Hendrick Adriaan van Rheede (Dutch, circa 1637-1691),

Hendrick Adriaan van Rheede tot Drakenstein (Dutch 1636-1691) Set of eight hand colored and illustrated copperplate botanical engravings from Hortus Indicus Malabaricus, originally published 1678, Ams

Hendrick Adriaan van Rheede (1636-1691) PLANT STUDIES] Six hand-colored engravings after Draakenstein, from Hortus Indicus Malabaricus , Amsterdam, 1678-1693, framed. Sight of largest four sheets 14 1

Two early Hortus Indicus Malabaricus colored botanical engravings. Attributed to Hendrik Adriaan van Rheede tot (1636-1691). Plate measures approximately 17 1/4" x 13 1/8" and 29.5" x 25.5" w/ frames.

Hendrik Adriaan van Rheede tot Drakenstein, publisher (Dutch, active ca 1678-1693). 6 engraved plates from Hortus Indicus Malabaricus. [Amsterdam, ca 1686]. Comprising: Belilla -- Elengi -- Caunga --

Hendrik Adriaan van Rheede tot Drakenstein/Publisher (Dutch, active c. 1678-1693) , "Ampana. Lat" and "Tserjou-Kanneli", 2 hand-colored engravings, from Hortus Indicus Malabaricus, subjects identified

1689 MALABAR INDIA van Rheede Dutch Botany Hortus Herbal East India Co Disease Hendrick van Rheede was a 17th-century Dutch naturalist who published a famous treatise on Dutch botany, ‘Hortus Malaba

Manner Of Adriaan Van Der Werff (Dutch, 1659-1722) Oil On Wood Panel Ca. 1840-1880, Venus, H 15" W 12.5" | Depicting Venus in the clouds attended by putti. Unsigned. Frame H 23", W 21". Provenance: Fr

Hendrick van der Burgh (Dutch, 1769-1858), Village Scene, oil on canvas, signed lower left, canvas: 17.75"h x 14.75"w, overall (with frame): 23"h x 19.75"w

DRAAKESTEIN, Hendrick Andriaan van Pheede tot (1636-1691). Naluga (F. 26). Engraving with original hand color from Hortus Indicus Malabaricus. Amsterdam: 1678-1693. 15 1/2" x 18 3/4" sheet.

Circle of Abraham Van Beyeren , circa 1700 Dutch Baroque School, Oil on fielded oak panel, A still life depicting a Nautilus Cup , Silver censor , Fish and a Rose on a table. 13 1/2 x 11 1/4''

Rembrandt, Van Rijn Original Etching of Lieven Willemsz van Coppenol, Writing Master, Circa.1658. (Dutch 1606-1669). Image 7-3/4" x 6-1/2", in a modern frame, 19" x 17-1/4" overall. Condition: Good wi

Follower of Rembrandt van Rijn (Dutch, 1606–1669), Portrait of Rembrandt, circa 1840, oil on board, dated, titled and inscribed verso, board (oval): 8.5"h x 6.5"w, overall (with frame): 11.5"h x 9.5

A Gerard Van Den Berg (Dutch b. 1947) swivel lounge chair, circa 1965, having a molded birch birch plywood frame supporting the original brown leather seat and back with original patina, and rising on

Attributed to Jan van Neck (Dutch, 1635-1714) Gerusalemme Libertata (Jerusalem Delivered), Circa 1670-1680 oil on canvas unsigned 24 5/8 x 29 1/4 inches. This lot is located in Cincinnati. Provenance:

Described By:Michelle NED HFA VX Title:Antique Bruegel van Goyen Dutch Master Landscape Oil Painting Description: Antique Bruegel van Goyen Dutch Master Landscape Oil Painting. Dutch School circa 16th

Salomon van Ruysdael (Circa 1602-1670) - Dutch. Late 1700's or early 1800's after oil painting 'Dutch Harbor' on canvas, in the old master style of Salomon van Ruysdael. Dutch harbor scene with boat d

"Three Heads" posthumous etching, 1637. Signed and dated in the upper portion of the plate, on laid paper. Depicting three female subjects with one sleeping. Sight size: 5 3/8" ht. x 3.5" wd., framed

After Hubert and Jan van Eyck(Dutch, 14th/15th Century)"Ghent Altarpiece"; St. Bavo's Cathedral in Ghent, Belgiumcirca 1900lithograph panels, black-lacquered and gilded surroundunmarked23 1/2 x 48 inc

Rembrandt van Rijn (Dutch, 1606-1669) "The Old Bearded Man in a High Fur Cap, with Eyes Closed," etching, circa 1635, Bartsch 290, signed in image in upper left quadrant, FM stamp along right, bearing

Item: Rembrandt van Rijn Etching (Dutch 1606-1669) Size: 5 3/8 x 4.25 in. Rembrandt van Rijn (Dutch 1606-1669). Christ Carried to the Tomb, circa 1645 Etching and drypoint. Signed in the plate, lower

The Backgammon Players, circa 1653 Etching on paper under glass, trimmed on the plate mark Signed in the plate lower center: A. Ostade Image: 3.25" H x 2.75" W Provenance: Private Collection, Los Ange

This was attributed to the Dutch painter Willem van de Velde (according to the written appraisal), however, we feel this is at best "school of", and likely painted later, probably early circa 18thC. V

ABRAHAM ORTELIUS and JACOBUS VAN MEURS (Belgian, 1527-1598), (Dutch, 1760-1824), Tartariae Sive Magni Chami Regni typus, circa 1609 AND Novissima et Accuratissima Totius Americae Descriptio per Jacobu

Rembrandt, Van Rijn Original Etching of Artist Jan Asselyn, Circa 1647. Signed lower right. (Dutch 1606-1669). Image 7-3/4" x 6-1/2", in a modern frame, 19" x 17-1/4" overall. Condition: Good with fox