John S. Marsh (American/New Orleans, 19th c.)

John Hamilton (American/New Orleans, 20th c.), "Pink Poodle", oil on canvas, signed lower right, inscribed "Hamilton" on stretcher, 19 in. x 22 in., unframed. Provenance: Estate of Highly Acclaimed Ne

Thomas Burger (American/New Orleans, 20th c.), "Calm of the Marsh", 2008, oil on canvas screenscape, signed on screen lower left, signed, titled, dated and artist business card en verso, 19 1/8 in. x

John Joseph Enneking, American (New England), 1841-1916. A late 19th century Impressionist oil on canvas landscape, titled "Cloud Kissed Peak". Unsigned by artist, signed by his daughter "Emily Enneki

Frigate Coming into Port (Ship Gov. Goodwin) written on tag verso, oil on canvas. 27 x 36 1/2 inches (overall) signed and dated 1845. Provenance: By Descent through the Lear-Storer-Decatur family, one

Gilt Napoleonic Heraldic Armorial, 19th c., presented in an ebonized shadowbox frame, H.- 6 3/8 in., W.- 5 1/8 in. Provenance: The Estate of John Angelico, New Orleans, LA.

New Orleans Stoneware Jug, 19th c., labeled "Estate Charles Feahney Wholesale & Retail Grocers & Liquor Dealers, New Orleans, LA," H.- 11 1/2 in., Dia.- 7 3/16 in. Provenance: The Estate of John Peter

Oriental Oxblood Porcelain Baluster Vase, 19th c., now with a wooden cap and circular base, wired as a lamp, H.- 16 1/2 in., Dia.- 7 in. Provenance: The Estate of John Angelico, New Orleans, LA.

Carved Gilt Wood Table Top Eagle, 19th c., the spread wing bird on an integral wood octagonal base, H.- 16 1/4 in., W.- 10 1/2 in., D.-6 in. Provenance: The Estate of John Peter Eaves, New Orleans, Lo

American School, "George Washington," early 19th c., oil on canvas, unframed, H.- 19 1/2 in., W.- 17 1/4 in. Provenance: The Estate of John Peter Eaves, New Orleans, Louisiana.

Carved Gilt Wood Table Top Eagle, 19th c., the spread wing bird on an integral wood octagonal base, H.- 16 1/4 in., W.- 10 1/2 in., D.-6 in. Provenance: The Estate of John Peter Eaves, New Orleans, Lo

American Carved Gilt Wood Spread Wing Eagle, 19th c., H.- 36 in., W.- 23 in., D.- 9 in. Provenance: The Estate of John Peter Eaves, New Orleans, Louisiana.

American Carved Gilt Wood Spread Wing Eagle, 19th c., H.- 36 in., W.- 23 in., D.- 9 in. Provenance: The Estate of John Peter Eaves, New Orleans, Louisiana.

Two Ebonized Canes, 19th c., with gold plated knob handles, one engraved 1883, Taller- H.- 33 1/2 in. Provenance: The Estate of John Peter Eaves, New Orleans, Louisiana.

Officer's Carved Pine Chest, early 19th c., with iron strapo hinges and dove tailed construction, H.- 9 3/4 in., W.- 20 in., D.- 10 5/8 in. Provenance: The Estate of John Peter Eaves, New Orleans, Lou

Two Civil War Oak Water Casks, 19th c., with iron banding, one mounted with a spigot, H.- 10 7/8 in., W.- 9 in., D.- 7 1/2 in. Provenance: The Estate of John Peter Eaves, New Orleans, Louisiana.

American, New Jersey, mid-19th C. 5'3"h x 27"w x 23"d. Provenance: Property sold for the benefit of the Newark Museum Acquisition Endowment.

Cast iron American Flying Eagle Wall Plaque, late 19th c., clutching an American shield and flag, H.- 11 1/2 in., W.- 16 in., D.- 1 in. Provenance: The Estate of John Peter Eaves, New Orleans, Louisia

American School, "Portrait of a Man with Glasses in his Hand," 19th c., possibly John Genin (1830-1895, New Orleans), oval oil on canvas, unframed, H.- 36 in., W.- 28 in.

Pair of American Rococo Revival Laminated Rosewood Armchairs in the "Henry Clay" Pattern, mid-19th century, attributed to John Henry Belter, New York, each with a floral-, foliate- and fruit-carved cr

Seven-Piece American Renaissance Revival Walnut Parlor Suite third quarter 19th century, attributed to John Jelliff, Newark, New Jersey, consisting of a pair of sofas, each with a central carved portr

Large Victorian Silverplate Centerpiece third quarter 19th century, probably John Gilbert, Birmingham and London, the standard in the form of a realistically detailed twining grapevine supporting five

Pair of Rare Victorian Blue John and Stone Candlesticks mid-19th century, of Jacobean inspiration, the stems composed of Blue John and red and yellow mottled stone, the octagonal bases mounted with gr

American Rococo Revival Laminated Rosewood Sofa third quarter 19th century, in the manner of John Henry Belter, New York, the elaborate crest rail pierced and carved with conjoined scrolls, cornucopia

American Rococo Revival Laminated Rosewood Sofa in the "Henry Clay" Pattern, mid-19th century, attributed to John Henry Belter, New York, the serpentine back of tripartite form, each section with a fl