Frederick Mackenzie (British, 1788-1854)

AFTER FREDERICK MACKENZIE(1788-1854), BY JOSEPH JOHN SKELTON (BRITISH, 1783-1871) Pembroke College, Oxford,mid-19th century colored engraving 38 x 50.8 cm (15 x 20 in.) framed dimensions: 50 x 64 cm (

FREDERICK YATES (American / British, 1854 - 1919). Spring Morning At Rydal, Oil on board. Signed lower left hand corner. Framed. - 7 x 10 inches, frame: 12 x 15 inches

FREDERICK CATHERWOOD (British, 1799-1854)Ornament over the Principal Doorway, Casa del

FREDERICK CATHERWOOD (BRITISH, 1799-1854) PRINTS OF MAYAN RUINS, LOT OF TWO, tinted lithographs on paper, two prints total, one example titled "Colossal Head at Izamal, Mexico" (Plate XXV), and anothe

After Henry Papprill (1816-1903) hand colored print, based on original sketch by Frederick Catherwood (British, 1799-1854) "New York", taken from the North West angle of Fort Columbus, Governor's Isla

WILLIAM SIDNEY COOPER, BRITISH (1854 - 1927) Framed, an oil painting that depicts a beautiful landscape. Signature to read Cooper, W.S. William Sidney Cooper (1854 - 1927), was a British artist from C

MINNIE ASPREY (British, 1854 - active until 1901). Innocence, Oil on canvas. Signed upper left corner. Framed. - 7.75" x 5.75"; frame: 15" x 13"

MINNIE ASPREY (British, 1854 - active until 1901). Innocence, Oil on canvas. Signed upper left corner. Framed. - 7.75" x 5.75"; frame: 15" x 13"

Litten, Sydney MacKenzie. (British, 1887 _ 1949). Pair of Etchings of Venice. Including Venetian Steps (14 x 17 _) and an untitled scene of a Venetian waterway (12 x 12). Both signed in pencil lower r

Roderick Dempster MacKenzie (British/Alabama, 1865-1941), "Street Scene, Lahore, Pakistan", c. 1900, etching, signed in plate, 11 3/8 in. x 4 1/2 in., matted Provenance: Property of the Mobile Museum

Roderick Dempster MacKenzie (British/Alabama, 1865-1941) , "Portrait of a Man", 1900, oil on canvas, signed and dated lower left, 17 3/4 in. x 15 in., framed

British, 1854-1927..plaque with title reads Evening in Strode Park, Kent..signed W. Sidney Cooper 1923 lower right..craquelure and surface dust, scuffs to canvas from shifting frame..gold tone gesso f

Kinnaird, Frederick (British, d. 1881) 19th century oil on canvas depicting a family genre scene in a country interior with a kitten, artist signed and dated 'F. Y Kinnaird 1867' at lower right, 36.5"

George Paice (British, 1854-1925), group of four oil-on-canvas equine portraits, including "Clinton", signed and titled lower left, "Red Hot", signed and titled lower right, "Salmon Fly", signed and t

ARTIST: Edward Wilkins Waite (British, 1854 - 1924) NAME: Riverscape with Girl MEDIUM: oil on canvas CONDITION: Minor craquelure. No visible inpaint under UV light. SIGHT SIZE: 21 x 17 inches / 53 x 4

After James Stephanoff, (British, 1788-1874) The Ceremony of the Homage of the Coronation of George IV on the 19th of July 1821 A set of 15 hand-colored etchings and aquatints on wove paper, published

After James Stephanoff, (British, 1788-1874) The Ceremony of the Homage of the Coronation of George IV on the 19th of July 1821 A set of 15 hand-colored etchings and aquatints on wove paper, published

A pair of English bronze rabbit head bookendsafter the models by Alfred Gilbert (British, 1854-1934)20th centurySide of each inscribed A. Gilbertheight 6 1/2in (17cm); width 3in (8cm); depth 2 3/4in (

ATTR TO WILLIAM ARTHUR SMITH BENSON (BRITISH, 1854-1924) ARTS & CRAFTS IRIDESCENT ABALONE SHELL LIGHT PENDANT FIXTURE ; OVOID FORM LIGHT PENDANT COMPOSED OF BIVALVE IRIDESCENT SHELLS JOINED BY GILDED

Attributed to Thomas Jefferson Scott (British, 1854-1927), portrait, 28 1/2" h x 23 1/2" w (view), 36" h x 31" w (frame). Provenance: from the estate of the late William Kester of Los Angeles and Palo

GEORGE FENNEL ROBSON (BRITISH 1788-1833) LOT (4) STIPPLE ENGRAVINGS BY HENRY MORTON FROM ROBSON'S "SCENERY OF THE GRAMPIAN MOUNTAINS, LONDON 1819". SIGHT 10 3/8 X 16 1/2"; FRAMED AND GLAZED 19 X 25 1/

COLLINS, William, (British, 1788-1847): "Neapolitan Woman and Child", seated woman holding an infant on veranda, Oil/Panel, no visible signature, provenance verso dating to 1934, 12.25" x 9.25", frame

(British, 1788-1879) Returning From Market, signed lower right faintly "W. Shayer/56", oil on canvas, 24 x 20 in.; gilt and painted wood composition frame, 28-1/2 x 24-1/2 in.

Sir John Watson Gordon R.A. (British, 1788-1864) Portrait of Amelia Frances Pellat in a black dress and gold chain, a landscape beyond oil on canvas 76.2 x 63.5cm (30 x 25in). Footnotes: Prov