ISRAEL VAN MECKENEM Christ before Pilate.

Rembrandt Harmensz Van Rijn (Holland, 1606-1669)Christ before Pilateetching with drypoint and engraving on laid paperLarge Plate (B., Holl. 77; H. 143) Etching with drypoint and engraving, 1635-36, wa

DAS UNGLEICHE PAARNACH, etching, from an edition after 1470, initialed in plate lower right, 5 x 4 ¼” attached to larger sheet.

Rembrandt van Rijn. Christ and the Woman of Samaria: An Arched Print (1657). New Hollstein 302, IV/V Sturdy, medium-weight cream laid paper. 1/16" margins all around. No visible watermark. The Tip of

Reputedly ca. 1520, painted vellum page with gilt accents. Central image with border of cornflowers and potted carnations with butterflies, snail and caterpillars. Framed with a similar engraving of t

Etching and drypoint. New Hollstein's fourth's state (of 5), with a trace of the delicate horizontal line across the spire upper right. 1657 125x160 mm; 5x6 1/4 inches, narrow margins. Bartsch 70; New

(Italian, 1527-1585) pen and ink on paper, unsigned, verso with label from The Drawing Shop Overall: 13-3/4"h x 11-3/4"w Sight: 7-1/4"h x 5-1/2"w

Hendrick Goltzius (1558-1617, Dutch); etching Christ before Pilate (1596) from the series entitled Christ's Passion. Sharp, clean, even print, with margins. Some spots on the margins. 10 1/4"H x 7 1/2

Italian "Christ & Pontius Pilate" sanguine chalk drawing on laid paper, possibly 17th century. Image: 9.5" H x 8" W; unframed. Stain top center and foxing throughout.

Framed marquetry panel, Christ in front of Pilate, after Mihaly Munkacsy (Hungarian, 1844-1900), signed lower right Pittel B., sight: approx 10.25"h, 16.5"w, overall: approx 15.5"h, 21.75"w, 3.25lbs S

Albrecht Durer woodcut engraving on laid paper Christ Before Pilate, from The Small Passion. Monogrammed in the plate. Sheet measures 5 1/4" x 4 1/8".

After Rembrandt van Rijn (Dutch, 1606–1669), "Christ Disputing with the Doctors: a Sketch," etching, plate signed lower left, sheet: 5"h x 8.25"w, overall (with frame): 13"h x 17"w. Reference: Barts

Marked Etched by Charles Waltner, printed by Munkacsy, wood frame measures 21.5" x 25.5', frame shows some wear 

DESCRIPTION:Antique print titled "Christ Before Pilate". Features a rendering of Chirst before Pilate with figures in the background protesting and Roman soldiers holding the crown back. Masonite on b

Lot consists of an original pencil on paper drawing by Mihaly (Von Lieb) Munkacsy (Hungarian, 1844-1900). Titled "Christ Before Pilate V". Hand signed lower right. Sight seen approx. 6.25" x 7.75".

SOUTH GERMAN SCHOOL OF THE EARLY 17TH CENTURY PROBABLY CHRIST BEFORE PILATE (FRAGMENT) Oil on softwood panel. 54,5 x 23 cm. Part. min. old rest. Provenance: South German collection. SUEDDEUTSCHE SCHUL

Anthony Van Duck, “Christ crowned with thorns, holding a reed” etching/engraving, 18 1/2” x 20 1/2” overall.

Spanish Colonial Mexican "Flagellation of Christ" Retablo Oil on Tin - Sometimes known as Christ at the Column or the Scourging at the Pillar, is a scene from the Passion of Christ, "Then Pilate took

PRIDEAUX, H. Het oude & niewe verbond aen een geschakelt in de geschiedenissen der Joden en der aengrenzende volkeren, sedert het verval der koningryken van Israel en Juda tot de komst van Jezus Krist

SOUTH GERMAN/AUSTRIAN SCHOOL Master, active mid 18th century. CHRIST BEFORE PILATE Oil on canvas. 107 x 87 cm (F. 121 x 101 cm). Part. damaged, rest., old retouching, craquelé. Frame. Provenance: W

Artist: Rembrandt van Rijn Title: Christ and the Woman of Samaria (Arched Print) Year: 1880 Dimensions: 5in. by 6.5in. Edition: From the rare limited edition Medium

Russian Religious image of the Scourging of Christ before Pilate, 16th-17th c., in hand carved deep cove gilt frame, SS: 5 1/2" x 4", OS: 11 1/2" x 10". Heavily flaked. From a Georgetown, Maine home.

Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, circa 1634, a heavily inked black impression of New Hollstein's third state (of five), on laid paper without watermark

Rembrandt van Rijn (1606-1669)Christ Driving the Money Changers from the TempleEtching with drypoint, 1635, a good but later impression of New Hollstein's fourth state (of four), on laid paper without

Rembrandt Van Rijn Etciching Christ Driving the Money Changers From the Temple. Verso has label from Kennedy and Co Rare Prints, states original etching by Rembrandt Bartsch #69. . Frame 11.5 x 13 inc