse). Frame M

Robert Indiana (American, 1928-2018). Felt tapestry in red, blue, and green titled "Love" with Robert Indiana's famous lettering in red set against a blue and green block background. Edition