Follower of Amb. Benson (Italian, ca. 1495-1550)

AMBOISIUS BENSON ODER JAN VAN HEMESSEN Um 1495 Lombardei / 1550 Brügge - 1500 Hemiksen (bei Antwerpen) / 1566 Haarlem (attr.) BEWEINUNG CHRISTI MIT MARIA, JOHANNES UND NIKODEMUS Öl auf Eichenholztaf

Follower of Jacopo Bassano (Jacopo dal Ponte) (Italian, ca. 1510-1592) Departure of Abraham for Canaan oil on canvas 40 1/2 x 52 3/4 inches. Property from the Collection of Mr. and Mrs. Martin Scott,

Italian Patinated Bronze of Mercury, fourth quarter 19th century, after the ca. 1550 sculpture by Benvenuto Cellini (Italian, 1500-1571), cast inscription "B. Cellini" at edge of base, h. 25-1/2", w.

Jan Sadeler I (Flemish, 1550-1600) after Cornelis Cort (Flemish, 1533-1578) after a painting by Polidoro da Caravaggio (Italian, ca. 1499 - ca. 1543). Old Master etching depicting the Adoration of the

Marcantonio Raimondi (Italian, 1480- 1534) "The Virgin of the Fish" etching, ca. 1500-1550. Size: 10.25'' x 8.75'', 26 x 22 cm (image); 16.5'' x 14.25'', 42 x 36 cm (board).

Italian Patinated Bronze of Bartolomeo Colleonifirst half 20th century, variant after the ca. 1488-1495 sculpture by Andrea del Verrocchio (Italian, 1435-1488) now in the Campo Santi Giovanni e Paolo,

Follower of Antonio David (Italian, 1698-1750) "Prince Charles Edward Stuart, 'Bonnie Prince Charlie' (1720-1788)", ca. 1730-1745 oil on canvas unsigned, painted after the original commissioned in Rom

This large XVI 16th century (ca. 1550) Flemish old master oil on panel depicts the divine appearance of the Madonna and Child uniting a royal couple. To the lower left is Saint Anthony, accompanied by

New Kingdom, Ca. 1550-1070 BC Finely modelled in the form of human-headed Imsety, one of the Four Sons of Horus, guardian of the liver wearing a beard with a curled tip and voluminous wig, the face wi

Ancient Egypt, New Kingdom, 18th to 20th Dynasty, ca. 1550 to 1069 BCE. A stunning and skillfully-carved upper section of a coffin lid depicting an anthropoid face in relief, hand-carved from finely-g

Chaucer, Geoffrey. THE WORKES OF GEFFRAY CHAUCER NEWLY PRINTED, WITH DYVERS WORKES WHICHE WERE NEVER IN PRINT BEFORE. London: Thomas Petit, [ca. 1550]. 11.75" x 8". Final blank leaf wanting, 15 leaves

Egypt, New Kingdom, ca. 1550 to 712 BCE. A pink sandstone sarcophagus section carved in the form of a profile portrait head. The ancient Egyptians created sarcophagi to form an outer layer of several

Italien/Frankreich/Schweiz, Bestandteile ca. 1550 bis um 1610. Kombiniert wohl im 17. -18. Jh. Einteilig geschlagene Glocke eines Prunkhelms mit Gebrauchsspuren, italienisch, um 1550. Dieselbe fläc

Back at auction due to non-paying bidder? Ancient Egypt, New Kingdom to Late Dynastic Period, 18th to 31st Dynasty, ca. 1550 to 332 BCE. An incredibly rare set of raw frit balls used to create a myria

Western Europe, probably Italian, ca. 1600 CE. A rare, huge tilting lance, a wooden pole arm weapon capped by a sharp steel point with long langets studded with nails affixing it to the pole. A thin s

**First Time At Auction** Italian Renaissance, ca. 15th to 16th century. A bust-length portrait of Neptune (Poseidon to the Greeks) - the son of the Titans Cronus and Rhea, brother to Zeus, and Olympi

Inca Empire. ca. 1400 - 1550 AD. Large Ariballo. A large and extremely rare storage vessel with an abstract animal head knob and two handles for hanging, painted in red, brown and black resist fired c

Spanish school of ca.1850. Follower of BARTOLOMÉ ESTEBAN MURILLO (Seville, 1617 - 1682). "The Good Shepherd. Oil on canvas. With its original canvas. With inscription on the back "Copy of the orig

Follower of CANALETTO (Italian, 1697-1768), The Grand Canal, Venice, oil on canvas (laid to board), canvas: 26 x 35 inches, framed: 27.75 x 37 inches, not signed.

Gio Ponti Storage wall, ca. 1950 Italian walnut, lacquered wood, glass, brass. Manufactured by Singer & Sons, Italy. 48" H x 78.5" W x 14" D

**First Time At Auction** Pre-Columbian, Colombia, Sinu, ca. 1000 to 1550 CE. A beautiful and wearable necklace strung in modern times with dozens of ancient stone and 5 high quality gold beads 81.4%

Cesare Lapini (Italian/Florence, 1848-ca. 1893) "Bust of a Nymph with Bird", 1895 marble incised signature, localized "Firenze" and dated, on a socle base. h. 25", w. 12-1/2", d. 8"

GERMAN/ITALIAN SCHOOL (FOLLOWER OF TITIAN) Master, active about 1800. DIANA BLINDFOLDS CUPIDO'S EYES Oil on canvas. 32 cm x 41,5 cm (47 cm x 55 cm). Part. min. old restored. Frame. Provenance: Europea

Follower of Michele Marieschi (Italian, 1696-1743) The courtyard of the Palazzo Ducale, Venice oil on canvas 27 1/2 x 42in (69.9 x 106.7cm) Footnotes: The present work is based on the larger, original