JACOB MATHAM Christ at the column.

Jacob Matham, Dutch, 1571-1631, The Last Supper And Christ Washing The Feet Of The Disciples After Taddeo Zuccaro's Decoration In The Matteo Chapel, S. Maria Della Consolazione, Rome, Two Engravings O

JACOB MATHAM 1571 Haarlem - 1631 ebenda DIE VISION DES HEILIGEN PETRUS Radierung auf chamoisfarbenem Buetten, auf leichten Karton montiert. BM 45,5 x 33,5 cm, PM 41,5 x 29,5 cm. Leicht fleckig, gebrae

Jacob Matham UNTITLED, engraving, sheet 12 ¾ x 6 ¾”; Anton Joseph von Prenner THE TOILET OF VENUS after Titian, engraving, plate 8 ¾ x 6 ¼”, sheet 10 x 7 &frac1

Etching of Janus head figure. Dimensions: (Paper) H 6.5" x W 10" Condition: No issues to note.

Dimensions: (Mat) H 13.75" x W 11" Condition: Some toning and handling marks.

"2-Solamen spes alma hominum, Fidei anchora facra AErumnis nostris pramia diana vouet. " "5- Praeteritis ventuna, bifrons Prudentia, rebus Elicio, et cauta pondero mente Sagax." "6-Forrtis in aduerfis

Hendrik Goltzius (Dutch, 1558-1617)  Portrait of Hans Bol, 1st state, together with Perseus and Andromeda (engraving by Jacob Matham, after Goltzius) engraving on paper Largest 9 7/8 x 14 3/8 inches.

[Whaling] Hand-colored engraving, 1681, Bernard Picart (after Jacob Matham's 1598 engraving), "Stranding van een Walrisch van 70 voeten lang", auction label verso, matted and framed under glass, 11"h

The Imitation of Christ.' Jacob Merlo Horstius [Editor]. 1675. Based on the inscriptions in this book, it appears that this book belonged to the Holyoke family of Massachusetts. Some inscriptions appe

c.1600 A.D. A carved boxwood figure of Christ's flagellation; Christ shown wearing a loincloth secured with a knotted cord, his head thrown back, hands bound by similar cord to a spike driven into the

Antique carved and polychrome wood figure; of Christ at the column, his body bruised and streaked with blood; with well-carved features and inset glass eyes; standing atop a square plinth; Provenance:

Mexican retablo, depicting Christ at the Column, oil on tin, circa 19th century height 8 in. x width 6 in. Provenance: Property from the collection of a San Antonio, Texas gentleman Shipping ava

Zampieri, Attributed to Domenico (Domenichino), (Italian, born 1581-circa 1641 ), The Flagellation of Christ on a Column, oil on canvas, 26.5 x 20 inches, apparently unsigned, framed in a painted wood

Spanish Colonial Mexican "Flagellation of Christ" Retablo Oil on Tin - Sometimes known as Christ at the Column or the Scourging at the Pillar, is a scene from the Passion of Christ, "Then Pilate took

Grouping of Two (2) 19th Century Wood Carved Santos Figures. Includes a figure with crucifix and a Christ figure with column. Tallest measures 12-1/2", smallest measures 9-1/2'. Condition: Each with s

Two (2) Mexican folk art retablo paintings. Both are painted on tin with shaped tin and painted glass frames. 1st item: A depiction of the "Lord of the Column," with the flagellated Christ in an inter

Nicolaes Visscher I (Dutch, 1618-1709). After Jacob Jordaens (Flemish, 1593-1678). "Christ Before Pilatus." From "Royal-Size Bible / Historiae Sacrae Veteris et Novi Testamenti..." 1652. "I. Iordaens

In which relic of the column of the scourging of Christ, diameter 4 cm.

19th century stained glass panel with leaded seams depicting Christ and his disciples flanked by columns and surrounded by cherubs, with wooden frame, 28" H x 21" W.

Jacob Ignatius Roore (Antwerp 1686-1747 The Hague) Christ giving the keys to Saint Peter signed 'Roore.F.' (on rock, lower centre) oil on copper 36.2 x 29.2cm (14 1/4 x 11 1/2in). unframed

Provincial Greek icon of the Suffering of Christ, depicting the robed Saviour before the Column of the Flagellation (or the Scourging Post), and the Cross of Golgotha with angels weeping above, inscri

Jacob Ernst Thomann von Hagelstein (Lindau circa 1588-1653) Christ Heals a Centurion's Servant signed with monogram and dated 'JH/ 1614' (on rock, lower centre) oil on panel 71.1 x 124.2cm (28 x 48 7/

Jacob Eby, Manheim, PA Hepplewhite Inlaid Cherry Tall Case Clock. Broken arched pediment with turned finials, turned column supports, cove molded waist with shaped lip molded pendulum door, below an E

Jacob Gorgas, Lancaster, PA Sheraton Tall Case Clock. Cherry case, broken arch pediment with urn-turned finials on reeded plinths, ring-turned rosettes and turned column supports. Cove-molded waist wi