I Mod. B Dial-Compur, 1928, no.13156

SN: 6079 Year/Baujahr: 1927 Condition/Zustand: B+ English First and very rare version Compur Leica in excellent, fully original and perfect working condition, with rare small leathe

A Leica I Mod B Dial Set Compur Camera Serial No: 5891 Date: 1927 Body: G overall in unrestored condition, early broad vulcanite and with evidence of repainting to the bottom plate Shutter: working (9

The first model Compur-Leica, here in very good condition, with a nice patina (some edges have been repainted), together with snap-on yellow filter and unusual leather pouch, Leica records show that a

The First Model Compur-Leica, Here In Very Good And Original Condition, Never Restored Or Upgraded, The Camera Shows Some Nice Patina On The Edges, A Dent Can Be Seen On The Top Of The Finder (Not Aff

Frühe IB "Rädchen" Compur Leica im gebrauchten Zustand, aber mit attraktiver Patina. Transport- und Rückwickelknopf mit "Indianerpfeilen" graviert. Kürzeste Einstellentfernung 1 mt

Sehr späte Rädchen-Compur, das Gehäuse umgebaut in Ausführung mit Objektiv-Wechselfassung mit "0"-Abstimmung. Das Objektiv mit Compur-Verschluss (Blendenskala fehlt) in Wechselfass

Leica I (Model B Standardized) Nr. 13222 with 50mm Dial Set Compur f3,5 lens Nr. 258646. A curious camera, this Model B was converted by Leica to a standardized lens mount to take interchangeable lens

Leica I (Model B) Rim Set Compur Nr. 13201, with early Leica cardboard box. Beautifully refinished. Made in 1928 in a batch of 237 cameras, this is an outstanding example of the Leica Model B Compur.

YAACOV AGAM (B. 1928) Symphony XXI: Black, circa 1992 signed 'agam' (lower center) acrylic on panel 18 1/2 x 20 1/2 in. 47 x 52.1 cm. Footnotes: Provenance Circle Gallery, San Fr

William Klein (b. 1928) Anouk Aimée (Vogue), 1961. Gelatin silver print, printed later and flush-mounted. 105 x 80 cm (42 x 32 in.) From an edition of 30. Provenance Directly from the artist. Lit

1968; oil on canvas, unframed; signed and dated verso 22 1/2 x 22 1/2 in. (57.2 x 57.2 cm.) Provenance: Property from The Estate of Paul Schrade and Monica Wiel, Los Angeles, California

OSCAR RABIN (RUSSIAN B. 1928) Landscape with an Oil Lamp and Two Helicopters, 2000 oil on canvas 55 x 73 cm (21 1/4 x 28 3/4 in.) signed and dated lower right; titled, dated and inscribed No 1252 on v

Yaacov Agam (b. 1928) HOMAGE A TANTRA Polymorph multiple, 1980, signed in blue ink, numbered 67/150 in blue ink verso, framed. Overall 13 x 41 3/4 x 3 1/2 inches; 330 x 1060 mm. • The property o

Emilio Rodriguez Larrain(1928-2015)"Llansa - Cadaques Julio Agosto," 1963Mixed media on paper mounted on panelSigned, titled, and dated in ink on the frame's backboard: Emilio Rodriguez Larr

Julio le Parc (Argentinian, b. 1928) La Longue Marche (four prints), 1974-1975 lithographs each signed and numbered out of 200 in pencil Largest: 26 x 29 1/2 inches.

LOVE from the ‘Book of Love’, 1996, color screenprint, signed and numbered 114/200 in pencil, published by American Image Edition, image 18 x 18”, full margins, frame 26 x 22”

Yaacov Agam (Israeli, B. 1928) Title Unknown. Color screenprint with lucite prism overlay. Edition 109/144. Signed lower right Frame: 25" x 25"

Yaacov Agam (Israel, B. 1928) "Moon-Noon" - Unique Work Color Serigraph on a polymer surface with 9 hand polished prism affixed to surface itself. Signed in two places lower right, along with being pe

Yaacov Agam (Israeli, B. 1928) Untitled Agamograph. Color silkscreen polymorph on aluminum. Signed in ink lower right; also signed in ink en verso 24.5" x 24.5"

John Little R.C.A., oil on board, "Rue Plessis, entre Logan et Lafontaine", framed, signed and dated 1976, provenance: Walter Klinkhoff Gallery Inc. label on verso, Estate of F. C. Morgan, 12 x 16 inc

1986; polymorph; signed, dated, and numbered 68/99 in pen verso; Provenance: with Martin Lawrence Galleries label verso; Condition: framed in acrylic; with cracking to right side of acrylic frame; whi

Marcia Marcus (American, b. 1928) Oil Painting Landscape Titled "My Courbet" 1971. Measures 49 x 50 inches.Exhibitions:University of Nebraska: Sheldon Museum of Art “A Sense of Place: The Artist

LA LONGUE MARCHE Series, 1975, three color screenprints, each signed and numbered 78/200 in pencil, published by Denise Rene Editions with blind stamps lower left, sheets 29 ½ x 29 ½”,

* David Simpson (American, b. 1928) Breakaway Green, Crystalline Green and Gold Consort, 1997 (three works) acrylic on canvas each signed David Simpson, titled and dated (verso) Each: 36 x 27 inches.