Daumier NYGS Lithograph "Third Class Carriage"

Artist: ALFRED STIEGLITZ Print Title: The Third-class Bridge Medium: Photo-lithograph Printed 2000’s in Italy Image size (inches) approx. 10 x 8” Alfred Stieglitzwas an American photographer a

Titanic Movie Prop "Third Class Passenger's Contract Ticket" Framed W/COA - This amazing movie prop is a framed third-class ticket from James Cameron's Oscar winning masterpiece, Titanic. These ticket

780. MARKLIN PLM PASSENGER CARS | O gauge, hand painted, three car set including first, second, and third class coaches in "Paris-Lyon-Mediterranean" colors. | Provenance: Paul Cole Collection. | 7.5"

MABEL DWIGHT Life Class. Lithograph, 1931. 250x344 mm; 9¾x13½ inches, full margins. Edition of 40. Printed by George Miller, New York. A superb impression of this scarce lithograph.We have f

Framed Roy Lichtenstein (American, 1923-1997) "As I Opened Fire" Offset Color Lithographs (triptych). Third panel is pencil signed. Edition and color correction Stedelijk Museaum, Amsterdam. Copyright

GEORGE BELLOWS Reducing, Small, Third Stone. Lithograph, 1921. 277x217 mm; 10x8 inches, wide margins. Edition of 45. Signed in pencil, lower margin, and signed by the printer, Bolton Brown and inscrib

(lot of 3) Roy Lichtenstein (American, 1923-1997), "As I Open Fire," offset lithographs in colors, third sheet pencil signed lower right, printed by Stedelijk Museum, Amsterdam, sheets (each/unframed)

Sholes Visible (Meiselbach) Typewriter, 1901 Meiselbach Typewriter Co., in Kenosha, Wisconsin. Serial no. 4337, third series with regular carriage return lever. A most bizarre typewriter design in the

Alexander Calder (American 1898-1976) pyramids. Measures 29-1/2"H x 43"W, frame 4-1/2". lithograph. Good condition, Shipping Third Party. Signed lower Right. Lower left - XXXII / L

Edward Ruscha (American, b. 1937) "America Whistles" from America: The Third Century, 1975 lithograph in colors on Arches wove paper signed and dated in pencil lower right, numbered "H.C. XIX/XXV", Ci

Robert Rauschenberg (1925-2008) Deposit, from America: The Third Century, 1975 Offset lithograph in colors with pochoir on wove paper, signed in pencil, dated and numbered 156/200 (there were also 25

Roy Lichtenstein Bicentennial Print (from the America: The Third Century portfolio) 1975lithograph and screenprint in colors sight: 27.375 h × 19.875 w in (70 × 50 cm) Signed, date

Mabel Dwight (Am. 1875-1955), lithograph on paper, 1931, Life Class (Robinson & Pirog 52), signed in pencil, dated and inscribed "Mabel Dwight 1931", from the edition of 40. Frame size: 17 7/8" high,

Ellsworth Kelly (American, 1923-2015) "Corneilla" from Third Curve series, 1973-1976. Lithograph with embossing on paper. Numbered and signed "13/16 Kelly" in pencil lower right. Gemini copyright and

Roy Lichtenstein (American, 1923-1997) "As I Opened Fire", 1964 triptych, offset lithograph in colors on wove paper third sheet pencil-signed lower right, printed by Drukkerij Luii & Co., Amsterdam, a

Ralston Crawford (American, 1906-1978) Third Avenue Elevated #3, 1951 color lithograph signed lower right and numbered lower left edition of 26 14 1/2" x 10 3/8"

France, a third quarter 19th century engraved, oval repeating carriage clock, molded top and base with five beveled glasses set in engraved frames, the top with engraved, scrolling handle, roman numer

Roy Lichtenstein (American,1923-1997). Set of 3 color offset lithographs AS I OPENED FIRE, 1964. The third panel is hand-signed by Roy Lichtenstein (as originally released). Published by the Stedelijk

PABLO PICASSO (1881-1973) Femme au Corsage à Fleurs lithograph, 1958, on Arches wove paper, signed in pencil, a proof of Mourlot’s third, final state, aside from the edition of fifty Sheet 6

AFTER PABLO PICASSO (1881-1973) Femme au Corsage à Fleurs Lithograph, 1958 On Arches wove paper Signed in pencil Proof of Mourlot’s third Final state Aside from the Edition of FiftySheet 19"

circa 1973-76; Gemini, 673 lithograph with embossing, on Rives BFK signed and numbered /16 with the Gemini G.E.L. blindstamps 29 x 22 inches

RALSTON CRAWFORD Third Avenue Elevated #1A. Lithograph, 1951. 265x440 mm; 10½x17½ inches, full margins. Signed and numbered 6/8 in pencil, lower right margin. Printed by Desjobert, Paris. A

Thomas Hart Benton (American, 1889-1975), "Gateside Conversation," lithograph on paper, depicting a regionalist scene of figures pausing their mule-drawn carriage ride to converse with a gatekeeper, s

RALSTON CRAWFORD Third Avenue Elevated #4. Color lithograph, 1952. 435x260 mm; 17x10¼ inches, full margins. Signed and numbered 27/45 in pencil, lower margin. Printed by Desjobert, Paris. A very