John Pule, Hake Aga, Pato Pato (Rising, Falling)

John Richard Falling Vine Side Board on metal base. 72" x 20" x 38" tall

French Steamhammer Clock, c. 1890 Manufacturer: Guilmet & Japy Frères, Paris. Brass, partly patinated, 8-day movement, half-hour strike on bell, rising and falling pendulum, height of the clock 17 1

(pair) English Neoclassical white marble garniture urns, 19th c., contrasting stone tiled bands, possibly Blue John (Derbyshire Spar), rising on an integral square plinth, approx 15.25"h, 5 1/8"diam,

"Lapis Rising", art glass sculpture utilizing Schott optical glass prism with hot glass, vary colored core, etch signed 'John Kuhn 1990 Lapis Rising' under base, no condition issues, 12.75x4.5in., Ope

''Persian'', a hand-blown art glass sculpture, waved bowl form in clear striped with opaque white glass, rising to an opaque purple rim, signed and dated to underside: Chihuly / 99, 8.125'' H x 21.5''

''Macchia'', a hand-blown art glass sculpture, of waved multi-colored and layered spotted glass, rising to an orange rim, the interior in red, etched signature: Chihuly / PP06, 8.75'' H x 9.75'' W x 9

Hinged oval lid with slide lever opens to a rising chirping bird. marked France. 1 1/4 x 3 3/4 x 2 1/4 inches

Mid-20th century, signed in black ''Natzler'' and with paper label ''#12/RH'', a ceramic bottle, the cylindrical body rising to a tapering neck surmounted by a slightly flaring mouth, in an all-over c

Pair of (7) Light candelabras with gilt bronze ogee arms adorn with leaf and floral motifs rising from a fluted cornucopia. Held by a bronze sculpture of a Grecian woman. Filleted marble column base.

A GOOD 18TH CENTURY CHINESE QIANLONG MARK & PERIOD UNDERGLAZE-BLUE & COPPER-RED PORCELAIN BOWL, the interior painted to its centre with a frond of lingzhi, the rounded sides rising to an everted rim a

11,000 and Rising, 1982 (from "L.A. Flakes") Color etching with embossing on Georges Duchene Colombe paper; Gemini G.E.L., Los Angeles, pub. Edition 3/42, signed and dated lower right: Rauschenberg, w

Late 19th/early 20th century, French, of white-veined red marble, with a stepped rectangular top over a gilt-bronze Ionic capital on a channeled foliate-adorned standard rising from a gadrooned and la

Qing Dynasty, mid-19th century, in the transitional style, the bulbous body painted with Mongolian hunters on a lime green ground, rising to a cylindrical foliate-painted ringed neck surmounted by a s

Summer scene with lone cow at watering hole. Mountain rising into the clouds in background. housed in a lovely gilt carved frame. Oil on board. 9 3/8 x 15 1/8 inches. Condition: Good. Some grime build

JOHN EBSWORTH LONDINI FECIT A WILLIAM AND MARY WALNUT AND PANELLED MARQUETRY 8 DAY LONGCASE CLOCK The rising hood with moulded cornice above a florally inlaid frieze and ebonised barley-twist columns

Spectacular English Edwardian sterling silver footed punch bowl, Daniel & John Wellby, c.1901, ribbed bowl, vacant cartouche, shaped handles with winged lion's mask joins, rising on a gadrooned foot,

John Dickinson (American 1920-1982) for Sutherland Furniture. Painted plaster table with four legs rising on paw feet to the tabletop, marked on the underside with an impressed signature and manufactu

Pair of John Hutton style lounge chairs, having a polychrome frame and rising on animal form legs, 31"h x 28"w x 28"w

John Widdicomb (American), last quarter 20th century. Six-tier faux bamboo etagere, having a turned wooden frame, solid shelves, and rising on toupie feet. Plaque to underside. Approx. h. 84", w. 27",

Chippendale style mahogany "Rising Sun" armchair, also known as "George Washington's Chair", after the original by John Folwell, made in 1779 for Independence Hall located in Philadelphia, Pennsylvani

Style of John Hutton (American 1947-2006), 1970s, white painted Egyptian Revival "Thebes" lounge chair, having pink gingham upholstered cushions, slanted backrest, pierced inside arm, and rising on pa

JOHN BALDESSARI The Intersection Series: Person on Horse and Person Falling from Horse, with Audience. Chromogenic print on archival paper, 2002. 265x268 mm; 10x10½ inches, full margins. Signed,

JOHN BALDESSARI The Intersection Series: Person on Horse and Person Falling from Horse, with Audience. Chromogenic print on archival paper, 2002. 265x268 mm; 10x10½ inches, full margins. Signed,

Chinese Jian Ware Oil-Spotted Bowl. The deep conical body rising to a shallow groove at the mouth, covered overall with a black glaze embellished with silvery black streaks, the glaze falling short of