F. VALEGIO (*1560) after HOGENBERG (*1535), Bird Show Plan Cairo, around 1595, Copper engraving

Grand piano 1/4 tail, made around 1905 in Caoba (mahogany) called “Ojo de Pajaro” (Bird eye). All the bronzes are signed by the artist inside. 1847 is the year of the installation of Joseph-Gabrie

Alessandro Pianon Pulcino glass bird, Vistosi, Italy 1960s, copper legs by Peter Pelzel, this model was designed in 1962 and first show in "Domus" in April 1962, good condition, 9" height

"Glossy Ibis" IBIS FALCINELLUS. Male Adult, Drawn from Nature by J. J Audubon, F.R.S.F.L.S, Engraved Printed and Coloured by R. Havell 1837. No. 78 Plate CCCLXXXVII. this original aquatint copper plat

i. Troupiale nour, de St. Domingue, plate 53410" x 8 1/2" (25 cm x 22 cm )ii. Choucas, des Philippines, plate 60310" x 8 1/2" (25 cm x 22 cm)iii. Coucou, des Philippines, plate 8249" x 8" (23 cm x 20

18th/early 19th Century, hand-colored engravings drawn by François Nicholas Martinet (c. 1760-1800), including six prints from Histoire Naturelle, Insectes, engraved by Benard, in matching frames, 21

Laureano Atlas (1743 - 1773) Nuestra Señora Del Santisimo Rosarioen la Yglesia de Santo Domingo signed and dated 1759 (lower right) copper engraving on finely–combed cottonBinondo, Manila 30

Choisy Le Roi Majolica Vase c.1880, 28'h, 22"w, designed by Paul Comolera, formed as two large eagles and smaller birds around a Corinthian capital and fallen pediment , all upon a leafy earthy ground

铜胎珐琅圆形天堂鸟鼻烟壶(乾隆年制) Famille-rose Enamel on Copper Birds and Flowers Vase Snuff Bottle (Qi

Orbis Terrarum Typus de Integro Multis in Locis Emendatus. Petrus Plancius (1552-1622). Copper-plate engraving with original hand color in full. Amsterdam, 1594. Some stains, creases, folds. Sight siz

de Bry, Johann Theodor. German (1561-1623). Five botanical plates from "Recueil de Plantes Desinnees," published in Frankfurt by the Merian family, c.1770. Hand-colored copper-plate engravings. Unfram

Frederick Edward (F.E.) McWilliam (Irish, 1909-1992), "Bird Watcher I"-1964, bronze with black patina, from an edition of five, inscribed with initials and numbered "McW 1/5" on base. Surrealist figur

Alessandro Pianon for Vetreria Vistosi Glass and Copper Pulcini Bird 1960s Of cube form, in transparent sea-green colored glass, internally decorated with alternating blue and red murrines and with ap

CHINESE GILT COPPER ENAMEL BIRD, QIANLONG PERIOD, QING DYNASTY; H. 35 cm.W. 22 cm.Weight 4550 gram.

Martinet, Francois Nicholas (French, 1725-1804), Petite Perruche, du Senegal & Barbu, de Maynas, handcolored engravings from "Histoire Naturelle des Oiseaux" by Georges-Louis Leclerc and Comte da Buff

Lot #161 through #170 are the items used in old south "J.D. Morgan Tent Show", the show was ended around 1910 and these items are left from one of the performers of the show. The photo of the performe

Made by the Pulver and Chicle Mfg. Co. Circa 1899. This highly collectible vendor is made with embossed lithographed tin casing. Shows some wear around the glass. Featuring the Foxy Grandpa character,

6' John Deere 4-Legged Logo Farm Implements Double Sided Porcelain Sign TAC 9 & 8.75. DSP (double sided porcelain) sign has excellent color and gloss with a clean display. Shows tiny chips around the

DESCRIPTION: Fine Chinese embroidered textile depicting peacocks, chickens, and other birds in and around a tree with hanging vines, including some in birds in flight and two birds in a body of water.

CHINESE QING DYNASTY COPPER TIRE ENAMEL BIRD CUP ; H. 31 cm. W. 20 cm. Weight 73500 gram.

W:19cm H:29cm Weight:1936g

Alessandro Pianon (1931-1984 Italian) ''Pulcino'' Bird 1960's Blown Glass 9.25''x5.5''. A grey bodied modern bird form with original copper legs. Unmarked. Excellent condition. Scattered interior smal

Leica M4 KE-7A Nr. 1294870 with 50mm Elcan f2 Nr. 276-0262 with lens cap. Recently serviced and working as designed. Lens shows traces of etching around edges but is otherwise clean and clear, and the

A CHINESE SCHOOL 19TH CENTURY PAINTING 'CONVENTION OF PEKING' Watercolor, gouache and ink on paper, with a paper mount and wooden end bars China, around 1860 This painting shows an interesting subject

Pre-Columbian, north coast of Peru, Sican/Lambayeque culture, ca. 10th to 11th century CE. An incredible mask made of hammered copper, with small pierced holes around the edges for affixing it. Twelve