Jud Fine, Watt’s Terminal Decision, 1974

South African 1oz Fine Gold Krugerrand, 1974. Gold 917. 33.93gr. (net 1oz fine gold).

Manufacturer: Rand Refinery Weight (grams): 33.93 Pure Gold content (grams): 31.10348 Fineness: 916.7 Dimensions: 32.77mm Diameter x 2.84mm Thick

Union Terminal Imports: Fine Brass Models1960’s Southern Pacific San Joaquin DaylightSP 2242, 10602, 3604, 2295UTI 1011, 1013, 1014, 10202002 Box 2 of 2Set 16 of 25Made in Korea by Boo-Rim Precision

Union Terminal Imports: Fine Brass Models1960’s Southern Pacific San Joaquin DaylightSP 10265, 10266, 10267, 3605, 2954UTI 1010A, 1010B, 1010C, 1015, 10192001 Box 2 of 2Set 17 of 30Made in Korea by

Union Terminal Imports: Fine Brass Models 1960’s Southern Pacific San Joaquin Daylight SP 3303, 2469, 2470, 2387UTI 1002, 1006A, 1006B, 10072002 Box 1 of 2 Set 16 of 25 Made in Korea by Boo Rim Prec

Height: 72cmWidth: 50cmChoi Eun-hee, born in 1957 in South Gyeongsang Province, graduated from Pyongyang University of Fine Arts in 1974 and now works for Mansudae Art Studio.

Domed lid, Crenate lip, Ramshorn thumbpiece, Fishtail terminal-No rib. Fine condition with no repairs. Fourth quarter 18thC. Signed interior bottom. Purchased from H.V. Button of Waterford NY on Feb 1

Iraq, ancient Mesopotamia, ca. 1974 BCE. Very fine pottery biscuit used to capture an ancient transaction. The tablet is dated to month X of year 3 of King Shu-Suen of Ur. The tablet comes from the st

1974 FULL Krugerrand 1oz fine gold coin: Guaranteed genuine, in superb condition.

Heading: Author: Title: INCREDIBLE HULK No. 180 * Intro: WOLVERINE Place Published: Publisher:Marvel [Indicia: Marvel Comics Group] Date Published: October, 1974 Description:

Byzantine Gold Filigree Work Cross, c. 7th-9th Century A.D.With flared arms ending in disk shaped terminals, in open-work with fine granules and wire circles, set with a central turquoise cabochon sto

Exotic Full Figural Fish Terminals. Satin Blades with Extremely Fine Piercing and Engraved Details. 11 1/2" & 13". 9 Troy.

12 1/4" D. Mayan Plate. MX. Terminal Late Classic Period. Pre-Columbian. Fine example with some paint loss in center of bowl, but with otherwise graphic and bright paint illustration. Had tripod legs

"Morons (Sepia)". Siebdruck (Screenprint) auf Bütten, re. u. mit Bleistift sign. Banksy, dat. (20)07 und li. u. Ex. 222/300 im runden Trockenstempel P.O.W. PRINTMAKING (Pictures on Walls Printmaking)

After: Alexander Calder (AMERICAN, 1898–1976) Limited Edition Maguey Jute Fiber Woven Rug/Tapestry "Balloons". This rug/tapestry design may possibly have been a contribution by Calder for the 19

Salvador Dali (Spanish, 1904-1989) Changes in Great Masterpieces (M.L. 1472-1477; F. 74-2), 1974 The complete portfolio, comprising six lithographs in colors on Rives BFK paper, signed and numbered 13

COMPANION, 2009, fiber re-enforced plastic sculpture, stamp signed and Medicom toy stamp underneath, 52” tall, movable hands, arms and feet, small rub spot on lower backside, scuff on shoe, usual sc

MORNING BOUQUET, 1974, oil painting on canvas over board, signed lower right and dated lower left, 10 x 8”, frame 22 ½ x 21”. Provenance: Galerie Adrienne, San Francisco, CA.

PEINANDOSE (cat. Vol IV, pg.817, addendum to work 707A), 1974, cast bronze sculpture with gold patina, signed and dated, numbered VIII/XXVIII, 10 ½” tall plus wood base, with a little compound resi

ARTIST: ALEXANDER CALDER TITLE: Red, Yellow, and Blue Coral with Shells YEAR: 1974 MEDIUM: Lithograph printed in colors on Arches paper DESCRIPTION: Signed in pencil and numbered 8/125 CONDITION: In E

THE TRAIN, 1974, color aquatint etching and photo-engraving with hand-coloring, signed in pencil, numbered 19/20 AP (artist’s proof), plate 17 ¾ x 22”, full margins, framed. Provenance: Sotheby��

NEW GUINEA RAIN FOREST, 1974, painted and glazed lidded ceramic vessel with pedestal, overall 43 x 19 x 17 in three sections.

WATER LILIES, pallet knife impasto oil painting on canvas, signed lower right, 40 x 60”, frame 54 x 73 ½ x 5”. Provenance: Acquired from Galerie Michael, Beverly Hills.

STANDING FIGURE, 1974, acrylic painting on canvas, signed and dated upper left, 29 ½ x 22 ½”, frame 32 ¾ x 24 ¾”. Provenance: acquired directly from the artist by Renee Wayne Golden, attorney