Giovanni Battista Piranesi, Group of 3 Etchings on Laid

(Italian, 1720-1778) Teatro Di Marcello, (H. 33), 1757, state I/VII, etching, laid paper with Fleur de lys in single circle with letter F (H. 5), plate 15-3/8 x 21 5/8 in., sheet 20-1/4 x 27-3/4 in.;

etching on laid paper, glazed and framed; depicting architectural fragments sight: 20 1/4 x 51 3/4 in. (51.4 x 131.4 cm.), Frame: 24 3/4 x 55 1/2 in. (62.9 x 141 cm.)

Giovanni Battista Piranesi (1720-1778): Veduta Del Lato posteriore del Mausoleo di Cecilia Metella; and Veduta degli Avanzi delle Camere Two etchings in black on laid paper. Both 15 3/4 x 23 1/2 in. (

Giovanni Battista Piranesi (Italian 1720-1778)- 3 etchings from ''Della Magnificenza ed Architettura de Romani'', 1758-61 (pub. 1761)- 1.) ''Columna Porphyretica Cum Spira, in Baptisterio Constantini

Giovanni Battista Piranesi (Italian 1720-1778)- 3 etchings from ''Della Magnificenza ed Architettura de Romani'', 1758-61 (pub. 1761)- 1.) ''Details of Pedestals from the arches of Titus and Septimus

Giovanni Battista Piranesi (Italian 1720-1778)- ''Diagrams of Roof Structure in Doric Temple Construction'', Plate XXVII (Focillon 956)(Wilton-Ely 787); ''Ichnographia et Ortographia Sacrae Aedis Tusc

Giovanni Battista Piranesi (Italian 1720-1778)- ''Comparative Pedestals'', Plate XXI (Focillon 950)(Wilton-Ely 787); ''View and Elevation of the Temple of Concord, Agrigento'', Plate XXII (F. 951)(W-E

Giovanni Battista Piranesi, Italian, 1720-1778. Etching on laid paper titled "Tempio detto Volgarmente di Giano" (The So-Called Temple of Janus) from the "Vedute di Roma" (Views of Rome) series. Signe

Group columns support two arches great courtyard (Gruppo di Colonne, che regge due archi d'un grande Cortile . . . ) This print showcases a mesmerizing architectural masterpiece. The image features a

Giovanni Battista Piranesi (Italian, 1720-1778) 18th century etching on laid paper. The Piranesi print is titled: Giovanni Battista Piranesi (Italian, 1720-1778) 18th century etching on laid paper. Th

Giovanni Battista Piranesi (1720-1788) THE GRAND PIAZZA; THE GIANT WHEEL; THE WELL (WILTON-ELY 29; 34; 38) Three etchings and engravings, on wove paper, from Carceri d'invenzione (Imaginary Prisons),

Etching printed on laid paper. Veduta interna della Chiesa della Madonna..., From Vedute di Roma (Views from Roma). 1776. Unsigned. Matted and framed. 19"h x 28"w and 29"h x 38"w framed

Giovanni Battista Piranesi (Italian, 1720-1778) Avanzi della Villa di Mecenate a Tivoli, 1763 etching laid to paper 18" x 26 1/2"

After Giovanni Battista Piranesi (Italian, 1720-1778) Veduta Del Pantheon D'agrippa. Etching laid to board Sight: 19" x 28"

Giovanni Battista Piranesi (Italian, 1720-1778)A group of four Piranesi etchings: Veduta del Tempio di Cibele; Veduta Interna del Sepolcro di S. Costanza; Urna ceneraria antica al Signor Egido Earle C

Giovanni Battista Piranesi (Italian, 1720–1778), A Chimneypiece Etchingetching on laid paper, Plate 36, in silvertone framing with matting. Frame dimensions 16 x 20 in. Additional high-resolut

GIOVANNI BATTISTA PIRANESI (Italian 1720-1778) TWO PRINTS, "Castel Sant'Angelo," 1754 and "Teatro Marcello," 1757, etchings on laid paper, Gerhard Wurzer Gallery, Houston, Texas, labels on reverse, fr

Giovanni Battista Piranesi (Italian, 1720-1778). A collection of two etchings on laid paper from from Vedute di Roma (Views of Rome) comprising of "Veduta della Facciata di dietro della Basilica di S.

Three vintage architectural etchings after Giovanni Battista Piranesi (Italian, 1720-1778), comprising two colored etchings from the series "Vedute di Roma" (Views of Rome) titled "Veduta di Piazza Na

(Italian, 1720-1778) Rovine dell'anfiteatro detto di Domiziano nell'orto de'Monaci di S. Paolo d'Albanoÿ(F. 519), 1764, etching on laid paper with no visible watermark, plate 15-1/2 x 25-5/8 in., she

Giovanni Battista Piranesi (Italian 1720-1778)- ''Teatro di Marcello (from Venduta dell Roma)''- etching, 3'' tear top margin, some soiling and staining. 16 x 21 5/8''

Giovanni Battista Piranesi, (Italian, 1720-1778), Avanzi della Villa di Mecante a Tivoli, 1763, etching on laid paper, 18" x 26.5"

(Italian, 1720-1778) ÿ Rovine d'antico edifizio nella Villa Barberina presso Castel Gandolfo, (F. 533), 1764, etching on laid paper, plate 15-1/8 x 21-1/4 in., sheet 21-1/4 x 30 in.; modern frame, 27

Veduta del Tempio di Antonino e Faustina in Campo Vaccino Etching on laid paper Size: 15.5 x 20.5 in. (sight)24 x 29.5 in. (frame) Note: not examined out of frame