GALEAZZO, Gualdo Priorato (1606-1678) - Relatione della

Three 17th and 18th century books. Includes Hooker, Richard "Eight Books of the Laws of Ecclesiastical Polity" 1723; Gualdo Priorato, Galeazzo "Historia delle Guerre di Ferdinando Secondo…" 1653

CASAS, BARTOLOMÉ DE LAS Istoria o brevissima relatione della distruttione dell' Indie occidentali... Venice: Marco Ginammi, 1630. The second Italian edition of Las Casas. Later Italian laced-case

Six 16th to 18th century books. Includes Mal-Lara Venzino, Juan de "La Philosophia Vulgar" 1568; Selden, John "Titles of Honor" 1672; Priorato, Gualdo "The History of France" 1676; Flechier, Esprit "H

Saint Clare and the Monstrance, verso "Madonna della Scodella" 1606 - 10 x 7-1/2", verso 4-3/4 x 6-1/2"

SEMEDO, Alvarez. Historica relatione del gran regno della Cina. Roma, Vitale Mascardi, 16534to; contemporary rigid vellum binding, handwriting title on spine; pp. 8 unnumb. Excluded title page and por

SEMEDO, Alvarez. Historica relatione del gran regno della Cina. Roma, Vitale Mascardi a spese di Biagio Diuersino, e Zanobio Masotti, 16534to, 215x150 mm; Legatura mezza pergamena e cartonato; pp. 8 n

(Lucca, 1606 - Udine, 1675) Allegoria della Carità Olio su tela ovale, cm 65X49 La biografia tramandataci dal Baldinucci disegna un profilo avventuroso e inquieto dell'artista. Formatosi nell'ambient

An antique oil on canvas painting Warrior in Armour Drawing His Sword, after Pietro della Vecchia, Italian, 1605 to 1678. Finely detailed and beautifully painted following the tradition of Italian Ren

REMBRANDT VAN RIJN (Dutch, 1606-1669) Posthumous etching and drypoint, "The Pancake Woman" JEAN-FRANCOIS RAFFAELLI (French, 1850-1924) Etching, untitled (picnic gathering) (framed separately) Both sig

Maiolica. Marca: "DR" intrecciate in blu. Diametro cm 52. Conservazione: ottima; un piatto con piccola caduta di smalto al bordo sul retro della tesa I piatti, dall’ampio cavetto e stretta tesa

Relatione dello Stato presente del Piemonte Torino, per Giovanni Zavatta e Giovanni Domenico Gaiardo, 1635. In 4°. Al frontespizio grande marca xilografica, testatine, finalini e capilettera istoriat

ROLEX Oyster Perpetual DateJust ref. 16234 nº E211679 Superlative Chronometer Officially Certified men's with stainless steel case and bracelet. Black dial with applied numbering, date calendar a

(American, 1922-2008). Signed and dated "Hartigan, '56" lr, 23 x 16 in., framed; Krasner Gallery, New York, NY label on verso

Hollow-body horse & rider weathervane, horse & rider measure approx. 14"L x 12.5" - Good

Persien. Wolle auf Seide. Feine Knüpfung. Im roten Innenfeld zentrales Rundmedaillon sowie passig geschweifte Ecklösungen. Flächendeckende Arabesken-Musterung. Umlaufe

Artist:Leonardo Nieman Title:Untitled Year: 1969 Dimensions: 15 3/4in. x 23 3/4in. Edition: A unique and original work of art Medium: Original oil on board

19C FRENCH EMPIRE GILT BRONZE 3 LIGHT CHERUB CANDELABRA

Minton Majolica wall sconce, in the form of a Renaissance man holding a torch, set in oval laurel wreath cartouche, impressed no. '1221' to rear, and impressed date mark for 1866. Museum restoration t

A DIAMOND LINE BRACELET round brilliant-cut diamonds in claw settings as articulated links. Estimated total diamond weight 3.60ct, marked '750',18cm long, 11.3 grams Good condition. Estimated colour:

Doppio bracciale a guisa di serpente snodato in oro giallo con due paste vitree rotonde color arancio/bruno, complessivi g 82,50. Yellow gold double articulated snake bracelets with red brown vitreous

(British, b. 1937). Plate 7 from "The Blue Guitar" series, 1966/67, printed on Inveresk paper by Jennifer Melby, New York, published by Petersburg Press, London, signed in pencil lr, numbered 73/200 l

MORITZ PLAESCHKE 1817 Stehlen - 1888 Duesseldorf Merry river procession on the Rhine near Bonn (1872) Oil on canvas (doubl.). 35 x 45 cm (F. 43 x 53 cm). Signed and dated lower left 'M. Plaeschke 1872

Chaise lounge, New York, 1970s; Acrylic, upholstery; Upholstery labels; 26" x 31" x 68"

Set of four four-seat Chair One benches by Konstantin Grcic.