JOSÉ MONGRELL TORRENT (Valencia, 1870 - Barcelona,

JOSÉ MONGRELL TORRENT (Valencia, 1870 - Barcelona, 1937). "Marina". Oil on canvas. Signed on the left side. Measurements: 50 x 70 cm; 81,5 x 102 cm (frame). The influence of his mentor Joaquín

JOSÉ MONGRELL TORRENT, (Valencia, 1870 - Barcelona, 1937). "Portrait of a Lady, 1894. Oil on canvas. Signed and dated in the lower right corner. Measurements: 56 x 38,5 cm; 80 x 63,5 cm (frame). J

Patinated terracottaWith stamps on the base "Taller de escultor de José Mª Ponsoda, Valencia". Sketch for an unidentified image of the Virgin and Child. It shows remains of grid marked on the fr

TerracottaWith stamps "Sculptor's workshop of José Mª Ponsoda, Valencia". Enamel test.It must have been the preparatory model for the sculptural group commissioned in 1907 by Don Juan Pastor, pa

MATEO BALASCH MATEU (San Andrés del Palomar, Barcelona, 1870 - Barcelona, 1936). "Girl with doll". Oil on canvas. Signed in the lower right corner. Size: 39,5 x 30 cm; 54 x 44,5 cm (frame). Mateo B

GASPAR HOMAR MEZQUIDA (Bunyola, Mallorca, 1870 - Barcelona, 1953). Pair of modernist chairs, ca. 1900. Mahogany wood with marquetry, carving and gilding. Measurements: 103 x 42 x 45 cm. Pair of modern

GENARO PALAU ROMERO, (Torrent, 1868 - València, 1933). "Peñíscola". Oil on canvas. Signed and titled in the lower right corner. Measurements: 55 x 70 cm; 81 x 96 cm (frame). Genaro Palau trai

Pascual Capuz (Valencia, 1882 - Barcelona, 1959) "Pareja chic" (Chic couple) Ink and chalk drawing on paper. Signed. 22 x 17,3 cm. Illustration for the humorous weekly magazine "Papitu". Year VI. 9th

JOSEP TRIADÓ MAYOL (Barcelona, 1870 - 1929). "Interior with figure". Oil on panel. Signed in the lower margin. Measurements: 52 x 40 cm; 69 x 57 cm (frame). Josep Triadó was educated between Ma

Salvador Alarma (Barcelona, 1870 - 1941) "Barco" (Boat) Pencil and chalk drawing on paper. Signed, dedicated and dated 1928. 21 x 28,5 cm.

JOSÉ ROYO (Valencia, 1945). "Young woman embroidering". Oil on canvas. Signed in the lower left corner. Measurements: 61 x 38 cm; 90,5 x 68 cm (frame). A precocious painter, José Royo began his

JOSÉ ROYO (Valencia, 1945). "Woman with a pitcher". Oil on canvas. Signed in the lower right corner. Measurements: 100 x 81 cm; 129 x 110 cm (frame). A precocious painter, José Royo began his d

Drawing on paper 11 x 9 in, manner of Honorio GARCIA CONDOY (1900 - 1953) was a Spanish sculptor and painter. After attending the Fine Arts Schools of Valencia and Barcelona, he taught at the School o

TerracottaWithout signature or stamp, it is attributed to the sculptor because of his style and because it belongs to the same group of works. The position of the figures, with the Child Jesus standin

Terracotta.Without signature or stamp, it is attributed to the sculptor because of its stylistic characteristics and because it belongs to the same group of works. It fully responds to the models of J

Patinated terracottaSigned "J. Ponsoda". Sketch for an unknown sculptural group. The presence of the naked torso in the lower register makes us think that it could be the Virgin of Carmen interceding

Patinated terracottaSigned "Ponsoda" on the base. Possible clay sketch of the sculptural image made by the artist in 1925 for the Charity of Alcoy and that served later, specifically in 1945, to inspi

Patinated terracottaPiece signed with two stamps "Taller de escultor de Jose Mª Ponsoda". Possible study of the sculpture made for the parish of San Esteban in Valencia, in which we can still appre

TerracottaSigned in pencil "J. Ponsoda".From the disposition of the figure and the heads of the seraphim on the orb, it could be the preparatory sketch of the image that was kept in the church of Our

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Patinated clayWithout signature or stamp, it is attributed to the sculptor for reasons of style and coming from the same set of works. It has a handwritten label "nº 1458, particular" so it is assu

TerracottaJosé María Ponsoda is, without a doubt, one of the main figures of Valencian sculpture in the first half of the 20th century. His artistic personality, like that of so many other sculp

TerracottaWithout signature or seal, it is attributed to the sculptor because of its style and because it belongs to the same group of works. The position of the extremities and the movement of the fi

TerracottaWithout stamps or signatures this sketch for sculpture is attributed to Ponsoda for reasons of style and for belonging to the same collection of works. The artist made a large number of imag