Mark Clark TLS Patton & Bradley - Both "Fine Soldiers"

London, 1847, shell form base, engraved scroll decoration, marks for possibly for John Clark, .925 fine, 9.18 oz. T., associated glass inkwell with English silver mounts, marks for Newcastle, 1856, pa

BUST OF HORSE, 1987, cast bronze sculpture with green patina, signed and dated and copyrighted and numbered 9/12 lower left, possible foundry mark, 23 x 13 x 7”, weight approximately 40 pounds. Prov

SPRINGTIME (INVISIBLE DRAGONFLY-BACTERIOLOGIST), 1998, oil painting on canvas, signed and dated lower right, signed and dated and titled on verso, 40 x 36”, framed, with Martin Lawrence label and CO

UNTITLED, 1963, pen and ink drawing on paper, signed lower right, 13 ¾ x 16 ¾”, minor toning, otherwise in good studio condition. Provenance: Photo certificate from the artist, Tasende Gallery, La

NOOSANCE CLAUSE (TURMOIL OF PASSION), 1995, acrylic painting and silver marker on canvas, signed and dated lower center, signed and dated and titled on verso, 16 x 24”, frame 22 x 31”.

CELESTIAL BODY (CONTROL OF THE SECRET), 1998, oil painting on canvas, signed and dated lower right, signed and dated and titled on verso, 24 x 18”, Martin Lawrence label and COA, in good studio cond

THREE VERTICALS AGAINST A FIELD, 1989, oil painting and charcoal on paper, signed and dated lower right, 44 x 47”, framed. Provenance: Mark Moore Gallery, Santa Monica.

SOPHISTICATED LADY (L.pg.110-112), 1983, cast bronze sculpture with color patinas, signed, from the numbered edition 250, height 15 ”, published by Fine Art Acquisitions, Meisner Foundry mark, in go

COQUETTE (L.104), 1986, cast bronze sculpture with polychrome patinas, from the numbered edition 375, size 18 x 8 x 8", published by Fine Art Acquisitions Ltd. copyright and Meisner foundry mark, in g

PEACE (.pg.122-123), 1984, cast bronze sculpture with color patinas, signed, from the numbered edition 500, height 25 ”, published by Fine Art Acquisitions, Meisner Foundry mark, in good condition.

ART OF THE DEAL, cast bronze sculpture with polychrome patina, signed and numbered 32/199 underneath, 13 x 20 x 8”, in good studio condition.

ASTRA (E.162), 1987, cold painted cast bronze with polished gold detailing, signed and numbered 237/500, Seven Arts London copyright and Meisner foundry mark, 19 ½ x 11 x 7 ½”, wei

FLIGHT, finely woven wool tapestry, signed lower right, weavers mark lower left, 114 x 78”; Together with a hardbound 1996 Exhibition Raisonne from Museo Universitario Contemporaneo De Arte, pen sig

REGEN IN UCHISANGE IN OKAYAMA AUS DER SERIE FUKEI SENSHU, 1923, color woodcut print, chop mark and character stamps, sheet 11 7/8 x 8 7/8”.

SERVICE (RED PEDESTAL), 1993, acrylic painting on canvas, signed and dated lower left, signed and dated and titled on verso, 24 x 16”, frame 25 x 17”.

DON QUIXOTE, 1955, lithograph on unwatermarked paper, bearing pencil signature and numbered 102/350, sheet 26 x 20”, frame 37 x 31”, with Certificate of Authenticity from Mark Bronson of P

FIREBIRD, finely woven wool tapestry, signed lower right, weavers mark lower left, 84 x 56"; Together with a hardbound 1996 Exhibition Raisonne from Museo Universitario Contemporaneo De Arte, pen sign

MOTHER AND CHILD, cast bronze sculpture with green patina, signed and dated, numbered 21/47, height 6 ¾", overall 9" tall with wood base, Josel Meisner & Co. foundry mark.

METAL SPACE (Sam Francis archive 130; Lembark 157), 1973, strong rich impression color lithograph with plate mark, signed and numbered 4/10 in pencil, printed and published by The Litho Shop, sheet 40

FUDO TEMPLE IN MEGURO, TOKYO, 1931, color woodcut print, chop mark and character stamps, sheet 15 x 10 ½”.

UNTITLED (SF.201; L.181), 1975, lithograph signed in pencil, number 20 from the numbered edition 30, sheet 30 x 22”, printed by George Page, published by The Litho Shop with chop mark lower right, i

CLOUDY DAY IN MIZUKI, color woodcut print, signed in pencil, chop mark and character stamps, sheet 10 ½ x 14 ¾”.

EVENING RAIN IN KAWARAGO, color woodcut print, signed in pencil, chop mark and character stamps, sheet 15 x 10 ½”.

DANSEUSE METTANT SON CHAUSSON (D.36), circa 1891, 2 nd state after cancelation mark, etching on wove paper, plate 7 x 4 ½”, sheet 10 ½ x 7 ¾”.