George III mahogany regulator clock of small

George III Mahogany Small Server, with three drawers, circa 1800, height 31 inches, top 17 1/2" x 32"

English, 18th century. Three drawers on each side, bracket feet. 30" H 30" W. Damage to drawer.

A George III Mahogany Bracket Clock Thomas Wagstaffe, London, Circa 1800 the dial marked  London. Height 23 x width 14 x depth 10 1/2 inches. Property from a Private Collector, Lincolnwood, Illin

A George III mahogany bracket clockThomas Field, Bathcirca 1800The arched silvered dial with Roman hours and Arabic minutes inscribed Thomas Field / Bath, with a date dial to arch, the twin train fuse

A George III Mahogany Longcase Clock Joseph Thompson, London, Circa 1790 Height 91 x width 22 x depth 11 inches. This lot is located in Palm Beach. Property from the Estate of Joanna Hoffman, Palm Bea

J. Stevenson (English), late 18th century, George III mahogany and mahogany veneered bracket clock, having a downswept pediment with rosette, chamfered front corners, painted dial with Roman numerals,

A George III mahogany balloon clock, John Baker, London, late 18th/early 19th century, the Roman and Arabic numeral enamel dial signed 'Baker, King Street, Covent Garden', time and strike movement sou

A George III Mahogany Longcase Clock Francis Perigal, Royal Exchange, London, Circa 1785 Height 95 x width 20 x depth 10 inches.

A George III mahogany bracket clock by William Elliott of London, with a silvered dial, the broken arch dial with a 'strike/silent' subsidiary dial and date aperture, the two train movement striking o

English, late 18th C. 7'10"h x 24"w x 14"d

late 18th Century, with a silvered dial marked by retailer ‘Jessop / London’ h. 15 w. 10 d. 6-1/2 in.

A George III mahogany longcase clock the dial signed William Gaite, Shepton Mallet the hood with swept top with trellis pierced sound grill above a moulded arched cornice and pair of brass mounted ree

A George III mahogany bracket clock, the double fusée eight-day movement striking on the full & half hour, the back plate signed in script Robert Wood - London, the white painted dial with Roman

A George III Mahogany Longcase Clock with Eight Day Movement Striking on a bell, The painted break arched dial wiith Roman numerals, subsidary seconds and inverted date aperture beneath rolling moon t

Saml. Collings, Downend - a George III mahogany longcase clock, the 8-day movement with arched brass dial with enamelled moonphase engraved 'High Water At Bristol Key', with subsidiary seconds and dat

George III mahogany grandmother clock with square brass dial, pewter chapter ring, signed "Wm Ball Bicester", with 30-hour works. 64.25"h x 17.5"w x 8.75"d

English, Late 18th/early 19th C. by John Sharp, London Chimes not working properly 20"h x 10-3/4"w x 7-1/4"d Provenance: Property from the Estate of John Strawbridge Lloyd, Philadelphia, Pennsylvania

A GEORGE III MAHOGANY EIGHT-DAY LONGCASE CLOCK, SIGNED HADWEN, LIVERPOOL, the 14-inch brass break-arch dial with silvered chapter, subsidiary seconds and moon phase, the case with swan neck pediments

George III Mahogany Tall Case Clock fourth quarter 18th century, bearing the engraved name "Samuel Burges, London", above the moon dial, with an arched swan's-neck pediment and elaborately pierced and

GEORGE III MAHOGANY TALL CASE CLOCK: George III mahogany tall case clock with swan neck pediment, arched door to face, double reeded columns at sides, light wood stringing and inlay on waist and lower

English. Circa 1780. Signed George Lindsay. The brass dial with silvered chapter ring, with Roman and Arabic numerals, a signature plate, and subsidiary dial for a strike/silent mechanism, the two-tra

A GOOD EARLY GEORGE III SMALL MAHOGANY KNEEHOLE DESK OF ORIGINAL COLOUR AND PATINA with full length frieze drawer above three graduated side drawers flanking a recessed cupboard with secret drawer ove

George III Inlaid Mahogany Wall Clock, William Drakecirca 1800, brass face with engraved floral design and reading "Wm Drake / Norwich", hinged circular door with inlaid and molded surround, the waist

early 19th century, mahogany veneers, pine secondary, painted metal face with Roman numerals, second hand, and floral spandrels, surmounted by seated lady at brook, the hood with an arched pediment su