Egyptian Plaster Model of Leg / Foot for Sculptors

Egyptian, probably late Dynastic to Ptolemaic Periods, ca. 1290 to 30 BCE. This is a high-relief sculptor’s model done in plaster of a realistic human leg and foot with vertical grid lines preserved

Egypt, probably late Dynastic to Ptolemaic Periods, ca. 1290 to 30 BCE. This is a high-relief sculptor’s model of a falcon or other bird of prey artfully done in plaster. The falcon is perched at re

Egypt, probably late Dynastic to Ptolemaic Periods, ca. 1290 to 30 BCE. This is a high-relief plaster sculptor’s model of a falcon or other bird of prey. The falcon is perched at rest with his tail

Egypt, Late Dynastic to Ptolemaic Periods, ca. 664 to 30 BCE. A mold-formed plaster mold of a falcon head, one of the most recognizable symbols of ancient Egypt. The head is characteristically avian -

Egypt, under Roman rule, ca 1st century BCE/CE. Unusual plaster model of what I am calling a lion, but could also be a large dog - in the mastiff family. Perhaps created as a sculptor's model, the ani

Egypt, Late Dynastic Period, ca. 664 to 30 BCE. Very fine section of a limestone or hard plaster relief used as a sculptor's model. This was a common practice where an artist of the day would create t

Late Period, 664-332 BC. A limestone model head carved in the round as a bald male with semi-naturalistic facial features, slender almond eyes, bulbous nose, closed mouth, fleshy chin and roughly deli

Realistically modelled after the antique. Height 10 inches, width 12 inches, depth 4 3/4 inches.

White Plaster Sculpture Mold of Foot, Anatomical Biology Model. A detailed foot including veins and ankle, mounted to a rectangular base. Marked Sculpture House. Dimensions are 8.25 in h x 11 in w x 4

4 Orthopedic Patent Models/Salesman's Samples, c. 1880 Moving models for legs and feet, cast iron, with original lacquer, on wooden boards, mechanically operated, with several complex rotating movemen

**Originally Listed At $3500** Ancient Egypt, Ptolemaic Period, ca. 2nd to late 1st century BCE. A fine and rare limestone sculptor's model depicting Taweret, the amalgam goddess of marriage and prote

Plaster Model of a Classical Foot 16 x 32 x 14 in. The Collection of John Richardson: A Scholar Collects. Sold STAIR, Hudson, NY, September 16, 2020, Lot 50. The Collection of a Redd Kaihoi Designe

Egyptian, probably late Dynastic to Ptolemaic Periods, ca. 1290 to 30 BCE. This is a high-relief limestone sculptor’s model of a realistic human arm, including a delicately-carved elbow joint. This

A GRAND TOUR STYLE PLASTER MODEL OF A ROMAN FOOT. 15 cm x 8 cm.

Large Grand Tour Style Patinized Plaster Model of a Roman Soldier's Foot, After an Example in the Louvre Impressed mark. 17 x 27 x 11 in. The Collection of Andre Leon Talley

Jeka Kemp (French/Scottish, 1876-1967) "Sculptor with Her Plaster Model" watercolor on paper signed mid-left. Matted, glazed and framed. sight 25" x 25", framed 36" x 35"

Egypt, Late Dynastic to Ptolemaic Period, ca. 664 to 30 BCE. A lovely and sensitively modeled head of a youthful male carved from limestone that was used as a sculptor's model, perhaps to illustrate a

SHOWING A STEINWAY & SONS CONCERT GRAND PIANO, CONSIDERED A STYLE ONE . ROSEWOOD CASE CARVED LEGS AND FOOT PEDALS. MODEL NUMBER . 3163 STAMPED INTO CASE. COMES FROM THE CROTON ON THE HUDSON ESTATE .PU

Egypt, Late Dynastic to Ptolemaic Periods, ca. 664 to 30 BCE. A fabulous hand-carved limestone head of an official utilized as a sculptor's model for carving figural effigies without the individual be

Measures 8 x 8 x 3 3/4 inches.

This finely carved alabaster amulet represents the ancient Egyptians' focus on the human form and their belief in the protective power of such charms. The attention to anatomical detail suggests a hig

John Dickinson (American 1920-1982) for Sutherland Furniture. Painted plaster table with four legs rising on paw feet to the tabletop, marked on the underside with an impressed signature and manufactu

Measures 7 x 8 x 3 3/4 inches.

Plaster. Plaster model made by Mariano Benlliure for the bronze bust of the girl Mari Pepa Eznarriaga, when she was two years old. This same children's model was also used by the sculptor in another o