Join The Waves - Art by John Falter (1943) 27.25" x

FALTER, John (1910-1982). Join the Seabees / Build and Fight for Victory. 1943. Poster issued by the United States Navy Recruiting Command. 45 x 28”. Minor edge wear. Unbacked. B+.

Original Saturday Evening Post (Steam Engine Along the Missouri) Art by John Falter (June 22, 1946) 22" x 28" LB This is an Original Poster as dated to advertise 'The Saturday Evening Post'. Condition

Saturday Evening Post - Art by John Falter - Signed by Stan Musial (1954) 30" x 40" Enlargement of Original Poster Condition: EXC Please refer to the attached image for a detailed view and condition o

21.75" x 28" 1943 Newstand Poster Saturday Evening Post - Art by John Atherton "Christmas Ornaments" - LB This is an Original Poster as dated to advertise 'The Saturday Evening Post'. Condition: VG/EX

FALTER, John Philip (1910-1982). If You Tell Where He’s Going…He May Never Get There. Washington, D.C: OWI, 1943. A sailor. 40 x 28”. Expertly inpainted along folds. Linen backed. B+

During World War ll the United States Government was very concerned about the need to keep troop movements confidential and for family members and friends of soldiers overseas to not discuss their lov

Two original 40" x 30" WW2 posters. John Falter is the artist on the Navy poster dated 1943 which is rolled and folded with edge wear, light stains, tears, and holes. "Let's help our soldiers" poster

Jewel Box, Unmarked Wave Crest Art Glass, 3.5” x 5.5", Swirl Mold, Pink And White With Dark Green Band And Floral Decor, John Lolley Estate. Mr. Lolley Regularly Marked Items In His Collection With

Biscuit Jar, Unmarked Wave Crest Art Glass, 7.5” x 5.5", Pink And White Tones With Yellow Floral Decor, Silverplate Lid And Bail, John Lolley Estate. Mr. Lolley Regularly Marked Items In His Collect

Biscuit Jar, Unmarked Wave Crest Art Glass, 7.5” x 5.5", Blue And White Tones With Floral Decor, John Lolley Estate. Mr. Lolley Regularly Marked Items In His Collection With A Museum Quality Pen - T

BIG BLUE, pigment, cement and glass on wood, 60 x 96 x 2 ”, purported studio glass crack upper left, otherwise in good studio condition. Provenance: acquired directly from the artist by present owne

UNTITLED, 1988, pigment, cement and glass on wood in two parts, approximately 30 x 77” overall, in good studio condition. Provenance: Doris Sosin Art Resources acquired directly from the artist.

UNTITLED, 1985, pigment, glass and cement on wood, signed and dated on verso, 48 x 84 x 2 ½”, heavy weight.

UNTITLED, 1980, cement and polymer and glass on wood in welded metal frame 25 x 13 x 2”, 22 lbs. Provenance: James Corcoran Gallery.

UNTITLED, 1984, pigment, glass and cement on wood table top or wall sculpture, signed and dated on verso, 12 x 24 ½ x 7 ½”, weight 18 lbs. From the Stuart Lampert & Stephen Tomar Colle

UNTITLED, triptych, three cast bronzes, each 16 x 12”, overall 16 x 36”, each approximately 20 lbs., overall approximately 60 lbs.

LIGHT TRAP, 2007, manipulated brushed metal, signed, titled and dated on verso, 96 x 48 x ½”, wall cleats included, heavy weight.

UNTITLED GREY, pigment and cement on wood, signed and dated April 1975 on verso, 32 x 48”, in good studio condition.

UNTITLED, glass, pigment and cement on wood, triptych, overall 24 x 36”.

UNTITLED, 1994, pigment and cement with glass on wood, signed and dated on verso, 23 x 56 x 4 ½”.

BIBS, pigment, cement and glass on wood, 48 x 48 x 2 ½”, in good studio condition. Provenance: acquired directly from the artist by present owner.

UNTITLED, cement, pigment and glass on wood construction, 19 ¼ x 68 x 2 ¼”, in good studio condition. Provenance: acquired directly from artist by previous owner.

UNTITLED, pigment, cement and glass on wood, 30 x 20 x 1 ”, in good studio condition. Provenance: acquired directly from the artist by present owner.

UNTITLED, 1986, acrylic painting on pigmented cement on foamcore, signed and dated, 30 ¾ x 48 ¾ x 2 ¾” including Plexiglass box frame. From the collection of Bruce and Shary