Jack Vettriano (1954- ) British. Study for ‘Feeding

Reginald Marsh (American, 1898-1954). Not signed. Acquired from the artist by Edward Laning (who inherited Marsh's studio) to Jack Henderson (executor of Edward Laning's estate) from whom acquired by

Signed lower left, oil on canvas(61cm x 51cm (24in x 20in))Exhibited: The Edinburgh GalleryNote: From the beginning, Jack Vettriano?s paintings have evoked a distinctive and fully-realised world, and

§ Jack Vettriano OBE (1951-) On the shore signed 'VETTRIANO' (lower right) oil on canvas 44.5 x 34.5cm This lot has been authenticated by Jack Vettriano. The painting was purchased by the vendors

Signed lower right, oil on canvas board(50cm x 38cm (19.5in x 15in))Provenance: The Atholl Gallery, Dunkeld, 1990Note: From the beginning, Jack Vettriano?s paintings have evoked a distinctive and full

James Brereton (1954- ) British. "The Chrysolite Racing Home", Oil on Canvas, Signed, and Signed and Inscribed on reverse, 24" x 36".

Michael Bolan (1939-1995) British. Study of Naked Young Men, Oil on Board, Signed and Dated 1979, 21.5" x 18.75".

Birger Sandzén (Swedish, 1871-1954) Study of Juniper, Pikes Peak, Colorado 1920. Oil on artist board. Signed and dated 'Birger Sandzén 1920' (lower right). 12 x 16 in. Nedra Matteucci Galleries, San

Edwin Long (British, 1829-1891) Study for Ruth Gathering Wheat oil on canvas monogrammed EL (lower left) 52 x 42 inches. The authenticity of this lot has kindly been confirmed by Mark Bills, Director

Francis Bacon (British, 1909-1992)Study for Self-Portrait 1982, 1984Offset

Henry Lamb (British, 1883-1960) Study for The Artist and His Wife signed and dated 'Lamb/30' (lower left) oil and pencil on board 40.5 x 43cm (15 15/16 x 16 15/16in). (unframed) Footnotes:

Sir Jacob Epstein (British, 1880-1959) Study for Emperor Haile Selassie signed 'Epstein' (to base of neck) bronze with a gold-brown patina 30cm (11 13/16in) high (excluding base) Conceived in 1936 Foo

Arthur Hughes (British, 1832-1915) Study for Sir Galahad, the Quest for the Holy Grail signed 'AHughes' (lower left) oil on panel 27.5 x 39.8cm (10 13/16 x 15 11/16in). Footnotes: Pai

Euan Uglow (British, 1932-2000) Study for "The Blue Towel," 1982-1983 graphite on paper 6 1/2 x 7 1/4 inches.

Algernon Cecil Newton R.A. (British, 1880-1968) Study of Two Trees pencil and chalk on paper, squared for transfer 9.5 x 14.5cm (3 3/4 x 5 11/16in). Footnotes: Provenance With Abbott

Algernon Cecil Newton R.A. (British, 1880-1968) Study of Trees pencil and chalk on paper 10 x 15cm (3 15/16 x 5 7/8in). Footnotes: Provenance With Abbott & Holder, London, where acqui

John Emms (British, 1844-1912) - Feeding Time Signed 'John Emms' bottom left, oil on panel 9 5/8 x 14 1/8 in. (24.4 x 35.8cm) Provenance Property from a Newport, Rhode Island Estate.

Colored pencil and graphite on paper. "Scissors Jack Series Study". 1965. Signed, dated, and titled lower right. From a New York collection. - Dimensions: Sight: 12" High x 15.75" wide

Northwest Coast, Jack James (British Columbia, Kingcome Inlet, 1902-1980) , carved Wild Man or Bookwus red cedar mask with original dance rigging and interior label, signed "Jack James/Kingcome/Inlet/

Studio of Edwin Henry Landseer (1802-1873) British. "Odin", Study of a Bloodhound, Oil on Canvas, Unframed, 21" x 27".

British School, (9) watercolor fruit studies, British School (19th c.), Possibly for or after plates from a botanical or agricultural book, includes 4 pears, 3 cherries, a plum, and a nectarine, each

Sir Lawrence Alma-Tadema, OM, RA (British, 1836-1912) Portrait study of Mrs Mahala Colton signed, inscribed and dated 'L Alma Tadema/with a happy new year/to Mrs Mahala Colton/L. 1905' (lower right) w

Sir Edward Burne-Jones (British, 1833-1898) Head Study for the figure of Lancelot in "The Failure of Sir Lancelot" from the "Quest of the Holy Grail" series graphite on paper laid to board 9 x 7 1/2 i

Jonathan Knight (British, b. 1954): A bronze equestrian group of 'Returning Home' the huntsman turning to look at the two hounds by the right back flank of the horse, the whole raised on naturalistic

Frederick Goodall, RA (British, 1822-1904) Head study of a lady wearing a head scarf signed with monogram and dated '1859.70' (centre right) oil on canvas 46 x 37.5cm (18 1/8 x 14 3/4in).