Follower of Tintoretto (Italian, 1560-1635)

After old master Domenico Robusti Tintoretto (Italian, 1560-1635) "Penitent Magdalene" oil on canvas religious painting depicting Mary Magdalene crying over a book and looking up to the heavens, unfra

17th century Italian School oil on canvas portrait of a doge, possibly Marino Grimani (Venetian, 1532-1605), 89th Doge of Venice, after the original by Domenico Robust Tintoretto (1560-1635). Signatur

Old Master School, After Domenico Tintoretto (1560-1635, Italy), "The Penitent Magdalene," late 18th/early 19th c., oil on board, unsigned, presented in a carved wood frame, H.- 24 1/2 in., W.- 18 1/2

Luca Bertelli (active ca.1560-ca.1594), after Tintoretto (1560-1635), large contemporary copper engraving of 1582 after the altarpiece of the church San Trovaso in Venice, painted only in 1577. The Te

(Italian, 1578-1635) David with the Head and Sword of Goliath, unsigned, auction stencil verso "PB 363" possibly Parke-Bernet, 18th century or earlier, oil on canvas, 57-1/2 x 38-1/2 in.; 19th century

Reduced-scale version of the original painted around 1555-1560 and kept in the National Gallery of Art, Washington DC. Oil on canvas, framed measurements: 37 x 30 cm, canvas measurements: 28 x 22 cm.

After Pietro Santi Bartoli (Italian, 1635-1700). Two engravings in giltwood frames depicting Trajan's Column and a detail of a section of the column. Approx. 11" x 47.5" and 46.5" 10.25" (frame)

After Annibale Carracci (Italian 1560-1609), portion from "Diana and Endymion", 19th century, oil on canvas, Italian School painting depicting two putti in a landscape, apparently unsigned with Rich's

ARCHITECTURE OF THE RENAISSANCE IN ENGLAND Illustrated By A Series Of Views And Details From Buildings Erected Between The Years 1560 - 1635 by Gotch, J. Alfred Massive folio: 14 x 18.5" two volumes x

KPM (German) Hand Painted Porcelain Plaque, After Annibale Carracci "Il Silenzio", H 13" W 10" | Extremely faint signatures in the lower left and right. After Annibale Carracci (Italian, 1560 - 1609),

Pietro Santi Bartoli (Italian, 1635-1700) Trajan's Column. Disbound book with approximately one hundred etchings illustrating Trajan's Column in Rome Overall 13" x 17.5"

(17th century) Naaman Washing in the Jordan, unsigned, inscribed verso panel "A. Carracci" (Annibale Carracci, Italian,  1560-1609), oil on canvas, 11-1/8 x 7-7/8 in.; unframed

PIETRO SANTI BARTOLI (Italian 1635-1700) TWO PRINTS, "Naval Battle Scenes," 17TH CENTURY, engravings on laid paper; each sheet 6" x 17 1/2", framed 20 3/4" x 26 3/4". Provenance: Reverend Edward Bader

After TINTORETTO (Italian, 1518-1594), "Bacino di San Marco con la Chiesa della Salute, Venezia," oil on canvas, (Approximate dimensions - canvas: 24 x 36 inches, framed: 30.25 x 42.25 inches); titled

Jacopo Robusti Tintoretto Italian 1519-1594 portrait oil painting. 17" Height x 12" width. Frame is 3".

D. Emmanuel Marti (Italian) after Pietro Santi Bartoli (Italian, 1635-1700). Copperplate engraving entitled "Pompe" from "Admiranda Romanarum Antiquitatum" (The Wonders of Ancient Rome), ca. 18th cent

Attributed to Annible Carracci, Italian-1560-1609 Penitent Madonna with Crucifix Etching 3.625x5 Italian painter, plate marked "A.C.IN" lower left, plate marked "XVII" lower right. Probably first-seco

Annibale Carracci. (Italian, 1560-1609). The Appearance of Christ to St. Peter. Antique Steel Engraving on Wove Paper after the Original Painting by Master Engraver Henry Robinson (English, 1796-1871)

Pietro Santi Bartoli (Italian, 1635-1700) An Underground Sepulcre. Engraving Sight: 13.5" x 9.5" Frame: 25.5" x 21.5"

Two framed vintage engravings after Annibale Carracci (Italian, 1560-1609). Each depicting figures in a landscape setting. Artist identification: An.Carac, engraved at the lower left corner of the eng

Giuseppe Bonatti, map of British Isles, Giuseppe Bonatti (Italian, 1635-1681), "Le provincie che sono all'ouest dell'Inghilterra", c. 1796, 12.5"h x 17"w (sheet), unframed Provenance: Property from a

Pair of Baroque Etchings, including: Maria Magdalene, 29, and Providentia, 27, Dom. Cunego (Italian, 18th century) after Carracci, Annibale (Italian, 1560 - 1609), circa 1772, etchings on paper, signe

Ex-collection of Charles Dent. Oil on canvas laid down. Apparently unsigned. Mythological dream. Dimensions: (Frame) H 16" x W 19", (Sight) H 10.75" x W 13.5" Condition: Some loss of gilding to frame.

Raphael Sadeler I (Italian ca. 1560-1628/32)- ''The Supper at Emmaus'' (Bartsch 30); (Le Blanc 35); (Hollstein 43)- etching and engraving, 1593, possibly after the painting by Jacopo and Leandro Bassa