James A.M. Whistler, brown drypoint etching, 1879

James McNeil Whistler (American, 1843-1903) "Hurlingham" 1879. Etching and drypoint, printed in black ink on cream laid paper. signed with butterfly monogram (lower right). Plate: 5 7/16 x 7 15/16 in.

James Abbott McNeill Whistler, (American, 1834-1903), two prints on paper, comprising “Hurlingham," ca 1879, drypoint etching with a crown watermark, depicting docked sailboats, and "The Traghet

James Abbott McNeill Whistler (1834-1903) Massachusetts. Medium: Etching.Signed with butterfly monogram. "Fulham" 1879 etching and drypoint with notation "Whistler exhibition catalogue: 148". Overall

James Abbott McNeill Whistler (1834-1903) The Riva, No.1, from The First Venice Set (Kennedy 192; Glasgow 229) Etching and drypoint, 1879-1880, on laid paper, Glasgow's final fourth state, signed with

Published 1879 By The Fine Arts Society, includes all 57, some have came unbound and are loose, all appear to be in excellent condition for age

James Abbott McNeill Whistler (American, 1884-1903) "Long Lagoon". Etching and drypoint, printed in brown ink on paper. From the "Second Venice Set" published in 1886. With Whistler's emblematic butte

James Abbott McNeill Whistler (1834-1903) BILLINGSGATE; THE LITTLE PUTNEY (GLASGOW 51; 187) Two etchings and drypoints, 1859 and 1879, the first Glasgow's ninth state, the second Glasgow's third state

(American, 1834-1903) etching and drypoint, published by Hogarth and Son, 1878-1879, third and final state with faint artist's butterfly monogram above church tower Overall: 17-1/4"h x 21-3/8"w Sight:

James MacNeil Whistler (American, 1834-1903) The Little Putney Bridge, Etching and drypoint in black ink on cream laid paper, c. 1879, with the butterfly monogram, Image-5 3/16" x 8 1/8", has margins,

-1903). Etching and drypoint on laid paper. "Bead-Stringers". 1879-1880. Signed in pencil with butterfly on tab. Charles Dowdeswell collector's monogram verso. Pace Prints label affixed to v

James A.M. Whistler, etching, 1879, James Abbott McNeill Whistler (American, 1834-1903), "Upright Venice" from the Twenty-six Etchings of the Second Venice Set (Kennedy 16), on laid paper, likely four

James Abbott McNeill Whistler (France, 1834-1903) La Vieille aux Loques 1871 Signed in the plate lower right, noted within the plate 'Imp. Delatre Rue St. Jacques 71.', from from Twelve Etchings from

James Abbott McNeill Whistler (American, 1834-1903) "La Vielle Aux Loques", from "Twelve Etchings From Nature". Signed in the plate lower right, noted within the plate "Imp. Delatre Rue St. Jacques 71

James McNeill Whistler (American, British 1834���1903). Framed drypoint on cream paper. The work titled "The Forge," from "A Series of Sixteen Etchings of Scenes on the Thames and Other

James McNeil Whistler, etching and drypoint, James Abbott McNeil Whistler (American, 1834-1903), "Annie Seated", c. 1858-59, signed in the plate lower left, likely the 3rd state (of 3), 5.125"h x 3.75

JAMES MCNEILL WHISTLER (AMERICAN, LOWELL, MASS.1834–03 LONDON) ETCHING AND DRYPOINT, 1883 H 5.25" W 3.188" SWAN AND IRIS (Sketch After Cecil Lawson's Swan and Iris). Printed in black on waterma

DESCRIPTION: James McNeill Whistler etching and drypoint, Titled: "Annie Seated" signed in plate lower left side "Whistler" label attached to verso "From the Vincent Prince collection" CIRCA: 19th Cen

DESCRIPTION: James McNeill Whistler etching and drypoint, Titled: "La Vieille aux Loques" Signed in plate "Whisler" lower right side. Complete mounted in a gilt wood frame. CIRCA: 19th Cent. ORIGIN: U

Etching and drypoint, 1859, Glasgow 37 (iii/III); Kennedy 32 (ii/II), Glasgow lists forty known impressions. Later state restrike. Signed in the plate, lower right. The sitter is Deborah Haden (1825-1

James Abbott McNeill Whistler etching with drypoint on paper "Vauxhall Bridge", located in central London on the River Thames as it would have appeared before construction in 1904-1906, label on verso

James Abbott McNeill Whistler (American, 1834-1903) "Whistler, Soupe a Trois Sous W27", etching and drypoint on cream-colored paper, executed circa 1859, signed and titled in pencil at lower left marg

Etching and drypoint. Thames Police(Wapping Wharf). 1859. Later state restrike. Signed in the plate; 5-3/8in. X 8.75in.

James McNeil Whistler (1843-1903) Florence Leyland 1873, drypoint etching. Kennedy 110, IX/IX, final state. on fine laid paper with small margins. 209 x 136 mm

Artist:Whistler, James Abbott McNeill (American/European, 1834 - 1903) Title:The Sculptor Drouet Date: c. 1859 Medium: drypoint and etching on paper Dimensions: plate: 8.75 x 6.25 inches