Lejan, 'Martin pêcheur', 1925-30

Martin Lewis Showers on the Bay (Japan) 1925drypoint and sandpaper ground image: 7.875 h x 11.875 w in (20 x 30 cm) sheet: 12.25 h x 18.75 w in (31 x 48 cm) Signed to lower right margin 'Ma

FROSTY BENZ SODA IN ORANGE ONLY GREEN GLASS BOTTLE, PAT'D 1925, 30 2 and S IN A STAR ON BOTTOM

Louis Katona and Daum Art Deco Gilt-Iron and Acid-Etched Glass Floor Lamp Circa 1925-30 Of tall flower form, with an inverted bell-form shade, in colorless glass, etched with a pattern of stylized flo

Lot 94 Lallemant 'Lancement Du Poids' Vase (circa 1925-30) Additional Information: glazed earthenware vase depicting a shot putter, 'T.R. Lallemant / France' painted on bottom Provenance: Prope

Wedgwood Lustre Daventry Imperial Bowl, England, c. 1925-30, ruby ground paneled exterior with Chinese figure and garden scenes, wide yellow bordered interior with blue ground bridge and pagoda design

STEUBEN ACID CUT-BACK / CAMEO ART GLASS LAMP, Opal over Green Cintra, shape 8493, Wheat decoration with original mounts, sockets likely replaced at some point. Steuben Glass Works. Circa 1925. 30" HOA

Circa 1925-30 Bradley Walker Tomlin gouache on paper painting entitled "Still Life". Was exhibited at "Bradley Walker Tomlin: A Retrospective View" initiated by the Albright-Knox Art Gallery.Frame: 29

ANDRÉ LHOTE Nue assise. Pencil on cream wove paper, circa 1925-30. 322x250 mm; 12¾x9¾ inches. With the artist's signature ink stamp, lower left recto.Provenance: Private collection, Cal

Frank Luis Jirouch (American, Cleveland School 1878-1970) Return to the Stables, Gates Mills, Ohio, c. 1925-30, oil on canvas board, signed lower right, framed. 14 x 16 in. image size 19 x 21.5 in. as

Große Vase Verreries Charles Schneider, Epinay/Seine, um 1925/30 Farbloses Glas mit eingeschmolzenem Pulver in Weiß, Gelb, Orange, Violett und Pink. Der angesetzte Fuß in Farblos mit vi

Roger Martin (1925-2015) Boats mixed media, 14 x 21 in., signed l.r.

Tappeto modernista Lana e cotone intrecciati. Francia, 1925-30 ca. cm 335x250

Folk art wooden sculpture of Charles Lindbergh in original paint. Circa 1925-30, probably executed to celebrate his flight to Paris in 1927. 20”H. Small area of repaint of right foot, else very good

Standing girl porcelain manufactory Eduard Eichler, Dux/Bohemia, around 1925/30 Porcelain, colorful onglaze painting with gold. Cap rest. Marked by Elly Strobach, relief mark Royal Dux. H. 25 cm

Mid 20th century oil on canvas, Southern landscape at sunset, artist signed lower right Elsie Dresch (American, b.1925), 30"h x 39.5"w, overall size including frame 36"h x 45.75"w x 2"d.

Attributed to GEORGES VALMIER (1835-1937) Title: Untitled, Medium: Gouache on Paper, Size: 13" H x 10.50" W (in), Date: ca. 1925-30. This lot is accompanied by a Certificate of Attribution and is not

Durand Art Glass Division of the Vineland Flint Glassworks Wheel-Engraved Glass Vase Circa 1925-30 Of classic urn form, in translucent amber colored glass, decorated with intaglio stylized rising leaf

Max Weber (American, 1881-1961) Head of a Woman Signed "Max" l.r., titled and dated "c. 1925-30" on labels from Forum Gallery and Bernard Danenberg Galleries, both New York, affixed t

(BIRDS.) Édouard Travies. Group of 6 hand-colored lithographed plates, from Les Oiseaux les Plus Remarquables. Folio sheets; various foxing and toning.-Paris and London, 1857 - Le Martin Pecheur

Two Durand Art Glass Articles Circa 1925-30 Comprising an ovoid vase with pulled feather and applied "spider web" threaded decoration, iridized, unsigned, height 9 5/8 inches; and a center bowl, with

GOLDSCHEIDER VIENNA FIGURINE TILL EULENSPIEGEL made circa 1925 - 30 MATERIAL: CERAMICS / PAINTED / GLOSSY FINISH TECHNIQUE OF MANUFACTURE: CERAMICS MODELLING Designed by JOSEPH LORENZL (1892 - 1950) /

Charcoal on paper. Featuring portrait of a woman. Signed "John S. Sargent" to the bottom right. "Madam Poisait" inscribed on verso. Attributed to John Singer Sargent (1856-1925). 30 x 21cm, 12" x 8 1/

American Art Glass Compote Attributed to Durand, circa 1925-30 Of flower form, with a circular bowl, knopped stem, and domed foot, in opal, green and amber colored glass, decorated with a double fish

Henry Martin (1925-2020): Ernest, It's Bedtime, The Party's Over, for The New Yorker </> Ink and watercolor on paper, signed 'H. Martin' lower right, titled at bottom, with The New Yorker copyright la