Important Minton Majolica Renaissance

In the Della Robbia Style, Circa 1860, Probably Designed by Pierre Emille Jeanest. Few Examples of this Important Piece Exist, and Even Fewer have the Liner Bowl. The Liner Bowl on this Piece has been

'Mushroom' tureen c.1875, modeled as an oval fern and ivy tree trunk with leafy green ground, fixed under tray, with a mischievous fox at either end watching two unsuspecting mallard ducks, the lid mo

Revival Jardiniere c.1875, Decorated on the Della Robbia colors, modeled as a large bowl decorated with pine cones and owls heads, supported by a triple column terminating in scrolls legs with female

A Minton Majolica Renaissance Revival 'Bacchus' Vase c.1875 The urn shaped French blue body molded with three satyr masks and festoons of pendant fruit, suspending rope-twist swags above gadrooned low

Minton Majolica Renaissance Style Spiral-Molded Ewer with Satyr Recorded as shape no. 843, date cypher for 1862 Of inverted pear form, the tall upright vine handled with splayed vine terminal, the ste

shape no 827 with alternating four faces with pendant fruit below, foliage and leaves detail ,10 3/4 “h Ref Majolica Mania vol2 p104

Revival Table Salt c.1865 painted by Emile Lessore, the circular bowl with interior painted putto in the Italian maiolica style, supported by two entwined dolphins, all upon a circular pedestal base,

Revival Fluted Snake Handled Oviform Vases c.1860,shape 703, after designs by Alfred Stevens and designed in the Italian maiolica style, the fluted bodies in mottled cobalt blue and green, the handles

An Extremely Rare Minton Majolica Renaissance Urn Cover c.1875 (Never seen before). The ovoid yellow ground body decorated with vines leaves and purple grapes with twisted branch forming two arched ha

stand, shape no. 472, 10 1/2"

Vase c.1875 The urn shaped French blue body molded with three satyr masks and festoons of pendant fruit, suspending rope-twist swags above gadrooned lower section supported by circular pedestal base,

two handled urns with winged katydid handles, painted by E. A. Lessore, body painted with different scenes, lacking lids, 10". Joan Stacke Graham Collection.

Minton Majolica wall sconce, in the form of a Renaissance man holding a torch, set in oval laurel wreath cartouche, impressed no. '1221' to rear, and impressed date mark for 1866. Museum restoration t

Renaissance Revival Wall Brackets c.1860, 5 1/2"h, 5 1/2"w, shape no. 336, the trefoil shaped body decorated with band of cabochon over scroll edges with a mask between. Catalogued and curated by Nico

Renaissance Revival Salts c,1865, modelled as an variegated malachite glazed body, with opposing griffins to each end supporting all. Only three known examples. Catalogued and curated by Nicolaus Bost

Palissy Style Majolica Two-Handled Tortoiseshell-Ground Broth Bowl, Cover and Stand Probably English, possibly Wedgwood or Minton, 19th century In the Renaissance style, sponged in manganese on a mott

Boar's Head tureen with rare matching fitted tray, no. 2141, 22"l, 15"w, 11 1/2"h. This is the rarest of all Minton majolica game tureens, very few are known to exist; an example is in the MAAS Powerh

form of a vulture attacking a snake, the vulture with pink neck, brown feathers with black wing tips on rock mound base, the rarest of Minton's figural majolica teapots, from the Marilyn Karmason Coll

and cover c.1870, the cover modeled as a yellow straw beehive with trailing blackberries, branch forming the handle, the base formed as a square platform supported by undulating branch, 13 1/2"h, 10"w

lidded urns with laurel swags, 24", professional repair to one lid

Renaissance Revival Desk by Valentino P. Besarel carved with full figure cherubs, panels carved in relief. The side drawers slide outward, and the small center drawers utilize the chin on the lion mas

23" h, modeled with a mermaid handle, her tail wrapped around a horned bacchus mask, with laurel leaf swags running along both sides and a putto below the spout, with panels in relief to either side,

HIGHLY IMPORTANT RENAISSANCE CAMEO, PEARL, RUBY DIAMOND AND ENAMEL PENDANT, ca. 1580. Set to the center with a carved cameo, surrounded with pearls and rubies. The openwork scrolling pendant decorated

HIGHLY IMPORTANT RENAISSANCE CAMEO, PEARL, RUBY DIAMOND AND ENAMEL PENDANT, ca. 1580. Set to the center with a carved cameo, surrounded with pearls and rubies. The openwork scrolling pendant decorated