Joseph Clark Return of the Runaway 1869 engraving

Joseph Clark (1834-1926). Hagar and Ishmael. Antique engraving on wove paper after the original by master engraver James Charles Armytage (English, c. 1802 - 1897). Year: 1863. Signed in the plate. Im

Joseph Pennell (American, 1860-1926) From Clark to Wall Street, engraving. Size: 11.5" x 8.5", 29 x 22 cm (sheet).

All framed, titles include The Newspaper; The Jew's Harp; Bringing Home The Deer; Drawing The Net At Haweswater; & Return of the Runaway, various printers and artists, smallest is 10 1/2 x 9" framed;

Jacob Matham UNTITLED, engraving, sheet 12 ¾ x 6 ¾”; Anton Joseph von Prenner THE TOILET OF VENUS after Titian, engraving, plate 8 ¾ x 6 ¼”, sheet 10 x 7 &frac1

Balthasar Moncornet (circa 1600-1668) French TITLED, engraving mounted to larger sheet of chain laid paper, name in design, sheet 6 ¾ x 5”, Joseph De Longeuil (1730-1792) French after Cha

Joseph Clark, United Kingdom, 1834 to 1926, Victorian-style oil on canvas painting A Treat for the Puppy, 1897. The painting depicts an idyllic scene with a young woman, an elderly man, and two childr

Joseph Clark, United Kingdom, 1834 to 1926, Victorian-style oil on canvas painting A Treat for the Puppy, 1897. The painting depicts an idyllic scene with a young woman, an elderly man, and two childr

Joseph Raphael (1869 - 1950) American, European, Oil on masonite painting. Features a landscape with a house in the background. Signed lower right. Work measures 21 1/2" x 21 1/2". Housed in frame mea

Abraham Lincoln Related Abraham Lincoln Steel Plate Engraving by Henry Gugler c. 1869 at its time the Largest "LINCOLN" Engraving Made c. 1869 Mammoth Size Steel Plate Engraving titled, "LINCOLN" of P

Joseph Raphael (American, 1869-1950), "View of Ottignies, Belgium," circa 1912, watercolor on paper, signed and titled lower left, sight: 18"h x 24.25"w, overall (with frame): 25.25"h x 31.25"w. Prove

Joseph Morris Raphael (American, 1869-1950), Path Through the Woods, oil on board, signed lower right, board: 22"h x 30"w, overall (with frame): 27.75"h x 35.75"w

Joseph Morris Raphael (American, 1869-1950), "Tea Party," 1911, oil on canvas, signed, dated and inscribed lower left, canvas: 18"h x 21"w, overall (with frame): 22.5"h x 25.5"w

Joseph Morris Raphael (American, 1869-1950), Untitled (Interior Scene with Figure Washing Clothes), 1906, oil on panel, signed lower right, signed and dated verso, panel: 10"h x 7.5"w, overall (with f

(MEXICAN IMPRINT--PUEBLA.) José Gomez de la Parra. Fundacion y primero siglo del . . . Convento de Sr. S. Joseph . . . de la Puebla. Armorial engraving on second leaf. [18], 603, [7] pages. Folio

Rembrandt van Rijn (1606-1669)Joseph and Potiphar's WifeEtching and engraving, 1634, a good but later impression of New Hollstein's third state (of four), on laid paper without watermark, sheet 91 x 1

REDOUTE, Pierre-Joseph (1759-1840). Narcissus Laxella. Stipple Engraving with original hand color. Paris from Les Liliacees, 1802-1816. 20 3/4" x 13 3/4" sheet, 31" x 24" framed.

CATCHING THE RATTLESNAKE, 1925, cast bronze sculpture with marble base, signed and dated, 19 x 42 x 13”, the first and only casting from an unrealized numbered edition of 10, weight very heavy.

THE TRAIN, 1974, color aquatint etching and photo-engraving with hand-coloring, signed in pencil, numbered 19/20 AP (artist’s proof), plate 17 ¾ x 22”, full margins, framed. Provenance: Sotheby��

CONTESSA DE MEDICI, oil painting on panel with artist’s selected iconoclastic frame, signed lower right, signed and titled in pencil on verso, overall 27 ½ x 20 ½ x 4 ¼”; co

THE LILIES, 1905, color wood engraving on thin chain laid paper, signed with cypher in pencil lower right, image 7 ½ x 6”, sheet 15 ½ x 11 ¼”, strong impression of this very

DAY LILIES (M.96), 1975, resist-ground etching and engraving and direct photographic transfer, signed in pencil, numbered 104/160, image 20 x 32”, sheet 25 ½ x 27 ¾”, soft handling creases and s

WHITE-FRONTED GOOSE, ANSER ALBIFRONS (Pl. CCLXXXVI), 1836 from the Havell edition of The Birds of America, hand-colored engraving printed on Whatman 1836 paper, sheet apparently reduced to 25 ¼ x

After Joseph Guarneri 19th Century copy Violin with one bow and carrying case with red felt lining, interior label inscribed Joseph Guarnerius fecit Cremonae anno 1737 IHS, 23 ½” long, ca

VALET DE CHASSE LOUIS XV ET SA HARDE, 1869, cast bronze sculpture, signed and dated, 25 ½ x 32 ½ x 18” including marble base, heavy weight.