El Pelele Goya

(Spanish 1746-1828) "El Sueno de la Razon Produce Monstruos" Plate no. 43 from "Los Caprichos", etching, aquatint, drypoint, and engraving. Good impression on wove paper with dark umber ink. Reference

Artist: Francisco Goya Title: El de la Rollona Year: c. 1803 Dimensions: 11.5in. by 8.25in. Edition: From the rare limited edition Suite: Los Caprichos

Francisco de Goya Y Lucientes or Goya. El Agarrotado (The Garrotted Man) (The Executed Man). Antique hand pulled copper plate etching on laid paper after the 1778/1780 original by renowned master engr

After Goya, José María Galván y Candela, Sp. 1837-1899, El entierro de la sardina, engraving 8 3/4 x 6 1/2, framed 23 1/2 x 17 1/2

Artist: Francisco Goya Title: Tras El Vicio Viene El Fornicio Year: 1904 Dimensions: 9in. by 13in. Edition: From the rare limited edition Publisher: La Real Aca

Artist: Francisco Goya Title: Tras El Vicio Viene El Fornicio Year: 1904 Dimensions: 16in. by 12in. Edition: From the rare limited edition Publisher: La Real Ac

Painting after El Coloso by Goya, c1975 Painting: 23.54" x 33.5" Frame:29.5" x 39.25" El Coloso/ The Colossus (Source: Wiki) The Colossus (also known as The Giant), is known in Spanish as El Coloso an

Artist: Francisco Goya Title: Que Viene el Coco Year: 1799 Dimensions: 11.5in. by 8.25in. Edition: From the rare limited edition Suite: Los Caprichos

Artist: Francisco Goya Title: Las rinde el sueno Year: 1799 Dimensions: 11.5in. by 8.25in. Edition: From the rare limited edition Suite: Los Caprichos <

Francisco Goya (1746-1828) was a Spanish painter and printmaker, widely considered one of the most important artists of the 18th and 19th centuries. He was born in Fuendetodos, Spain, and spent much o

Francisco Goya (1746-1828) was a Spanish painter and printmaker, widely considered one of the most important artists of the 18th and 19th centuries. He was born in Fuendetodos, Spain, and spent much o

FRANCISCO JOS&#201; DE GOYA Pepe Illo Haciendo el Recorte al Toro. Etching and aquatint, 1815. 245x355 mm; 9&#190;x14 inches, wide margins. First edition. From La Tauromaquia. A superb, early impressi

Print by Francois Lienard, Paris. [Image: 8 1/4 x 12 5/8 inches; Frame: 18 1/8 x 21 7/8 inches]. In good condition.

Francisco de Goya (Spanish, 1746-1828) etching and aquatint, El Amor y la Muerte (Love and Death), from Los Caprichos, plate 10. Circa 1799. Titled in plate lower to the center. Framed. The auction la

Francisco Jose de Goya (Spanish, 1746-1828). "El si Pronuncian y la Mano al Argan, al Primero que Ilega" - 1790s, etching and aquatint. Titled lower center, COA from Nathan Daniel Isen, Philadelphia.

Francisco de Goya y Lucientes (Spanish, 1746-1828), "El sueno de la razon produce monstruos (The sleep of reason produces monsters)", as Plate 43 in "Los Caprichos", etching and aquatine on paper, fif

(lot of 2) After Francisco Jose de Goya y Lucientes (Spanish, 1746-1828) "El de la Rollona" and "Cual la descanonan" etchings and aquatints on paper, plate 3 and 21 from "Los Caprichos," unsigned, ove

FRANCISCO JOS&#201; DE GOYA Los Proverbios: Additional Plates. Complete set of 4 aquatints with etching. Dos a Uno, Meten la Paja en el Culo * Bailando en una Cuerda Floja * Quien se pondr&#225; el ca

FRANCISCO JOS&#201; DE GOYA Dos a Uno, Meten la Paja en el Culo. Aquatint and etching, circa 1824. 245x355 mm; 9&#190;x14 inches, full margins. First published edition. Published by L'Art, Paris. From

Francisco Goya collection of five works from Los Caprichos Spain, 1799 etching and aquatint on paper 7.75 h x 5.75 w inches Lot includes Mucho hoy que chupar, El Vergonzoso, Quien lo creyera, Al Conde

CONTEMPORARY SCHOOL (21st century). El Amor y La Muerte, Oil on panel. Trompe L 'oil painting including cards, prints, postcards, Goya engraving, and others. Indecipherable signature in center; likely

FRANCISCO JOSÉ DE GOYA Y LUCIENTES (Spanish 1746-1828) AN ETCHING, "Tan Bárbara la Seguridad como el Delito," on paper. Image sight 4 1/4" x 3 1/4", sheet 6 1/2" x 9" NOTE: Tag on the back of the pa

After FRANCISCO GOYA (Spanish, 1746-1828), ''Ya Tienen Siento'', ''Soplones'', ''Que Viene el Coco'', ''Lo que Puede and Sastre'', four etchings from Los Caprichos Suite, later editions, each plate: 1

QUE VIENE EL COC (H.38V), 1797, Plate 3 from Los Caprichos, etching and burnished aquatint, from the fifth edition published 1881-1886 by Real Academia, Madrid, plate 8 ½ x 6”, Provenance: Gerhard