ETCHING AFTER PIERO DELLA FRANCESCA THE CRUCIFIXION

Piero della Francesca (1416-1492)-manner,Portrait of a man looking to the right with red cap and red coat in front of dark background oil on wooden panel framed

Lot 2 PIERO DELLA FRANCESCA Portraits, no apparent inscriptions or mark to piece, subject a portrait of Federico da Montefeltro and his wife, lithographs of paintings, frames measure 15 x 20 1/2 inche

PIERO DELLA FRANCESCA Mark Greenberg (1992). London / Thames and Hudson. CHF 20 / 40 EUR 20 / 40

Lot 2 PIERO DELLA FRANCESCA Portraits, no apparent inscriptions or mark to piece, subject a portrait of Federico da Montefeltro and his wife, lithographs of paintings, frames measure 15 x 20 1/2 inche

after Piero Della Francesca, The Duke of Urbinio portrait oil on board painting. Painted by Janet Thorton. Signed. Label on verso. Framed. Size: 24x18 image, 30x24 outside frame

PIERO DELLA FRANCESCA Height: 10 in. by Width: 8 in. by Depth: 1

Coniugi. Acrylic on canvas. Cm 40,00 x 30,00. Signature lower right. At the back signature and Piero della Francesca Art Gallery, Arezzo. Studio Frnaz Borghese Archive, Milan, authenticity certificate

Joseph Wolins,Am.1915-1999, Rehearsal, O/C, verso stretcher signed and dated, recto signed lower left. Note: Wolin's influences included Piero della Francesca, Mantegna and Giotto. He studied at the N

Joseph Wolins,Am.1915-1999, Brothers at the Quarry, O/C, dated verso along stretcher, signed lower right. Note: Wolin's influences included Piero della Francesca, Mantegna and Giotto. He studied at th

ITALIAN SCHOOL (19TH CENTURY), LOT (2) WATERCOLOR WITH GILT HIGHLIGHTS ON PAPER, ANGELIC PORTRAITS, IN MANNER OF PIERO DELLA FRANCESCA, WITH GILT FRAMES. HEIGHT 11"

Joseph Wolins,Am.1915-1999, Cellist, O/C, signed lower left. Note: Wolin's influences included Piero della Francesca, Mantegna and Giotto. He studied at the National Academy of Design between 1935 and

Unique ladies wristwatch with two faces on dial one is portrait of Beatrice SForza and other is Frederico Da Montefeltro, , Watch also Marked on back for the artist Piero Della Francesca 1465, 842, ca

Also includes The Age of the Renaissance, American Impressionism, Piero Della Francesca by Eleonora Bairati, Images From The Floating World: The Japanese Print by Richard Lane, Sculpture of the 80's,

Daumier Drawings, Les Lettres Et Les Arts Revue Illustree Troisieme Anner Juillet 1888 Paris, Honore Daumier Married Life, Piero Della Francesca, Jacopo Bellini The Louvre Album of Drawings, Marco Val

66 Publikationen, England - American and European Paintings - Piero della Francesca - LA PINACOTECA - Views of Venice 1492-1880 - THE AMERICAN LANDSCAPE - The Church of the Madonna dell'Orto - Madame

John Silk Deckard (American, 1938-1994). An etching titled "Crucifixion" depicting a body on a cross. Pencil signed, titled, and marked A/P Imp. lower center. Mat opening: 9-1/2in x 6-1/2in. Frame: 18

Piero Dorazio, etching, Piero Dorazio (Italian, b. 1927), Untitled, 1970, etching, pencil signed and numbered (38/80) below image, 13.75"h x 19.75"w (sight), 25.75"h x 31.75"w (frame) Provenance: From

(4) Vols important Italian art books, Includes: Andrea Busiri Vici, Jan Frans Van Bloemen "Orizzonte", Ugo Bozzi, 1974, hardcover in jacket; Roberto Longhi, Piero della Francesco 1927 con Aggiunte Fin

This captivating artwork "Veduta della fonte e delle spelonche d'Egeria fuor della Porta Capena" is part of a collection by the renowned Italian artist Giovanni Battista Piranesi. The collec

After REMBRANDT Crucifixion Etching. 18 x 15 1/4 in. (plate)

Etching. "Veduta Della Villa Estase in Tivoli". From a Stamford, CT collection. - Dimensions: 19" high x 28" wide

GIOVANNI BATTISTA PIRANESI (Italian 1720-1778) AN ETCHING, "Veduta della Basilica di S. Lorenzo fuor delle mura, Piranesi F.," LATE 18TH/EARLY 19TH CENTURY, on laid paper, decent impression, complete

Giovanni Battista Piranesi etching Veduta della Basilica di Santa Maria Maggiore. Measures 30.5" x 25.5" framed.

The Leopard by Giuseppe Di Lampedusa. This copy is hand-numbered '186' of 750 copies with an etching by Piero Guccione on the frontispiece who signed on the limitation page in rear. The Limited Editio