James Craig Nicoll, N.A. (American, 1846-1918)

James Craig Nicoll (New York, California, Connecticut, 1846 - 1918) Etching depicting a coastal seascape with a vessel near the horizon. Pencil Signed lower right. Sight Size: 6.5 x 10.25 in. Overall

James Craig Nicoll (1846 - 1918)Oil on Canvas, Signed, Measures ( 8 x 20 inches ) w/frame ( 13 x 25.5 inches )Marine painter. Born in NYC on Nov. 22, 1846. Nicoll was an Eastern painter who was in San

1877 Signed James Craig Nicoll (1846-1918) - Signed 1877 Watercolor of Stormy Seas, Framed 25.5'' x 17.5'' , Sight 18.5'' x 10.5''

James Craig Nicoll (1846-1918): Rocky Outcropping Watercolor and gouache on paper, 1872, signed 'J. C. Nicoll' and dated lower left. 9 3/4 x 15 in. (sheet), 14 1/2 x 20 1/2 in. (frame). Property from

JAMES CRAIG NICOLLNew York/California/Connecticut, 1846-1918Rocky coastline. Signed and dated lower left "J.C. Nicoll 1877".Watercolor on paper, 9" x 14.5". Unframed.

with goats, on panel, image area 13" X10" plus frame, well listed artist, 1846-1918.....Biography from Witherell'sBorn in NYC, James Craig Nicoll was an Eastern painter who was in San Diego in 1896-97

Charles Craig (American, 1846-1931) Scouting, 1892 oil on canvas signed Chas Craig and dated (lower right) 24 x 36 inches Property from the Collection of Mr. Lawrence H. Kyte, Cordillera, Colorado

CHARLES CRAIG (American, 1846 - 1931), Indian Boy, 1896, oil on canvas, canvas: 20.25 x 16 inches, framed: 28.5 x 24 inches, signed and dated lower right. Condition: craquelure throughout, previous tw

This is an original oil painting on canvas covered board from artist Paul Strisik, N.A. (American, 1918-1998). With works rendered primarily in the Impressionist style, Strisik painted in both oil and

Charles Craig (American, 1846-1931) Geronimo, 1884 watercolor on paper signed Chas. Craig, dated and titled (lower right) 15 1/2 x 11 1/2 inches

PAUL STRISIK N.A., A.W.S. (American 1918-1998) A PAINTING, "Gloucester Morning," oil on canvas, signed L/R, "Strisik," verso an old partial paper artist's gallery label, 24" x 20", framed, 33" x 28 3/

James C. Magee (American 1846-1924) oil on canvas landscape of cows and windmills signed lower left and titled verso "Scene near Old Delphi, Holland". Site 19.5" x 23.5"

James C. Magee, American (1846 - 1924) Oil on Board "Young Girl in a Field of Flowers" Signed Lower Right. Frank S. Schwarz & Son Philadelphia label to accompany the lot. Measures 8-1/8" x 4-5/8". Fra

James Douglas Hope (American, 1846-1929). Group of five albumen photographs, ca. 1880s, depicting waterfalls in and around Watkins Glen, New York, where the artist lived and worked. Titled "Caver

"Bridge of St. Angelo, Rome." Gouache and pastel on paper. 20 1/2 x 13"; 16 3/8 x 23 7/8" (overall).

JAMES RENWICK BREVOORT (AMERICAN 1832-1918), OIL ON CANVAS, WINDMILL IN HOLLAND, SIGNED. 15 X 22"; FRAMED 18 X 25 1/2" (MINOR PAINT CHIPPING) PROVENANCE: THE WORKS OF JAMES RENWICK BREVOORT A CATALOGU

Lot 66 Sid Avery American (1918-2002) James Dean on Location for 'Giant' In Marfa, Texas (1955) silver gelatin contact sheet pencil signed lower right, numbered 4/950 image: 14 1/2 x 12 1/8 inches she

James C. Magee (1846 - 1924) Oil on canvas, signed lower right, measures 6.5 x 9.5 and 10.5 x 13.5 inches with frame. Considered a conservative Pennsylvania landscape artist who spent most of his care

James Gordon Bennett Jr. (1841-1918), American journalist. Sent Stanley to Africa to fine Livingston. Typed letter to Mr Alden dated September 9 1899 with signature / autograph. Image included.

"Caballero"; 1950; Gouache on Paper; 10.5" x 8"; Signed Lower Right; Framed (under glass).

Framed oil on canvas by Therese Knowles / Therese Germain Vellier Knowles (20thc American, 1918-2008). The landscape impressionist painting depicts cows in a flower filled country side, above a villag

(American, 1846-1924), signed lower right. Restoration. 21 1/2" high, 17 1/2" wide. Provenance: A Greenwich CT Estate.

Lucien Whiting Powell (American, 1846-1930), "Classical Landscape with Ruins, Figures and Pond", oil on canvas, after James Mallord William Turner (British, 1775-1851), signed and inscribed "After J.M

Paul Strisik (American, 1918-1998), untitled linocut in two colors, signed; Robert James Moore (American, b. 1922), woodcut in colors, "The Red Stone Bridge," 1950, signed, dated, titled, numbered 3/3