HARVEY WALLACE CAYLOR (American, 1867-1932) Oxen

Harriet Roosevelt Richards (American, 1867-1932) illustration painting depicting a young girl and grandmother, en grisaille gouache on board, signed lower left, 21-3/4" x 13-1/4" sight, framed 28-1/2"

Frank McIntosh Arnold (American, 1867-1932): Misty Night. Watercolor on paper, signed and titled at the bottom of the page, framed. Frank Arnold is known for Marine painting and illustration. 21.5 x 1

JOINER, Harvey, (American, 1852-1932): Forest Landscape with Early Light, Oil/Board, 6'' x 14'', faintly signed lower right, original gilded gesso frame, 11.75'' x 19.75''.

HARVEY JOINER (American, 1852-1932)Road Through the Woodsoil on canvasboardsigned Harvey Joiner lower right12 x 10 in., frame: 20 x 17 3/4 in. Provenance: The Collection of a Rochester,

Harvey Joiner (American, 1852-1932) Autumn Forest Oil on board, signature to lower right; gilt wood and gesso frame. H: 11 5/8, W: 9 5/8 in. (H: 29.53, W: 24.45 cm. (sight)) Provenance: Estate of Jud

Harvey Joiner (American, 1852-1932) Sunlight Through the Beeches oil on canvasboard signed lower right 9 1/2 x 19 1/2 inches. Exhibited in the artist's studio, Louisville, Kentucky, December 1918.

DESCRIPTION: "Landscape with River and Trees". Harvey Joiner (American, 1852-1932). Oil on board. Signed lower left. In carved gilt painted wood frame. Artist's name on plaque to bottom center of fram

Harvey Joiner (American, 1852-1932) Near Estes Park - Bit of Sunlight oil on canvasboard signed lower right 7 x 14 1/4 inches. Exhibited in the artist's studio, Louisville, Kentucky, December 1919.

Harvey Joiner (American, 1852-1932) "The Hidden Pond" oil on canvas Signed Approx. unframed 12"x9.825", framed 18.25"x16.25"

HARVEY JOINER (American 1852-1932) ORIGINAL OIL PAINTING ON BOARD, measures 13" X 5 1/2" plus 3 1/2" frame around (33cm x 14cm + 8.9cm).

Harvey Joiner (American, 1852-1932). An original antique oil painting on board. A forest landscape depicting trees and a frozen lake in the dead of winter, with a range of snow capped mountain peaks t

HARVEY JOINER (AMERICAN, 1852-1932), OIL ON CANVAS BOARD, H 9 1/2", W 19 1/2", LANDSCAPE:Unsigned. Gilt period frame.

Middle row jumper carousel horse, C.W. Parker Company (Charles Wallace Parker, American, 1864-1932), early 20th c., carved and painted wood, inset eyes, iron bit, stirrups, and front horseshoes, carve

Attributed Harvey Joiner (American, 1852 - 1932). Wooded landscape, oil on canvas, unsigned.Sight 7.5" x 5.5" Framed 16" x 14"

Fernand Harvey Lungren (American, 1857-1932) "Thirst," gouache mixed media. Framed. Note: A similar, large oil on canvas by Lungren titled "Thirst" is in the collection of the AD&A Museum at the Unive

Harvey Joiner (1852 - 1932), Oil on Board , Signed , measures 12" x 24" , 13.5" x 27" Joiner A painter, Harvey Joiner did portraits including the first five governors of Indiana and also worked in St.

William Sommer (American 1867-1949)- ''Sunday Boy''- lithograph, 1932, signed in pencil, tears and paper loss in upper left corner of margin. 12 3/4 x 9 3/8''

William Sommer (American 1867-1949)- ''Sunday Boy''- lithograph, 1932, signed in pencil, tears and paper loss in upper left corner of margin. 12 3/4 x 9 3/8''

William Sommer (American, 1867-1949) Painting. Title - Boy with Apple. Tempera on artist board painting. The interior bottom of frame edge is inscribed, Tony Harvey - 24 3/8 x 30 1/2. Painting is prof

Carl Olaf Erickson (American, 1867-1944) River Scene, Minnesota. Oil on canvas, signed lower right and dated 1932 24" x 30.25" Frame: 29.5" x 35.5"

(American, 1852-1932). Unsigned, 11 3/4 x 21 3/4 in., framed

(American/Kentucky, 1852-1932) Untitled (Sunlit Beeches), signed lower right "Harvey Joiner", oil on board, 6 x 14 in.; gilt wood frame, 12-1/4 x 20-1/4 in. Provenance: Private Collection, Asheville,

Framed American painted photograph portrait, Joseph Wallace Veazey (1815-1854), son of Col. Thomas Ward Veazey (1774-1842) and Mary Wallace Veazey (1789-1867), embossed stamp for Frederick Gutekunst (

group of 3 vintage silver prints from Letchworth Village, all with thin black border, 1932, includes boys at pig pen, 6x13.25in., 2 boys holding pigs, 9.5x13.25in., and a plowing scene with oxen, 6.25