Francisco Goya, 1746-1828, "Esta Vuestra merced," 1799

Francisco Goya (Spanish, 1746-1828) Los Capricos, 1799, first edition, fourteen works etchings Plate: 8 5/8 x 6 inches. Estimate $3,000-5,000

Francisco Goya (Spanish, 1746-1828) Etching and aquatint from "Los Caprichos," number 17, "Bien tirada esta." Size of sheet: c. 11.8 x 8.5 inches, new frame sized 18 x 15.25 inches. Los caprichos are

Francisco GoyaSpanish (1746-1828)Five Pieces: 1] "Nadie se conoce" 2] "Dios la perdone. Y era su madre" 3] "Bien tirada está" 4] "Linda maestro" 5] &quot

Francisco Goya, Spanish, 1746-1828, "Muchachos al avío ("Lads making ready"), plate 11 from "Los Caprichos", 1799, likely 9th edition, etching, burnished aquatint and burin on laid paper, watermark w

Francisco Goya (Spanish, 1746?1828)You Will Not Escape (No te escaparas) plate 72 from Los Caprichos (1799)etching on wove paperLater printing, (late 19th early 20th century) on heavy wove paper. A go

Francisco de Goya (Spanish, 1746-1828) etching and aquatint, El Amor y la Muerte (Love and Death), from Los Caprichos, plate 10. Circa 1799. Titled in plate lower to the center. Framed. The auction la

Francisco Goya y Lucientes (Spanish, 1746-1828). A rare 18th Century antique aquatint etching on laid paper. Titled, "Linda Maestra" ("Pretty Teacher"), produced circa 1799 as plate 68 of the "Los Cap

Framed etching and aquatint, "Si Amanece, nos vamos", by Francisco Jose de Goya (Spanish 1746-1828), edition unknown, from "Los Caprichos", originally published in 1799, plate 71, H106, paper has been

FRANCISCO JOSE DE GOYA Y LUCIENTES (Spanish, 1746-1828). No hay quien nos desate? (Can't Anyone Untie Us?), First published in 1799, etching and aquatint with burnishing on laid paper. This is plate 7

(Spanish, 1746-1828) Y aun no se van!, 1799, Pl. 59, possibly the fifth or sixth edition, from Los Caprichos, etching and aquatint on wove paper, plate 8-1/2ÿ x 5-15/16 in.,. sheet 11-1/4 x 8-1/2 in.

(Spanish, 1746-1828) [Allá vá eso] (There It Goes), from [Los Caprichos], Pl. 66, 1799, first edition (Deltiel 108), etching, drypoint and aquatint on laid paper, no watermark, with deckled edges, 8

After: Francisco Jose De Goya Y Lucientes, Spanish (1746 - 1828) Oil on Canvas "La Nevada" Signed Lower Left. Measures 40" H x 43-1/2" W, frame measures 44-1/4" H x 47-3/4" W. Condition: Some craquelu

Francisco Goya (1746-1828): Bullfight Etching Mort de Pepe Illo (Death of Pepe Illo) [Second Composition]; rejected plate [E] for the series "Tauromaquia" marked "E" with blind-stamp portrait of Goya

Ink on paper. Featuring a portrait. Signed Goya on the lower left corner. Inscribed 1800 in pencil on verso. Attributed to Francisco Goya (1746-1828, Spanish). 27 x 19 cm (10.6 x 7.5 inches). PROVENAN

Francisco Goya (1746-1828), "Women on the Steps," 19th c., etching, probably from "The Outside of War," framed, H.- 10 1/4 in., W.- 14 in.

Plate 32: A man, strung from tree, being garrotted by three soldiers, from Disasters of War. Francisco Goya (1746-1828) c.1810-12. Goya made no prints for a decade after the publication of the Caprich

FRANCISCO GOYA (1746-1828) Que pico de Oro, plate 53 (from Los Caprichos) Etching, aquatint on wove paper, circa 1797 7 1/4" x 5" Includes an old museum inscription to verso and also museum exhibition

Francisco Goya [1746-1828] Etching. Size: 12.5 in. x 10 in.

1965 Special Edition series of 40 plates, a brief condensation of the art of fighting bulls by Spanish artist Francisco Goya (1746-1828). In homage to the New York's World Fair. Engravings of bullfigh

After Francisco Goya (1746-1828) Little Prisoner. Etching on paper. Signed in plate Sight: 4.5" x 3.5"

FRANCISCO GOYA (1746-1828) Engraving on paper 18" x 12"

FRANCISCO GOYA (1746-1828) Engraving on paper 13" x 9"

FRANCISCO GOYA (1746-1828) Grouping of 5 Each title is pictured Engravings Each measure approximately 8 1/2" x 12 1/2"

FRANCISCO GOYA (1746-1828) De que mal morira Engraving on paper 16" x 12" sheet