Eli Levin (NM 1938- ) Lithograph, "Face on the Barroom Floor".

Dan Mieduch (1947- ), The Face on the Barroom Floor, oil on board, 18 x 24, signed lower left: © DAN MIEDUCH 1991., Provenance: Trailside Galleries, Scottsdale, AZ (label verso) From a Private Coll

THOMAS HART BENTON (American 1889-1975) A PRINT, "Rainy Day," SIGNED, NEW YORK, 1938, lithograph on cream wove paper, signed in pencil L/R "Benton," from the edition of 250 published by Associated Ame

Joan Miro L'Ete 1938lithograph in colors 14 h × 10.5 w in (36 × 27 cm) Printed signature to lower left 'Miro'. This work is from the edition of 2000 published by Teriade, Paris.

Thomas Hart Benton, (American, 1888-1975), Haystack, 1938, lithograph, signed in pencil lower right, 10.25" x 12.75"

Lot 56 Thomas Hart Benton American (1889-1975) I Got a Gal on Sourwood Mountain (1938) lithograph from an edition of 250 published by Associated American Artists, NY signed in pencil lower right, sign

Grant Wood (American 1891-1942)January, 1938Lithograph signed lower leftSigned in pencil lower right AAA edition of 2509 in. h. x 11 3/4 in. w. matted and framed

Peter Max Lithograph, abstract face, pencil signed and dated 73' lower right, I/L lower left, embossed lower left corner, 6 3/4 x 6 3/4 inches sight size, 9 1/2 x 9 1/2 inches overall.

Grant Wood (1891-1942) January 1938 The lithograph published by Associated American Artists in an edition of 250 prints on GCM watermark wove paper is signed by the artist in pencil below the image lo

John Steuart Curry (1897-1946) The Prize Stallion 1938 The lithograph published by Associated American Artists on Rives watermarked paper in an edition of 250 prints is signed by the artist in pencil

Thomas Hart Benton (American 1889-1975)- ''Approaching Storm'' (Fath 25)- lithograph, 1938, edition of 190 plus 10, The Print Club of Cleveland publication no. 18 for 1940, Exhibited: Art of Lithograp

Grant Wood (American, 1891-1942) July Fifteenth. Lithograph, 1938. Pencil signed lower right from the edition of 250, published by AAA, NY. Reference: Johnson 6; Czestochowski W-14 9" x 12" Frame: 14

Thomas Hart Benton (1889-1975) Haystack 1938 The lithograph signed by the artist in pencil below the image lower right published by Associated American Artists, New York in an edition of 250 prints pr

PABLO PICASSO (1881-1973) "PORTRAIT DE JACQUELINE DE FACE II" (B. 1063, Ba. 1280) Year :1962 Linocut in colors, on Arches paper Dimensions with full margins : 64.1 cm x 52.7 cm ; S : 75.2 cm x 61.9 cm

Mario CEROLI (1938) Sculpture double face nommée « La Bocca from La Verita », Bois, vers 1965. 193 x 232 x 21 cm * Vendu sur désignation

Benton, Thomas Hart (American, 1889-1975), I Got a Gal on Sourwood Mountain, 1938 (Fath # 19), lithograph, 12.5 x 9.25 inches, pencil signed lower right, from the edition of 250 Published by Associate

Walter Dexter (1876-1958) Cromer Gem of the Norfolk Coast , original poster printed for LMS LNER by London Lithograph c.1938 - 102 x 127 cm

Thomas Hart Benton (American, 1889-1975) Edge of Town. Lithograph dated to 1938, edition of 250. Ref: Fath 22. Signed within the print and pencil signed LR Sight: 8.75" x 10.75" Frame: 16.25" x 17.75"

Jim Nutt (American, b.1938) 'I've Been Waiting' Lithograph and 'Who Chicago?' Clam Shell Book 1980, lithograph pencil signed lower right verso, #77/125 lower center and the accompanying specially boun

Marc Chagall (French/Russian 1887-1985), black and white lithograph depicting two human faces over a cityscape on the right, with a bouquet of flowers in a vase and an animal standing on its hind legs

August Bleser Jr. (1898 - 1966), oil on canvas, story illustration man leaning over reclining woman "The Face" Redbook magazine, March 1938 in blue and black, signed upper left Bleser, sold at Illustr

MERKEL, Anna (1903 – 85). Al G. Barnes – Sells Floto and John Robinson Combined Circuses. The Human Fly. Erie: The Erie Litho. Co., ca. 1938. One-sheet offset color lithograph advertising

Thomas Hart Benton stone lithograph from the original 1938 work titled "Haystack". Pencil signed lower right. Professionally framed and matted. Measures 21" x 18" total with a 10 3/4" x 13 1/4" double

Rufino Tamayo (Mexican, 1899-1991) Dos Caras (Two Faces) (Pereda 155), 1973 Lithograph on Rives Paper ed. 17 of 100 22 x 30 (in) 28.25 x 36.25 x 1.5 (in) Framed Signed in pencil R. Tamayo, lower middl

Vija Celmins (American/Latvian, b. 1938) Galaxy (from Untitled Portfolio), 1975 lithograph signed, dated, and numbered 59/75 in pencil 12 1/2 x 16 1/2 inches. Printed by Cirrus Press, Los Angeles Publ