Emile Haumont aquatint

Emile Amero (American 1901-1976)- Seated Man with Hare- aquatint, 1969, signed and dated in pencil, very minor stains in margins. 8 3/4 x 7 1/2''

(lot of 2) Framed aquatint etchings on paper, including: (1) "Chaumiere" (Cottage), signed lower right Louis Haumont (French, 20th c.), (1) Canal, signed lower right Renarof (?), numbered 50/ 350, sig

Pencil Signed and dated Aquatint by Frencg artist Paul Emile Lecomte. Paper marked with stamp and date in lower left as shown and signed in lower right. Good condition as shown, see photos. Measuring

A group of (6) Emile Jean Horace Vernet (French, 1789 - 1863) aquatint engravings in color depicting fashions of the early 1800's for both men and women. Each is titled lower center and presented in a

EDOUARD MANET (FRENCH, 1832-1883), ETCHING & AQUATINT IN BLACK INK, PLATE SIZE: H 3 3/8", W 6 7/8", "OLYMPIA":From the 1st edition issued in 1867 for Emile Zola (size of edition: 600 prints) but vi/vi

Paul Emile Felix (French Early 20thc.) "Le Petit Voleur, " etching and aquatint, signed in pencil, lower right, numbered 162/350, lower left, matted and framed. Dimensions: 15.5 x 11.75 in. i

Charles Emile Jacque (French, 1813-1894) Hotellerie, 1864, etching and aquatint. Size: 16" x 11.75", 41 x 30 cm (sheet).

After Fernand Leger "Femme Tenant un Vase," Jacques Villon (1875-1963) "Femme a la Cruche" 1928, etching and aquatint on paper mounted on board. Colors brilliant. Jacques Villon, born Emile Me´ry F

Jean-Emile Laboureur (French, 1877-1943) La Maison de Marie, 1925 etching and aquatint signed and numbered 31/45 in pencil 5 1/2 x 3 5/8 inches. Provenance: Richard Reed Armstrong Fine Art, Chicago, I

AUDUBON, John James (1785-1851). Hooping Crane, Plate 226. Whooping Crane, Grus americana Variant 1. First Edition Engravings with Original Hand Color. London: Robert Havell, 1827-1838. Watermarked: J

Audubon, John James (1785-1851). Snowy Owl, Plate 121. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. Dimensions Comparable: Arader, 2015 - $198,250. James Audubon’s

AUDUBON, John James (1785 - 1851). Hooping Crane, Plate 226. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 1/4" x 38" sheet. Comparables: Arader Galleries, 2018 - $

AUDUBON, John James (1785 - 1851). Common American Swan, Plate 411. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 5/8" x 38 1/2" sheet, 37" x 49 3/4" framed. Compar

AUDUBON, John James (1785 - 1851). Fish Hawk or Osprey, Plate 81. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38 3/8” x 25 1/2” sheet. Comparable: Arader

AUDUBON, John James (1785 - 1851). Carolina Parrot, Plate 26. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 37 1/2" x 24 1/2" sheet. Comparables: Arader Galleries, 201

Emile Galle Rare Chauve Souris lamp France, c. 1900wheel-carved and acid-etched glass, bronze 17 h × 8 w × 8.5 d in (43 × 20 × 22 cm) Incised signature to shade 'Galle'

AUDUBON, John James (1785 - 1851). Wood Ibis, Plate 216. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25" x 37 1/4" sheet. Comparables: Arader, 2015 - $136,640; Guern

KIDD, Joseph Bartholemew (1808-1889), after John James Audubon (1785 - 1851). The Baltimore Oriole. Oil on canvas. Ca. 1831-1833. 26" x 20 1/2" canvas, 30 1/2" x 25" framed. Provenance: Mrs. John Jame

Audubon, John James (1785-1851). Ivory-Billed Woodpecker, Plate 66. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 3/4” X 37 1/2” sheet, 37” X 49 1/2” framed

AUDUBON, John James (1785 - 1851). Ivory-billed Woodpecker, Plate 66. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 37 1/2" x 25" sheet, 45 1/4" x 32" framed. Comparab

Emile Gallevase Nancy, France marquetry and inlaid glasscarved signature  14"h x 4.25"dia

Richard Diebenkorn (1922-1993) American, Original Etching, Aquatint and Drypoint 1/60 printed in colors on Rives BFK wove paper.Abstract geometric piece in primary colors. Titled “Red Yellow Blu

Emile Galle (French, 1846-1904) Vitrine, c. 1900 mixed woods signed 'galle' in marquetry H 56 1/2 x W 25 x D 15 1/2 inches.

Audubon, John James (1785-1851). Great Cinereous Owl, Plate 351. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38” x 25 1/4” sheet, 46” x 34” framed. Comparabl