Gelblke. Etching of Philipp Erich. 1913

FRANTISEK KUPKA 1871-1957 Opo?no, Czech Republic 1871- 1957 Puteaux, France (Czech/French) Title: Study of Fugue in two colours, 1913 Technique: Stamped and plate signed etching on wove paper Paper si

Title: Riva # 2. The, [Riva degli Schiavoni] - Venice. J. Andre Smith (1880-1959) Medium: Etching, 1913. Edition unknown, but small. Signed and dated in pencil in image. Image size 8 1/2 x 7 7/8 i

JOHN MARIN Brooklyn Bridge, No. 6 (Swaying). Etching, 1913. 272x222 mm; 11x9 inches, full margins. Edition of approximately only 12. Signed in pencil, lower right. Published by Alfred Stieglitz, 291 F

Nelson Dawson (British 1859-1941)- 1.) ''The Sigual''- soft ground etching, 1913, signed and annotated `Sc. et Imp' in pencil, 13 3/4 x 17 1/8''; 2.) ''Au Revoir''- soft-ground and aquatint in color,

Anders Zorn (Swedish 1860-1920)- ''Eka'' (Asplund 255)- etching, 1913, signed in pencil, very slight mat burn. 3 5/8 x 4 3/4''

Ernest D. Roth- ''In Cumpo Margharita, Venice''- etching, 1913, signed and dated in pencil. 8 x 10 7/8''

Frank W. Benson (1862-1951) "Geese in Flight" etching 1913. signed lower left. Size 8 -1/2" x 7".

William Lee Hankey (British 1869-1952)- ''The Widow'' (Hardie 122)- etching, 1913-14, signed in pencil. 9 x 4 3/4''

Title: Road Song Number Two.Artist: Donald Shaw MacLaughlan (1876-1938) Etching, 1913. Edition not noted. Unsigned. Only signed in the plate. Image size 10 x 12 3/4" (251 x 319 cm). #212 in "A descri

Anders Zorn (1860-1920 Swedish) ''Eka'' 1913 Etching 3.5''x4.75'' Impression. Pencil signed l.r. margin. Framed 10''x11''. Laid down to board with toning throughout.

Circa 45 cm x 16 cm die Platte. Jeweils rechts unten mit Bleistift signiert. Jeweils mit rotem ''MEPH.'' Stempel. Jeweils betitelt. English Title: Martin Erich PHILIPP (1887 - 1978). ''Grüner Pa

Ernest David Roth (American, 1879-1964), “Campo Margherita, Venice”, 1913, etching, displaying a Venetian street scene with figures, shops, and fountain, signed and dated in block lower le

Gaukler III, 1918,by Martin Erich Philipp.The artwork is 11.5 x 7.5 in a frame 19.5 x 14.

[EROTICA]. PHILIPP, Martin Erich (1887-1978), illustrator. VERLAINE, Paul (1844-1896). Frauen. Deutsche Ausgabe des Buches “Femmes”. [Germany: privately printed, 1922]. Illustrated with 10

FOUR TOUCANS, color woodblock print, signed in pencil lower right, sight 13 x 17 ¾”, frame 23 x 28” with glass.

Simon, Tavik F. (Czechoslovakian, 1877-19420, Puente Nuevo at Rondo, Spain, (Novak #206), 1913, etching, 13 1/4 x 9 1/8 inches , pencil signed, and inscribed 44 from an edition of 150, pencil signed a

Martin Erich Philipp (1887-1978) White Cocks, Color woodcut, Signed lower right. Dimensions: h: 11 1/2 x w: 17 1/2 in.

Ernest David Roth, (2) etchings, 1908, 1913, Ernest David Roth (American, 1879-1964), Venice Bridge View and Venice Street Seen Through an Arch, each pencil signed and dated lower margin, on laid pape

Addison Thomas Millar (1860 - 1913) original pencil signed etchings, two. Signed in pencil lower left. Measure 5" x 7" and 5 3/8" x 7" (plate sizes). Vg-Ex/Ex condition. Unframed, loose and not mounte

Anders Leonard Zorn (Sweden/Illinois, 1860-1920). "Three Sisters," 1913. Etching, (11 x 8 inches, sight), signed in pencil lower right, initialled and dated 1913 in the plate lower left. Frame: H: 20.

Anders Leonard Zorn (Sweden/Illinois, 1860-1920). "The Fence," 1913. Etching, (10.875 x 8.25 inches, sight), signed in pencil lower right, dated and initialled 1913 in the plate lower left. Frame: H:

Anders Leonard Zorn (Sweden/Illinois, 1860-1920). "Seaward Skerries," 1913. Etching, (7.75 x 10 inches, sight), signed in pencil lower right, initialled and dated 1913 in the plate lower right. Frame:

THREE SISTERS (A.258), 1913, etching, signed in pencil, image 9 ¾ x 7”, full margins, framed with glass, mild toning, otherwise in apparently good condition.

Smith, Jules Andre (American, 1880-1959), The Little Foundry, Venice, 1913, etching on Japon paper, 8 x 10.6 inches ( 181 x 276 mm.) signed in the image lower left, a great etching after Whistler's of