James Abbott McNeill Whistler, Billingsgate, 1859

James Abbott McNeill Whistler (American, 1834-1903) Billingsgate, 1859 etching signed and dated in plate edition of 8 5 7/8" x 8 3/4" Literature: For a similar illustrated example of this edition, se

James Abbott McNeill Whistler, (American, 1834-1903), Billingsgate, 1859, etching, 6" x 9"

JAMES ABBOTT MCNEILL WHISTLER (Am./Br. 1834-1903) "Billingsgate"1859 Black ink on laid paper, unframed 6 1/4" x 9" sight, 11" x 14" matted Signed l.c. Private Collection Readfield, Maine

James Abbott McNeill Whistler (American, 1834-1903), etching on paper "Billingsgate", 1859, signed and dated in plate, 6" x 9" pl, 9-1/16" x 12-3/4" sheet, very good condition

James Abbott McNeill Whistler (1834-1903) BILLINGSGATE; THE LITTLE PUTNEY (GLASGOW 51; 187) Two etchings and drypoints, 1859 and 1879, the first Glasgow's ninth state, the second Glasgow's third state

Billingsgate. Etching. Signed and dated 1859 in the plate. Plate size: 6 in. x 8 7/8 in. (15.24 cm x 22.54 cm).

James Abbott McNeill Whistler RBA ( 1834 – 1903) etching of " Billingsgate" on cream paper, framed. Signed and dated on the plate, this is a high-quality clear impression preserved on well for age,

Framed drypoint etching on paper, "Billingsgate," signed in plate Whistler (James Abbott McNeill Whistler, United States, 1834-1903), dated in plate 1859, from the Vincent Price collection for Sears R

JAMES ABBOTT MCNEILL WHISTLERMassachusetts/England/France, 1834-1903"Longshoremen", 1859. Glasgow's fourth state of four. A very good, richly-inked impression with strong contrasts. Glasgow

James A.M. Whistler, Thames Set etching #9, 1859, James Abbott McNeill Whistler (American, 1834-1903), "The Lime Burner" (Kennedy 46), one of sixteen drypoint etchings from the Thames Set, on cream la

James A.M. Whistler, Thames Set etching #13, 1859, James Abbott McNeill Whistler (American, 1834-1903), "Thames Warehouse" (Kennedy 38), thirteenth of sixteen etchings from the Thames Set, on cream la

James Abbott Mcneill Whistler, American, 1834-1903, "Drouet," 1859, etching, signed in plate Dimensions:9 x 6, framed 17 x13 Property from the Estate of Mary Erlanger

JAMES ABBOTT MCNEILL WHISTLER (American 1834-1903) "Bibi Valentin", 1859 drypoint etching on Japanese laid paper with margins (from the second and final state), sheet: 7.5 x 10.375 inches; overall wit

JAMES ABBOTT MCNEILL WHISTLER (American, 1834-1903). Reading by Lamplight, circa 1859, Etching and drypoint, printed in black ink on likely fine ivory oriental laid paper. Plate signed lower right in

James Abbott McNeill Whistler (American, 1834-1903) The Music Room, 1859 etching and drypoint 5 3/4 x 8 1/2 inches. Literature: Glasgow 39 Provenance: Arthur Ackermann & Son, Inc., Chicago, 1928

James Abbott McNeill Whistler (1834-1903) Soupe a Trois Sous, 1859, Etching on laid paper, state 1. Collectors stamp on verso. Sheet dimensions: h: 8 x w: 10 1/3 in. H: 6 W: 8 7/8 in. Kennedy 49.

James McNeill Whistler (American, 1834-1903) Billingsgate. Etching dated to 1859. Ref: Kennedy 47 6" x 8.75" Frame: 18.5" x 20.5"

James Abbott McNeil Whistler Am. 1834–1903 Billingsgate Signed "Whistler 1859" l.r. Etching signed in plate. Frame 14.75 x 12 5/8" image sight: 9 1/8" x 6 3/8" Nice overall condition, does have a ye

etching, 1859, on laid paper, with margins, 143 x 215mm (5 5/8 x 8 1/2 in)

James Abbott McNeill Whistler (1834-1903)Annie, SeatedEtching and drypoint, circa 1858-1859, a good impression of MacDonald's final state (of 3), printing with plate tone on thin Chinese laid paper, p

JAMES ABBOTT MCNEILL WHISTLER, POSTHUMOUS ETCHINGS, 2:"Thames Warehouses from Thames Tunnel Pier", 3" x 8" and "Billingsgate", 6" x 9". Both unframed.

Old Westminster Bridge, 1859 3" x 7 3/4" etching 8" x 13 1/2" overall with the frame

Soupe a Trois Sous (1859) Etching and drypoint h. 6 w. 9 in. (subject) With burr, printed in black on Japan paper, 1859 overall: 13 x 15-1/2 in., frame Provenance: Descended through an Armonk, NY fami

James Abbott McNeill Whistler (American, 1834-1903) "Whistler, Soupe a Trois Sous W27", etching and drypoint on cream-colored paper, executed circa 1859, signed and titled in pencil at lower left marg