Italian School. Paolo Veronese Circle (Verona, 1528 -

(possibly 16th/17th century) The Judgement of Solomon, unsigned, inscribed verso in ink crediting the work to Paolo Veronese (Italian, 1528-1588), red chalk on laid paper, 6-5/8 x 9-7/8 in.; modern fr

Veronese, Paolo (Verona 1528–1588 Venedig) in der Art Anbetung der Könige. Öl auf Leinwand. 97,5x137 cm. - Doubliert.

after PAOLO VERONESE (Italian 1528-1588) attributed to GIOVANNI "GIAN" DOMENICO FERRETTI (Italian 1692-1766) A PAINTING, "Abduction of Europa," 1720-1740, oil on canvas, signed indistinctly, "Pietro R

manner of PAOLO VERONESE (Italian 1528-1588) AN OLD MASTER STYLE PAINTING, "Feast at the House of Levi," PROBABLY PARIS, 18TH/19TH CENTURY, oil on canvas, a study of the central portion of the origina

Follower of Paolo Veronese (Italian, 1528-1588), Study of Hercules and Antaeus, ink and wash on paper, unsigned, attribution inscribed verso, overall (in mat): 17"h x 12"w

Paolo Veronese (studio) (Italian 1528-1588) Martyrdom of St Sebastian c. 1565 Drawing on laid paper; pen, ink and brown wash With an "IHS" watermark. The cross is above the "H"; 16th century watermark

Three art books and albums on Italian Renaissance and Baroque painting. Caravaggio by John T. Spike, published by Abbeville Press, New York, 2001. The Art of Paolo Veronese 1528 to 1588 by W.R. Rearic

CIRCLE OF PAOLO VERONESEItaly, 1528-1588The supper at Emmaus. Signed and inscribed in ink and in period script verso “Paulus Veronese Venetia” and "N 134". Squared in pencil for

Valentin Lefebre after Paolo Veronese (1528-1588), 17th century, Engraving, Assumption of the Virgin. Published by Jacobus van Campen. Approx. 18" x 12 1/4"

Oil on canvas.58.5 x 101.5 cm; 74.5 x 117.5 cm (frame).

Italian school, ca. 1700. Circle of Francesco SOLIMENA (1657-1747) "Saint Nicholas of Tolentino. Oil on canvas. Measurements: 65 x 52 cm; 95 x 82 cm (frame). In this canvas we see Saint Nicholas of To

Italian School. 16th century. Bassano Circle. Oil on canvas. 76 x 105,5 cm. This painting has similarities to that of "The Supper at Emmaus", in which there is a series of characters in the foreground

Figurative Sketches Italian School, mid 18th century circle of Pompeo Batoni (1707-1787) charcoal and pencil, heightened with white chalk, unframed paper: 21.5 x 29cm. Provenance: Collection of Eric H

Italian school of the XVIII century. Circle of CORRADO GIAQUINTO (Italy, 1703 - 1765/66)."Apotheosis of Apollo".Oil on canvas.Measures: 56 x 33 cm; 66,5 x 43,5 cm (frame).We are in front of a sketch w

After Paolo Vernese (Italian 1528-1588), Monumental Oil on Canvas Painting. The Marriage at Cana. The presentation of the virgin. 107" x 51"

16th Century Italian School, (previously attributed to Franck, Pauwels) (AKA Paolo dei Franceschi, Fiammingo, Paolo, ) (Flemish 1540 (or 1546) - 1596), Standing Monk or Saint, sepia ink and red crayon

Paolo Fiammingo Franceschi Dei (Antwerp 1540- Venice 1596), Forge De Vulcain, Italian School, expert René Millet Oil on canvas. Paulo Fiammingo or Paolo dei Franceschi or even Pauwels (or Paul) Franc

(lot of 2) Framed Italian School oil on canvas paintings, Roman Ruins, after Giovanni Paolo Panini (Italian, 1691-1765), sight: approx 37.25"h, 28.5"w, overall: approx 43.5"h, 37.5"w, 15lbs Start Pric

Italian school; 18th century. "The Martyrdom of St. Peter of Verona". Oil on canvas. Re-tinted. It presents restorations. Measurements: 65 x 48,5 cm; 80,6 x 65 cm (frame). The softness of those that c

In the Manner of Giovanni Paolo Panini (Italian, 1691-1765). Oil on canvas, unsigned, 42 x 36 in., framed

Continental school, 19th century. Italian Scene in the manner of John Gadsby Chapman (American/New York, 1808-1889), oil on canvas, Apparently unsigned with canvas stamp obscured by lining. Approx. 24

ITALIAN SCHOOL17th CenturyTwo figure studies on separate sheets applied to one. Watermark of a star or sun within a circle surmounted by a cross (similar to Heawood, no. 3883: Rome, 1646).Sanguine dra

ITALIAN SCHOOLLate 18th CenturyChrist entering the house at Emmaus. Unsigned. A possible attribution to Giuseppe Guizzardi or his near circle has been suggested. Fleur-de-lis watermark.Red chalks on t

(Florentine, possibly 15th century) Madonna and Child, gold leaf and oil or tempera on course linen, tooled with circles and florets, mounted to panel with applied outer molding, 15-5/8 x 10 x 1-1/4 i