Heidi Melano after Kazimir Malevich Large Suprematist Mosaic Panel 1980

Large Italian framed mosaic panel of men with horses in a field. in the back with studio sticker. frame size: 25 1/2"W x 16"H

Kazimir Malevich (1879-1935) 'Suprematist Composition No. 56', 1936 lithograph in colours, numbered '1083/1400' in pencil l.l., printed by Mourlot, and published by Galerie Gerald Pilzer, Paris, with

Large mosaic stained glass style panels with a dragonfly motif. It has a very heavy bronze base with 4 arms to support the shade. The base of the lamp lights up as well as the top. Measures 29" H x 22

Large Ancient Roman (style) marble mosaic panel, Possibly c. 4th - 5th c. CE, depicting a spotted panther leaping amongst grasses and tree branch, on a cream ground, 66"h x 74"w Provenance: Property f

Mixed media on wood panel, framed. Featuring an abstract portrait. Signed K. Malevich on the lower right corner. Gallery label inscribed with artist name, title, and medium in Polish with Polish stamp

11th-13th century A.D. A rectangular marble floor panel recalling similar workmanship to the floor of the Sistine Chapel, comprising a large central panel composed of a chequerboard design of alternat

Kazimir Malevich, Russian, 1879 to 1935, oil painting on canvas depicting a suprematist composition. Signed with initials lower left. Framed. Kazimir Severinovich Malevich was a Russian avant garde ar

Gouache and graphite on paper. Featuring three suprematist compositions. Each sighed in the bottom right corner with number and date in the bottom left corner. Label reading "Kazimir Malevich [...]" w

Kazimir Malevich, Russian, 1879 to 1935, mixed media painting on paper depicting a Suprematist composition. Signed with initials lower left. Framed. Kazimir Severinovich Malevich was a Russian avant-g

after KAZIMIR MALEVICH (1878-1935) "Suprematism (1920)," A MUSEUM EXHIBITION POSTER, "The Avant-Garde in Russia: New Perspectives 1910-1930," LOS ANGELES, JULY 8 - SEPTEMBER 28, 1980, color lithograph

Jeffrey Elgin (American, 20th c). Large oil on canvas triptych painting titled "Held (Dedicated to the American Hostages)" depicting an abstract scene on three panels, 1980. Each canvas is signed, dat

MARY IRELAND (1891-C.1980) ‘ENCHANTMENT’ TRIPTYCH, DATED 1933 appliqué ‘fabric mosaic panel’, painted silk, with applied signature to left-hand panel MARY IRELAND(Central

MARY IRELAND (1891-C.1980) ‘THE SHADOW (BLUE & GOLD CLOAK)’, DATED 1935 appliqué ‘fabric mosaic panel’, painted silk, with applied signature lower right MARY IRELAND, in o

MARY IRELAND (1891-C.1980) ‘THE EMBROIDERED KIMONO’, DATED 1935 appliqué fabric mosaic panel, mixed fabrics and painted silk, with applied signature lower right MARY IRELAND, artist&#

MARY IRELAND (1891-C.1980) ‘MADONNA & CHILD WITH ROSES AND THORNS’ DATED 1955 appliqué fabric mosaic panel, painted silk, with applied signature lower right MARY IRELAND, artist&#8217

MARY IRELAND (1891-C.1980) ‘OLD WOMAN SEWING’, CIRCA 1935 appliqué ‘fabric mosaic panel’, painted silk, with applied signature lower right MARY IRELAND, inscribed verso OL

MARY IRELAND (1891-C.1980) ARTS & CRAFTS APPLIQUÉ PICTURE, CIRCA 1935 unfinished appliqué ‘fabric mosaic panel’, pencil, tracing paper, 27cm x 22.5cm; together with a PRESENTATIO

MARY IRELAND (1891-C.1980) ‘THE LADY HEARTSEASE’, CIRCA 1935 appliqué fabric mosaic panel, mixed fabrics and painted silk, with applied signature lower left MARY IRELAND, artist&#8217

MARY IRELAND (1891-C.1980) OLD LADY IN TRADITIONAL COSTUME, CIRCA 1935 appliqué ‘fabric mosaic panel’, painted silk, with applied signature lower right MARY IRELAND, later framed(24.5

MARY IRELAND (1891-C.1980) ‘BRETON PEASANT GIRL AT ST. SERVAN’, DATED 1934, ALTERED 1950 appliqué fabric mosaic panel, mixed fabrics and painted silk, with applied signature lower lef

MARY IRELAND (1891-C.1980) ‘MARY’S VISION OF THE HOLY GRAIL’, DATED 1944 appliqué ‘fabric mosaic panel’, painted silk, with applied signature lower right MARY IRELAN

MARY IRELAND (1891-C.1980) SEATED FIGURE, CIRCA 1935 appliqué ‘fabric mosaic panel’, painted silk, with applied signature lower right MARY IRELAND(24cm x 19cm)

in as-is condition requiring restoration due to buckling (likely from moisture), all tiles appear intact, mounted on metal backed panel, loose in frame, minor frame rubs, frame as is, 10.25x18.5in., o

TWO RUSSIAN SUPREMATIST STYLE WHITE PORCELAIN THREE PIECE TEA SERVICES, AFTER KAZIMIR S. MALEVICH, CIRCA 1990s, each teapot and cream pitcher with a flat square form finial handle on a circular lid, s