Francisco Solimena (1657-1747), Follower of. The Holy Trinity and Saints in Glory, pen and ink

Italian school, ca. 1700. Circle of Francesco SOLIMENA (1657-1747) "Saint Nicholas of Tolentino. Oil on canvas. Measurements: 65 x 52 cm; 95 x 82 cm (frame). In this canvas we see Saint Nicholas of To

Neapolitan School, After Francesco Solimena (1657-1747) "Saint Paul with the Word of God and the Sword by Which He Died" Oil on canvas Unsigned. Verso inscribed "Saint Paul ascending into Heaven, 18th

Attrib. to Francesco Solimena 1657-1747 Monks/Angels/Fresco gray pen and wash 15x12 Italian 17th cent drawing of a scene with angels and saints in the clouds attributed to Francesco Solimena. The draw

Artist: Francesco Solimena (1657-1747), circle of Title: Medium: Oil on canvas Size: 25" x 20" (63.5 x 55.8 cm) canvas size Date: 17th century

Attributed to Francesco Solemena (Italian, 1657-1747) Study ink and wash on paper visible: 7 1/4" x 11 1/4"

PAUL CADMUS (1904-1999) Francisco F. Pen and ink and pastel on buff wove paper. 323x277 mm; 12¾x11 inches. Signed and inscribed "Francisco F." in ink, lower right recto. 1933.A preparatory drawin

Artist: Francisco Toledo (Mexican, 1940-2019) Medium: Pen and ink on paper Title: En El Monte Saltan Los Chapulines(The Grasshoppers Jump on the Mountain) Subject: Toledo fantasy Image Size: 15.5H x

SAINT JOSEPH WITH THE HOLY TRINITY, VIRGIN MARY AND OTHER SAINTS. MEXICO, 19th CENTURY. Oil on zinc sheet. 51 x 35.5 cm

Workshop of Francesco Solimena (Canale di Serino, 1657 - Barra, Naples, 1747) "The Descent of Christ" Oil on canvas. Relined. 128 x 75 cm. Prince Eugene of Savoy commissioned various paintings by Soli

Anthony van Dyck (1599-1641), Attributed to.Double-sided sheet of studies of Christ in Glory, surrounded by puttiPen and brown ink, brush and ink, over black chalk, early 17th century, on laid paper w

Sixfolded enamelled, two holes in the middle at the top, 19th c. 18,5 x 15 cm

Follower of Il Parmigianino Maria Francesco Giralomo Mazzola (16th/17th C.) Sight size: 3-3/8"h x 2-1/2"w Overall: 9"h x 7"w Provenance: Boguslaw Jolles (Lugt 381)

Followers of Abraham Bloemaert (1566-1651) pen and brown ink, brown wash, heightened with white. Sight size: 11"h x 7-7/8"w Overall: 21-5/8"h x 16-1/8"w Provenance: Collection Joseph van Haechen (Lugt

Studio of Wolf Huber (Feldkirch circa 1485-1553 Passau) Saint Jerome in prayer bears monogram 'Aa' (lower centre) pen and brown ink on paper, heightened with white, watermark serpent around a cross (c

Follower of Peter Paul Rubens (Flemish, 1577-1640) "The Holy Family with Saint Anne" Large Oil on Cradled Panel. Unsigned. 18th Century or earlier, presented in a later frame. This painting is after t

Pen and brown ink drawing on laid paper, study for The Starry Night, attributed* to/in the manner of Vincent van Gogh (1853-1890). Signed. Very good condition, having no apparent damage or repairs. 10

Rodolphe Bresdin (French, 1822-1885) framed pen and ink drawing, cropped to image and glued down to paper, of a landscape with bathing nudes, initialed "RB" lower right. [Image: 5" H x 6" W; Frame: 14

Finely executed pen and brown ink drawing on laid drawing paper, untitled (hillside landscape with trees and birds), attributed to/in the manner of Vincent van Gogh (1853-1890). Signed. 14 1/2 x 18 in

Antique Mid-19thC Pen, Ink and Wash Pair Framed Portrait Paintings Husband and Wife. Ca. second to third quarter 19thC. Sight size approx. 6" x 4 3/4". Good sight condition, not examined out of frames

Fountian pen ink With Supercleaner SC 21.

Louis-François Cassas (Azay-le-Ferron 1756-1827 Versailles) The remains of the Temple of Jupiter and the Great Court at Baalbek, Lebanon pen, ink and watercolour on laid paper 61.6 x 93.3cm (24 1

Louis-François Cassas (Azay-le-Ferron 1756-1827 Versailles) The Cedar Forests, Lebanon indistinctly signed and dated 'FCassas/ 1805' (on rock, lower left) pen, ink and watercolour on laid paper 6

Attributed to Claudine Bouzonnet-Stella (Lyon 1636-1697 Paris), 17th Century Three pastoral scenes three of a set, pen, ink and grey wash heightened with white on laid paper, one watermarked with grap

J.C. Leyendecker (American, 1874-1951), Café Scenepen, ink, wash and gouache on paper, artist's monogram at lower right, matted and framed under glass. Sheet 14 x 22 in. (approximately); Frame dime