Ivan Chermayeff - Mobil Masterpiece Theatre 1983-1984 Season - 1983 Offset Lithograph 46" x 30"

ORIGINAL 1983 MOBIL MASTERPIECE THEATRE TELEVISION POSTER TITLED "THE IRISH R.M." POSTER BY STAINSLAW ZAGORSKI. 46 INCHES HIGH X 30 INCHES WIDE. SOME EDGE CREASES, SMALL EDGE TEARS, BRIGHT COLORS.

Artist: Ivan Chermayeff Title: New York and the Arts: A Cultural Affair Description: "New York and the Arts: A Cultural Affair" by Ivan Chermayeff, Unsigned Offset Lithograph. Paper size is 46 x 30 in

Joan Miro (Spanish, 1893-1983) The Rustics very rare lithograph on gingham cloth mounted on paper signed "Miro" (lower right), edition 59/75 46 1/2 x 30 inches.

Joan Miro (Spanish, 1893-1983) La presidente nymphomane, 1971 color lithograph signed and numbered 43/50 in pencil 47 x 30 1/2 inches.

Joan Miró (Spanish, 1893-1983) 'Les Coquillages (M. 641)' 1969 Lithograph ed. 71 of 75; 30.25 x 44.25 (in) Signed in pencil Miró, lower right

ALPHONSE MUCHA (Czech, 1860 - 1939), The Seasons: Hiver; Printemps; Été; Automne, 1897, a set of four lithographs in colors, mounted to Rives wove paper. Images: 40 x 21.5 inches, framed: 46 x

(American, 1923-1997) 1965, color offset lithograph on white woven paper, signed in pencil l.r.c., from an edition of unknown size Overall: 23"h x 30-3/4"w Sight: 17-1/4"h x 22-3/4"w

FRANCIS, Sam, (American, 1923-1994): Untitled abstract composition (S.F.-357), Lithograph in colors on wove paper, pencil signed and numbered 10/50 lower left, 46.75" x 30", framed 57.75" x 40.25".

Charles & Ray Eames for Herman Miller 670 lounge chair & 671 ottoman Design 1956, production 1983-1984 Walnut plywood, dark green leather, cast aluminum 32" x 33" x 34" (chair) & 17" x 26"

Charles & Ray Eames for Herman Miller 670 lounge chair & 671 ottoman Design 1956, production 1983-1984 Walnut plywood, dark green leather, cast aluminum 32" x 33" x 34" (chair) & 17" x 26"

circa 1984 signed limited edition print, from the ed. of 750 offset lithograph in colors signed in pencil published by Knapp Communications Corporation Condition: unframed 36 x 24 inches

δ Robert Falcucci (1900-1989)Monaco Grand Prix, 17 Avril 1932Lithograph printed in colours, 1932, printed by Monégasque, Monte Carlo, on wove paper, sheet 1118 x 780mm (46 1/2 x 30 3/4in) Th

Artist: BASQUIAT, JEAN-MICHEL Title: DOG LEG STUDY Size: 22 X 30 INCHES Year: 1982/2019 Medium: SCREEN PRINT Edition: OF 50 Description: Conceived in 1982-1983 and printed in 2019. Screenprint in colo

Norma Belleza (b. 1939) Bulongan signed and dated 1983 (lower left) oil on canvas 30" x 36" (76 cm x 91 cm) Accompanied by a certificate signed by the artistconfirming the authenticity of this lot As

(Spanish, 1893-1983) Lithograph, (Woman and Dog in Front of the Moon) signed l.r. in pencil Miro and dated 1935, numbered l.l. 58/60. Sight size: 21"h x 18-1/2"w Overall: 27-3/4"h x 25-1/4"w Provenanc

Larry Bell (American, B. 1939) Two Works. Color lithographs, each pencil signed illegibly lower center Each approx: 30" x 21" Frames: 46.25" x 38.5"

Dale Chihuly (American, b. 1941) Large Blue Macchia with Yellow Lip Wrap, 1983 Blown glass 11 x 12 x 9 inches (27.9 x 30.5 x 22.9 cm) Signed and dated by the artist PROVENANCE: Rago, Lambertville, New

Julio Larraz(Cuban, b.1944) "Three Scoops" Oil on canvas; 1983 Dimensions: 19 7/8" x 22 18" Canvas // 28" x 30" Framed. Signed lower left. EF/B15

oil on canvas, 30 x 24, signed lower right: Otis Dozier '83

JOAN MIRÓ (Spanish 1893-1983) A LITHOGRAPH, "Blue," on paper, signed L/R and numbered 33/75 L/L in pencil. 33" x 48 1/2"

UNTITLED (Blue Curve) (A.201), 1983, color lithograph, signed and numbered 75/250 in pencil, printed by Gemini G.E.L. with their blind stamp lower right, published by MOCA Los Angeles, sheet 29 x 41&r

Unique Oil on canvas painting. Technique: Oil on canvas. Measures: 30 x 14 Inches. Provenance: Private collection Paris Acquired anonymous sale France 1983. The Painting is framed. Lived between (11 M

Frame: 46 in H x 35 in - Painting: 35 in H x 23 in L ***** Walt Johnston was a contemporary realist. He looked at everything in the most modern way, saw the underlying abstract form, then brought that

Joan Miro (Spanish, 1893-1983) Frappeuse de Silex, 1973 color etching, with aquatint and carborundum signed and numbered 46/50 in pencil 28 1/2 x 40 7/8 inches.