Gene Kloss, Pueblo Leader, 1966

Gene Kloss (American, 1903-1996) Pueblo Dancer, 1983 drypoint signed and titled in pencil lower margin AP edition of 25 8 1/6" x 5 5/8"

Gene Kloss (American, 1903-1996), Pueblo Firelight Dancedrypoint and aquatint, 1952, edition of 35, pencil signed, titled, and numbered lower margin, matted and framed. Platemark 11 3/4 x 17 in.; Fram

Gene Kloss (1903-1996) Laguna Pueblo in 1925 etching on paper, AP 12 x 15 inches 26 x 23 x 1 inches (frame) editioned and titled lower left: Artist's Proof Laguna Pueblo in 1925 signed lower right: Ge

Sight- 9 1/2" x 12 1/2"Overall- 17" x 19 1/2"

Gene Kloss (1903-1996) ''Pueblo Dancer'' (Kloss 611)- drypoint, 1982, signed, titled and numbered 17/25 in pencil, very good condition. 8 1/4 x 5 3/4''

Gene Kloss(1903 - 1996)Christmas Eve - Taos Pueblo, 1946drypoint, Artist's Proof (edition of 75)signed lower right: Gene Klosseditioned and titled lower left: Artist's Proof Christmas Eve - Taos Puebl

Artist: Gene Kloss | 1903-1996 NA Title: Morning at the Pueblo Signed l/r: Gene Kloss [l/r] Artist's Proof Morning at the Pueblo [l/l] Media: Etching on paper Dimensions:9 by 12 inches Includes person

Gene Kloss(1903 - 1996)South House - Taos Pueblo, 1941etching, edition of 75signed lower right: Gene KLosstitled lower left: South House - Taos Pueblo5 7/8 x 8 in. (14.92 x 20.32 cm.), Sheet: 8 7/8 x

Gene Kloss (American, 1903-1996) Morning at the Pueblo, 1975 etching signed, titled and marked Artist's Proof in pencil lower margin edition of 75 8 15/16" x 11 7/8"

Gene Kloss (American, 1903-1996) Morning at the Pueblo (K. 568), 1975 Etching on paper ed. 66 of 75 13.25 x 17.25 (in) Signed in pencil Gene Kloss, lower right Titled in pencil, lower left. Plate size

Gene Kloss(1903-1996)"Morning at the Pueblo"Etching on paperAn artist's proof aside from the edition of 75Signed, titled, and inscribed in pencil in the lower margin: Gene KlossPlate: 9&quot

Gene Kloss (American, 1903 - 1996), "Corn Husking - Taos Pueblo" c. 1960, etching / drypoint, edition 49/50, pencil signed along lower border, (Kloss, 481), framed and matted behind glass, wear consis

Gene Kloss (1903 - 1996) Corn Dance at Taos Pueblo 1943 The aquatint with dry point etching from an edition of only 50 prints is signed by the artist in pencil lower right an titled lower left. It is

Gene Kloss (American, 1903-1996) Eve of the Green Corn Ceremony—Domingo Pueblo, 1934 Etching, drypoint and aquatint on paper 13-7/8 x 10-1/2 inches (35&p

Gene Kloss(American, 1903-1996)Corn Husking Time (An Indian Dwelling Near North House, Taos Pueblo), 1979etching and drypointsigned, titled and numbered in pencil lower marginedition of 509" x 12"

Gene Kloss (American, 1903–1996) Corn Husking, Taos Pueblo etching and drypoint signed, titled and numbered 45/50 in pencil 11 x 14 inches. This lot is located in Chicago. Property from

Gene Kloss (American, 1903–1996) Morning at the Pueblo etching signed, inscribed N.A., titled and numbered 71/75 in pencil 9 x 12 inches. This lot is located in Chicago.

"Feather Dancer - Domingo Pueblo", etching, aquatint and drypoint on white wove paper 1970 signed in pencil by the artist numbered 32/75 As printed and published by the artist. Additional and larger p

Gene Kloss (American, 1903-1996) "Penitente Fires" 1939, Drypoint and aquatint. Pencil signed 'Gene Kloss' and titled (lower left). Edition of 50. 10 3/4 x 13 3/4 in.

Gene Kloss (1903 - 1996) PENITENTE FIRES II The rare and desirable pencil signed drypoint etching with aquatint is signed by the artist in pencil below the image lower right, titled lower left, and nu

TAOS IN WINTER II, drypoint and aquatint etching signed and titled in pencil, plate 10 x 14”, sheet 14 x 18”

Watercolor, 11 x 17 1/2 inches (Shipping Dimensions: 22x27 inches) Titled verso

Gene Kloss (American, 1903-1996). Large watercolor on paper painting depicting a mountainous landscape. Signed along the lower right.Born in Oakland, California, in 1903, Gene Kloss grew up in the Bay

Gene Kloss (1903-1996) Penitente Fires 1939 The aquatint etching from an edition of 50 prints on Whatman paper is signed by the artist in pencil below the image lower right, and titled lower left. The