LUDWIG SANDER Two color screenprints.

Yaacov Agam (b. 1928) COMPOSITIONS Two color screenprints, signed and numbered 214/300 and 172/300 in pencil, with full margins, framed. Images 18 1/4 x 22 inches; 464 x 559 mm. Frames 25 1/4 x 28 5/8

7 Stephen Huneck (1948-2010) GOOD DOG; BAD DOG Two color screenprints, 1995, signed, dated and numbered 24/250 and 47/250 in pencil, framed. Images approximately 12 1/8 x 10 inches; 308 x 254 mm. Fram

HOWARD KANOVITZ Two color screenprints. André Champagne. 583x800 mm; 23x31½ inches, full margins. Signed and numbered 40/100 in pencil, lower margin * Street Scene. 605x800 mm; 24x31½ i

Gustavo Montoya (1905-2003) SANDÍAS; COCINA Two color screenprints, 1985, on wove paper, signed and numbered 31/250P and 21/250P in pencil, respectively, from Serie Niños Mexicanos, with ful

VICTOR VASARELYFrance/Hungary, 1906-1997Two color screenprints: 1) “Geometric Spheres (Orange)". Signed and numbered 16/75 in pencil lower margin. 12.5" x 11.75". Framed 23.25" x 20.5".2) “Four Ge

Larry StarkAmerican, (b. 1940)Yummy Yum # 2, and Yummy Yum #3, 1981two color screenprints, ed. 16/30 and 14/30both signed, dated, titled, and numbered in pencil lower margin, unframed.26 x 40 inches

VICTOR VASARELYFrance/Hungary, 1906-1997Two color screenprints: 1) “Pixis", 1980. Signed and numbered 16/75 in pencil lower margin. 11.75" x 11.75". Framed 21.25" x 21.25".2) “Untitled (Hexagon)",

SWIMMERS (N. pg.151 #7); NAGEL, 1979, two color screenprints, two with signatures in design, published by Mirage Editions; Together with two rare progressive proofs of the same image; sheets 17 x 25&r

UNTITLED, two color screenprints, each signed in pencil and numbered 13/85, images 17 ½ x 17 ½”, with full margins, frames 20 ½ x 20 ½” with glass. (2)

Gustavo Montoya (1905-2003) CONTORRA; ALCANCÍA Two color screenprints, 1985, on wove paper, signed and numbered 24/250P and 150/250 in pencil, respectively, from Serie Niños Mexicanos, with

Corita Kent (1918-1986) GOOD FOR YOU; ONLY YOU AND I CAN HELP THE SUN TO RISE EACH MORNING Two color screenprints, signed and inscribed Ed 150 in pencil, the full sheets, framed. Sheets 15 7/8 x 19 7/

TWO SEATED WOMEN WITH BAY VIEW; FIVE WOMEN IN A RESTAURANT, two color screenprints, both signed in pencil, artist’s proof 38/45 & printer’s proof 8/9, images 9 3/4 x 10" & 11 1/4 x 15", both with

UNTITLED, BLUE; UNTITLED RED, two color screenprints, each sign in pencil numbered 39/99 & 43/99, images 10 x 11 ¾”, full margins, frames 21 x 22” with glass. (2)

UNTITLED Two color screenprints and lithographs, 1978, on handmade paper, signed and numbered 88/100 in pencil, from Gates to Time Square, printed by Styria Studio, Inc., New York, and with their blin

FLOWERS RED & YELLOW; FLOWERS BLUE, 1978, two color screenprints, each 27 ½ x 27 ½”, copyright Leo Castelli Gallery, Posters Original Ltd, No. M56 & M57, both with creases and some curling from im

THE ART OF TING SHAO KUANG, 1989, Deluxe Edition with book and two color screenprints, limited edition hardbound book with color illustrations, text in English and Japanese, printed by Kodansha, Japan

ROSE PARADE CENTENNIAL, 1988, from the numbered edition 400, image 29 x 21 ”; WALT DISNEY WORLD, 1987, from the numbered Disney edition 113, image 29 x 22”; two color screenprints, each signed in

UNTITLED, two color screenprints, each signed and numbered 17/54 in marker, sights 25 ½ x 7”, both in one frame 36 ½ x 27 ½” with Plexiglas

THE ART OF TING SHAO KUANG, 1989, the deluxe edition portfolio with two color screenprints and a leather hardbound book with color illustrations, the book signed and numbered 393/500 in pencil with te

FLOWERS, 1990 & 1988, two color screenprints, each signed and numbered 58/80 & 33 /60 in pencil, frames 32 x 21 ¾” with glass. (2)

MEDITERRANEAN SCENES, two color screenprints, each signed in pencil and numbered HC 21/50, images 30 ½ x 27”, sheets 35 ¼ x 32”. (2)

Brian Rice SECTOR 3, 1968, color screenprint, signed and dated in pencil, numbered 193/200, image 10 ¾ x 10 ¾”, sheet 13 x 13”; Artists Unidentified UNTITLED, two color screenprints, each signed

REDHEAD; UNTITLED, two color screenprints, each signed in pencil, numbered 116/260 & 119/250, images 13 ¼ x 10” & 10 ½ x 8 ½”, both with full margins, framed. (2) Provenance: Michael Hittleman

SUMMER AND AUTUMN, two color screenprints, both signed in pencil lower right, images 14 x 28”, sheets 18 x 32”. (2)