67050: Gordon Baldwin (British, b. 1932) August II, 200

Gordon House (British, 1932-2005) Series 40 cm A and B. Two color serigraphs, each pencil signed lower right, dated '65, titled, and numbered 31/50 and 9/50 Each: 15.75" x 15.75" Frames: 31.25" x 25.2

Leonard John Pearce (British, b. 1932) British Queen oil on panel signed L.J. Pearce (lower right) 14 7/8 x 29 7/8 inches. Property from a Prominent Corporate Collection

1974. Egg tempera on masonite. Signed (lower left). 17 1/2" x 36" Martha Jackson Gallery, New York, NY. Anderson Gallery, Buffalo, NY.

Ivan Chermayeff (British, b.1932), Abstract, color lithograph, pencil signed, 29.5" x 25.5" (sight) Provenance: From a major corporate collection, NY

Peter Howell British, b. 1932 Early Morning on the Track, Keeneland, Breeders' Cup 2020 Oil on canvas Signed & inscribed en verso The two paintings represent a union of some of the icons of Thoroughbr

Initialed and dated 'H.H. 95' lower center and numbered 91/108 lower left. Howard Hodgkin, (British b. 1932). From a Connecticut estate. Dimensions: Image - 29" high x 41" wide. Condition: Good, frame

John Clymer (British, b.1932). An oil on canvas landscape of a couple strolling among trees. In gilt wood frame. Signed lower left. Canvas: 24in x 36in. Frame: 31-1/2in x 43-1/2in. | Philadelphia Metr

Ronald King (British, b.1932), "Prologue to the Canterbury Tales, XVI" 1978, book with 15 original screenprints, one print signed by artist, published by Circle Press Publications, 131/250, edition ov

Ronald King (British, b.1932), "Prologue to the Canterbury Tales, III" 1978, book with 14 original screenprints, one page signed by artist, published by Circle Press Publications, edition 77/250, over

Gordon House (British, 1932-2004) A Group of Six Prints (Ladder Box; Multi Case; Vertical Screen; Drop Mitres; Quoined Chase; Mitred Matrix), 1970 color lithographs each signed, titled, dated, and num

SUN; WINDOW, from More Indian Views, 1976, two color lithographs, each signed and dated lower right verso, the first numbered 30/60 on verso, sheets 8 ¾ x 12”, published by Bernard Jacobson London,

David Reekie (British, b. 1947) Timekeeper II, 1994 Cast, laminated, hot worked glass, wood, metal 19 x 14 x 9 inches (48.3 x 35.6 x 22.9 cm) Signed by the artist PROVENANCE: Miller Gallery, New York,

After Gerhard Richter (German, b.1932). "Domecke II" (Cathedral Corner II). 1998. Yellow, red, blue, and black offset print created after the oil painting Cathedral Corner [CR: 629-1] from 1987. Editi

Untitled, signed lower left G. Russell, probably George Gordon Russell (Pennsylvania, b.1932). Stretcher measures approximately 19-3/4" in height by 23" in width.All sales are subject to Bremo Auction

Bill Jacklin British, b. 1943 Sheep Meadow II, 1999 Signed and dated Jacklin '99 and inscribed as titled on the reverse Oil on canvas 77 1/2 x 71 1/2 inches (196.85 x 181.61 cm) C

Rory McEwen (British, 1932-1982) Old English Tulips I & II 1977, each pencil signed, dated, titled, and numbered 49/150, Christie's Contemporary, publisher, and with their blindstamp. Etching and aqua

David Hockney (British, B. 1937) Etching is the Subject from The Blue Guitar 1977, pencil signed and annotated 'P.P. 1/1' (a printer's proof, the edition was 200, there were also 37 artist's proofs),

Mark Brazier-Jones (British, b. 1956) Pair of "Dolphin Tail" Chairs, England, 1996 Numbers 18 and 19 from an Edition of 200Patinated bronze, upholsteryEngraved signature and date: "Mark Brazier-Jones

Fernando Botero (Colombian, b. 1932) La Toilette from Botero, 1983 offset lithograph signed and numbered 84/200 in pencil 13 3/4 x 11 1/4 inches.

David Hockney (British, b. 1937) Made in April (from The Blue Guitar), 1977 etching with aquatint signed and numbered 186/200 in pencil 17 x 13 1/2 inches. Literature: MCA Tokyo 188

(British, b. 1937). Plate 7 from "The Blue Guitar" series, 1966/67, printed on Inveresk paper by Jennifer Melby, New York, published by Petersburg Press, London, signed in pencil lr, numbered 73/200 l

After James Seymour 1702-1752 "A Carriage Match against time, ran on Newmarket Heath, August 1750" Oil on canvas, After James Seymour (British, b.1702, d.1752) No visible signature, Molded gold and bl

AN ANATOLIAN MARBLE "VIOLIN" IDOL EARLY BRONZE AGE II, CIRCA 2700-2300 B.C. Height: 13cm Provenance:  British Private Collection 1993 Acquired from Above

DISCO BOLO BOLO II, 1990, aluminum sculpture in three parts (monumental stand and two resting figures atop), a signature not found, 54 x 50 x 21”.