John Prendergast (born 1815) View of San Francisco (likely Rincon Hill) sight 10 x 16 1/2 in. f...

Porfirio Salinas (1910-1973), Spring in the Hills. oil on canvas. sight: 12 x 16", frame: 18 x 22". Provenance: An Alamo Heights, Texas collection Salinas was born in Bastrop, Texas on November 6, 1

Porfirio Salinas (1910-1973), "Hill Country". oil on canvas. sight: 12 x 16", frame: 18 x 22". Provenance: An Alamo Heights, Texas collection Salinas was born in Bastrop, Texas on November 6, 1910.

Dawson Dawson-Watson (England / Texas, 1864-1939), blooming cactus in the Hill Country, 1936, oil on canvas sight: 16 x 12 in., frame: 20.5 x 16 in. Condition: Cleaned and conserved by Dennis Baltus

Porfirio Salinas (San Antonio, Texas, 1910-1973), bluebonnet landscape, oil on canvas, sight: 12 x 16", frame: 15.5 x 19.5" Provenance: A Victoria, Texas collection Porfirio Salinas was known for hi

Robert Harrison (b. 1949), Bluebonnet hills. oil on canvas. sight: 36 x 48", frame: 46 x 58". Provenance: A Fredericksburg, Texas collection Robert Harrison was born in San Antonio, Texas in 1949 an

FOG LACED HILLS, 1995, oil painting on Masonite, signed and dated lower center, 40 x 20”, frame 54 ½ x 34 ½Â”. Provenance: Galerie Adrienne San Francisco; Golden Doors Gallery Kua

Porfirio Salinas (1910-1973), Bluebonnets, oil on canvas, 12 x 16", frame: 20 x 24" Provenance: A San Antonio, Texas estate Porfirio Salinas was born in Bastrop, Texas on November 6, 1910. He lived

Alexander Helwig Wyant (1836 - 1892) Oil on board, signed lower right, measures 10 x 12 inches and 14 x 16 inches w/frame. Born in Evans Creek, Ohio, Alexander Wyant was a tonalist landscape and genre

Charles Burchfield (American, 1893-1967) DrawingPencil on paper.Sight: 10 1/4 x 16 1/4 in.ProvenanceThe Sisti Galleries, Buffalo, New York. Private Collection, Buffalo, New York.Artist BioCharles Burc

Cuzco School, Portrait of a WomanOil on canvas. Carved and giltwood frame.Sight: 16 x 12 1/2 in, ProvenanceEstate of Suzanne D'Autremont Gouvernet, Rochester, New York.

Nova et Accuratissima Totius Terrarum Orbis Tabula Translated "The New World Map", Hand Colored w/ Elaborately Decorated Spandrels.   Sight View 16" x 21-1/2", Overall View 21" x 25-1/2"

A stunning oil on canvasboard Guy Wiggins (attr) winter scene, 9 x 12 inches sight, 16 x 19 inches overall, some loss to gilt on the frame. Excellent condition, from a private collection, Dallas TX.

SELIGER, Mark. DREW BARRYMORE FOR ROLLING STONE. Chromogenic print mounted with plastic corners in mat. Print: 13" x 10.5"; sheet: 16" x 12.25"; mat: 20" x 16". Generally very good condition. *Additio

Mary Bradish Titcomb (1858-1927) A View of Marblehead inscribed indistinctly and signed 'M.B. Titcomb' (lower right) oil on canvas 16 1/2 x 12 1/4 in. framed 23 x 19 in. Footnotes: Provenance

An oil on canvas depicting two figures, titled on plaque, as well as to reverse Wally FIndlay Galleries label which remains. Signed and dated 67, l.r.; 8.25" x 10" (sight), 15" x 16.75" (framed). Vu C

Peter Biegel Watercolor, gouache, 12 1/2" x 16", 10 1/2" x 14 1/2" 10 1/2" x 14 1/2" Signed, inscribed: "Home," "Good Night Charlie '67," "The Hunt Ball"

John Frederick Herring Jr (British, 1820-1907) A SOW WITH HER PIGLETS $15,000. - 20,000. Oil on panel, 10" x 12" Signed, dated 1853 $15,000. - 20,000.

John Northcote Nash R.A. (British, 1893-1977) Spring Landscape, Iver Heath signed 'John Nash' (lower left) pencil, charcoal and watercolour 25.5 x 42.5 cm. (10 x 16 3/4 in.) Executed circa 1914 Footno

oil on board signed lower right 9 1/2 x 13 1/2 inches sight;12 3/4 x 16 3/4 inches frame Condition: several spots of touch up scattered throughout the upper third of the painting in the sky and mounta

Acrylic on canvas signed Ted Harrison, 12" x 16", "Church in the Hills".

UNTITLED, circa 1991, installation in five-parts, each an oil painting on paper mounted to Foamcore mounted to wood, artist recalls signing each on verso, three panels are 53 ½ x 48”, two a

Albert Bierstadt (Amer., 1830-1902), lone deer in landscape, oil on artist panel sight: 9 x 12.5 in., frame: 14.5 x 18.5 in. Provenance: A Florissant, Colorado collection Likely the most famous and

REACHING FOR THE SKY, 1993, oil painting on panel, signed and dated and copyrighted lower right, 48 x 24”, frame 59 x 34 ½”. Provenance: Galerie Adrienne, San Francisco, CA.

La Sieste, 1938 10 1/8" x 12", 15 15/16" x 18 1/16" sheet pencil signed and numbered lower right from an edition of 25