Manner of Nicolas Lancret (Fr, 1690-1743) Bay

Manner of Nicolas Lancret (French, 1690-1743) Untitled (Figures in a Wooded Landscape) oil on canvas unsigned 21 x 37 1/2 inches. Property from the Collection of Doron Berger, St. Louis, Missouri

Manner of Nicolas Lancret(French, 1690-1743)A Man Playing the Flute for a Woman in a Landscape19th centuryunsigned9 3/4 x 7 3/4 inches (sight)17 3/4 x 15 3/4 inches (frame)Provenance: Private

Framed oil on canvas painting, Young Girl with Cat, unsigned, in the manner of Nicolas Lancret (France, 1690-1743), relaid, wax lined, sight: approx 12.25"h, 9.25"w, overall: approx 18"h, 15"w, 3lbs *

Nicolas Lancret (1690 - 1743) France Watercolor on Paper Measure 17 1/2"in H x 26"in W with frame Known for: Figure and genre painting Biography: Nicolas Lancret, as Antoine Watteau's poetic follower,

WILL.HENDERSON (1844-1904), ARTIST PROOF, Hand Signed Lower Right. After Nicolas Lancret (1690-1743) Engraved Mezzotint by Will. Henderson, "Innocence". Will.Henderson, Considered One of the Mo

Mezzotint 'The Music Lesson by Nicolas Lancret (French, 1690 – 1743) = depicting a trovador and 2 ladies. Approx. size (frame) 26 inches tall 23.5 wide (art) 16 tall x 17 wide. IMPORTANT: NO In

School of Nicolas Lancret (French, 1690-1743), "Children Playing Blind-Man's Bluff", mid-18th c., oil on canvas, unsigned, "Christie's" labels on reverse of frame, 31 in. x 35 in., framed, overall 38

(lot of 3) Framed paintings, including: (1) painting, copy of "L'Innocence," after the original by Nicolas Lancret (France, 1690-1743), sight: 4.75"h, 6.75"w, overall: 13.5"h, 15.5"w, (2) oil painting

after Nicolas Lancret (French, 1690-1743), Das Menuett (The Minuet)mezzotint in colors, likely a 19th- or early 20th-century printing, after the original painting of from the 18th century, presented i

Framed engraving on paper, "Le Printems," after Nicolas Lancret (French, 1690-1743), engraved by Benoit Audran the Younger (French, 1698-1772), in deep shadowbox-style frame, sight: approx 17"h, 13.5"

French Rococo Style Framed Print After Nicolas Lancret (French 1690-1743) c1730 Fte Galante Painting Camargo Dancing With a PartnerActual image is about 10 9/16 x 7 5/8 inches;14 11/16 x 11 5/8 inches

(lot of 2) Nicolas Lancret (French, 1690-1743), "La Lecon de Guitare," and "L'Innocence," hand-colored engravings, with the artist's name printed lower left, overall (framed/each): 20"h x 20"w

France,1690-1743 Depicts a young woman with her back turned towards the viewer while a masculine figure stands to her left. Lancret was an avid follower of fellow artist Jean-Antoine Watteau, and upon

Lancret, Nicolas [French, 1690-1763] Oil on canvas painting of courting figures with a plaque signed “Nicholas Lanorel 1690-1743”. Site-17.25”h.x21”w.

Amorous Couple in a Wooded Landscape. Appears unsigned, the stretcher with museum accession label, inscribed, 120 Hayes Coll., 6/20/49. 11.75 by 10 in., overall, in a parcel gilt ebonized frame, 20.5

Follower of Nicolas Lancret, Mlle Camargo dancing, oil on canvas, 47cm x 63cm,PROVENANCE: Collection bought at London auction houses by the vendor's grandfather over 50 years ago. Not seen on the open

18th Century, Depicting scene titled Brother Phillippe’s by artist Nicolas Lancret, painting may be found in Victoria and Albert Museum, 23 cm., chip.

Mid 20th Century, Each With Oil On Canvas Scene After Nicolas Lancret Over Rectangular Mirror Plate In Beribboned Gilt Frame, Height 52, Width 27, Depth 1.5 Inches, Structurally Sound, Light Surface D

reca timbro di collezione in basso a sinistra, matita rossa su carta, W. 140 - H. 180 mm, Studio preparatorio per un dipinto conservato a Stoccolma

Manner of Nicolas de Largilliere (French, 1656-1746) 19th Century Portraits of a Gentleman and a Lady oil on canvas Each: 34 1/4 x 29 1/2 inches.

Titled "Abram and Lot" and attributed to Nicolas Poussin to the name plate Oil on canvas ca. late 18th C H. 15" W. 19.5"

oil on canvas; unsigned; Provenance: Property from the F.G. Kammer Estate, Santa Barbara, CA: 29 x 20 1/2 inches; 45 x 38 1/2 inches frame

circa 1690, manner of Thomas Pistor, molded cornice, bolection frieze drawer, paneled doors open to a well fitted and inlaid interior with a bank of drawers surrounding a central cabinet with recessed

In the manner of Nicolas de Largillière (1656-1746) French, portrait of Princess Anne of Denmark, later to become Queen Anne of England, oil on canvas, unsigned. An almost identical portrait of M